Ray Dalio在2008年美国金融危机之后，在Youtube上的分享的一个30分钟的视频，介绍生产效果、短期债务周期、长期债务周期的起源。这个视频对于没有任何经济学基础的人都是便于理解的。比尔盖茨对这个视频的推荐语是这样的："This knowledge would help everyone as investors and citizens. Watching it for 30 minutes is a worthwhile investment." 这些知识对每个人都有帮助，无论是投资者还是普通人；看三十分钟本身就是一个值得的投资。

Ray Dalio在2008年美国金融危机之后，在Youtube上的分享的一个30分钟的视频，介绍生产效果、短期债务周期、长期债务周期的起源。这个视频对于没有任何经济学基础的人都是便于理解的。比尔盖茨对这个视频的推荐语是这样的："This knowledge would help everyone as investors and citizens. Watching it for 30 minutes is a worthwhile investment." 这些知识对每个人都有帮助，无论是投资者还是普通人；看三十分钟本身就是一个值得的投资。

《和未来有约》由湖南卫视联袂金鹰卡通推出的六一特别节目，将于5月31日在湖南卫视播出。营造“快乐六一 尽情快乐”的节日氛围，并浅究孩子内心需求，未成年人道德建设主题晚会。

A sharp, witty, mind-expanding and exuberant foray into the world of logic with computer scientist Professor Dave Cliff. Following in the footsteps of the award-winning 'The Joy of Stats' and its sequel, 'Tails You Win - The Science of Chance', this film takes viewers on a new rollercoaster ride through philosophy, maths, science and technology- all of which, under the bonnet, run on logic. 　　Wielding the same wit and wisdom, animation and gleeful nerdery as its predecessors, this film journeys from Aristotle to Alice in Wonderland, sci-fi to supercomputers to tell the fascinating story of the quest for certainty and the fundamentals of sound reasoning itself. 　　Dave Cliff, professor of computer science and engineering at Bristol University, is no abstract theoretician. 15 years ago he combined logic and a bit of maths to write one of the first computer programs to outperform humans at trading stocks and shares. Giving away the software for free, he says, was not his most logical move... 　　With the help of 25 seven-year-olds, Professor Cliff creates, for the first time ever, a computer made entirely of children, running on nothing but logic. We also meet the world's brainiest whizz-kids, competing at the International Olympiad of Informatics in Brisbane, Australia. 　　'The Joy of Logic' also hails logic's all-time heroes: George Boole who moved logic beyond philosophy to mathematics; Bertrand Russell, who took 360+ pages but heroically proved that 1 + 1 = 2; Kurt Godel, who brought logic to its knees by demonstrating that some truths are unprovable; and Alan Turing, who, with what Cliff calls an 'almost exquisite paradox', was inspired by this huge setback to logic to conceive the computer. 　　Ultimately, the film asks, can humans really stay ahead? Could today's generation of logical computing machines be smarter than us? What does that tell us about our own brains, and just how 'logical' we really are...?

A sharp, witty, mind-expanding and exuberant foray into the world of logic with computer scientist Professor Dave Cliff. Following in the footsteps of the award-winning 'The Joy of Stats' and its sequel, 'Tails You Win - The Science of Chance', this film takes viewers on a new rollercoaster ride through philosophy, maths, science and technology- all of which, under the bonnet, run on logic. 　　Wielding the same wit and wisdom, animation and gleeful nerdery as its predecessors, this film journeys from Aristotle to Alice in Wonderland, sci-fi to supercomputers to tell the fascinating story of the quest for certainty and the fundamentals of sound reasoning itself. 　　Dave Cliff, professor of computer science and engineering at Bristol University, is no abstract theoretician. 15 years ago he combined logic and a bit of maths to write one of the first computer programs to outperform humans at trading stocks and shares. Giving away the software for free, he says, was not his most logical move... 　　With the help of 25 seven-year-olds, Professor Cliff creates, for the first time ever, a computer made entirely of children, running on nothing but logic. We also meet the world's brainiest whizz-kids, competing at the International Olympiad of Informatics in Brisbane, Australia. 　　'The Joy of Logic' also hails logic's all-time heroes: George Boole who moved logic beyond philosophy to mathematics; Bertrand Russell, who took 360+ pages but heroically proved that 1 + 1 = 2; Kurt Godel, who brought logic to its knees by demonstrating that some truths are unprovable; and Alan Turing, who, with what Cliff calls an 'almost exquisite paradox', was inspired by this huge setback to logic to conceive the computer. 　　Ultimately, the film asks, can humans really stay ahead? Could today's generation of logical computing machines be smarter than us? What does that tell us about our own brains, and just how 'logical' we really are...?

派拉蒙公司和莱奥纳多·迪卡普里奥的亚壁古道公司（Appian Way）最近买下T.J. English即将出版的犯罪小说《企业》（The Corporation）的电影版权，而本尼西奥·德托罗（Benicio del Toro）将担任该片主演。 　　《企业》这本书取材自真人真事，描写的是古巴裔美国人犯罪集团的故事，全名是《企业：古巴裔美国人地下世界的一部史诗》（The Corporation: An Epic Story of the Cuba American Underworld），该书将在明年出版。 　　本尼西奥·德托罗出演的角色叫做“小荷赛·米格尔·战斗”（Jose Miguel Battle Sr.），人称“古巴教父”。他在古巴发家，与当时的独裁者巴蒂斯塔（Fulgencio Batista）有密切关系，1959年菲德尔·卡斯特罗（Fidel Castro）领导的革命武装推翻巴蒂斯塔后，小荷赛逃到了美国。 　　和很多古巴流亡人士一样，小荷赛受到中情局招募和培训，参加了1961年的“猪猡湾入侵”，但是这场入侵古巴的行动以惨败告终，他的人中只活下来28个。之后小荷赛在美国建立起了自己的犯罪帝国，制造谋杀、参与洗钱，同时他也不忘资助古巴反对派，秘密策划刺杀卡斯特罗。 　　小荷赛的“企业”不断壮大，也引起了警方注意，一名侦探在跟踪调查了15年之后，终于收集到足够的证据，将这个“企业”彻底扳倒。 　　电影《企业》剧本将由大卫·马修斯（David Matthews）改编。

派拉蒙公司和莱奥纳多·迪卡普里奥的亚壁古道公司（Appian Way）最近买下T.J. English即将出版的犯罪小说《企业》（The Corporation）的电影版权，而本尼西奥·德托罗（Benicio del Toro）将担任该片主演。 《企业》这本书取材自真人真事，描写的是古巴裔美国人犯罪集团的故事，全名是《企业：古巴裔美国人地下世界的一部史诗》（The Corporation: An Epic Story of the Cuba American Underworld），该书将在明年出版。 本尼西奥·德托罗出演的角色叫做“小荷赛·米格尔·战斗”（Jose Miguel Battle Sr.），人称“古巴教父”。他在古巴发家，与当时的独裁者巴蒂斯塔（Fulgencio Batista）有密切关系，1959年菲德尔·卡斯特罗（Fidel Castro）领导的革命武装推翻巴蒂斯塔后，小荷赛逃到了美国。 和很多古巴流亡人士一样，小荷赛受到中情局招募和培训，参加了1961年的“猪猡湾入侵”，但是这场入侵古巴的行动以惨败告终，他的人中只活下来28个。之后小荷赛在美国建立起了自己的犯罪帝国，制造谋杀、参与洗钱，同时他也不忘资助古巴反对派，秘密策划刺杀卡斯特罗。 小荷赛的“企业”不断壮大，也引起了警方注意，一名侦探在跟踪调查了15年之后，终于收集到足够的证据，将这个“企业”彻底扳倒。 电影《企业》剧本将由大卫·马修斯（David Matthews）改编。

玛尔塔·罗德古兹和豪尔赫·席尔瓦电影的主要主题是哥伦比亚农民和土著人民长达数百年的压迫，以及他们同样长期的抵抗。虽然早期的电影用马克思主义的词汇来分析这些情况，但本土的宇宙观在后来的作品中变得越来越有影响力。这一澄清过程的结果——如果没有Coconuco当地农民的积极参与，是不可想象的——是Nuestra Voz de Tierra，Memoria y Futuro，其图像不再作为目击证人叙述的论证证据，而是形成了一个紧密编织的标志系统：景观中的沟壑，ANI的背面马尔斯，纪念碑的姿态，人们的神话和面具，以及将乐器带到生活中的呼吸。“我们的电影院也必须是美丽的，尽可能的美丽，”1982年在论坛上首次放映时，纽埃斯特拉·沃兹·德·蒂埃拉的豪尔奇·席尔瓦说。这部数字复原片是为了纪念拉丁美洲政治电影的一部重要作品，它没有将本土文化与现代性相提并论，而是将其视为一种反抗的美学。 　　The dominant subject of the films of Marta Rodríguez and Jorge Silva is the centuries-long oppression of farmers and indigenous peoples in Colombia, and their equally long resistance. While the early films analysed these conditions using a vocabulary informed by Marxism, indigenous cosmogony became more and more influential in their later work. The result of this clarification process – unthinkable without the critical participation of the indigenous farmers of Coconuco – is Nuestra voz de tierra, memoria y futuro, whose images no longer function as argumentative proof for eyewitness accounts, but rather form a tightly woven system of signs: furrows in the landscape, the backs of animals, the gestures of monuments, the myths and masks of the people and the breath that brings musical instruments to life. “Our cinema must also be beautiful, as beautiful as possible,” noted Jorge Silva of Nuestra voz de tierra when it first screened at the Forum in 1982. This digital restoration honours an important work of Latin American political cinema, one that doesn’t posit indigenous culture in romantic contrast to modernity, but rather recognizes in it an aesthetic of resistance.

面膜广告，讲述两个暧昧的人如何一步步变成恋人的过程。

男主和女主是同学兼好朋友，关系好到可以穿一条裤子的那种，因着关系太好，时常被身边的人开玩笑。他们互相倾慕，却又怕告白之后，结果，不是自己期待的…