本片是一部通过对哲学家陈嘉映教授的重要思想交流和日常精神活动的记录，专注探讨当代精神生活纪录片。片中呈现了陈嘉映教授与当代富有独立精神的思想者、学术同仁、朋友、学生等以各种形式展开的交流故事，从当下与未来，人生与事业，世界与个体，观念与常识等命题出发，探讨在深陷现代性困境的当代社会和我们的生活中，人的“精神性努力”的价值及其可能，鼓励着我们不懈的认识自我，“人是通过意义来保护自己的生存”。

《揭示之路》是一部突破类型界限的冒险电影，它以自行车为探索、梦想和发现的工具，思考了过一种充满灵感的生活意味着什么。影片探索的地区包括苏格兰的葱郁山谷、欧洲的雪山、摩洛哥的高海拔沙漠景观、尼泊尔的乡村以及阿拉斯加崎岖的沿海海滩。跟随影片一同骑行，沉浸在……

Sky News的体育报道等早间新闻。

收视最高的六点半新闻报道是主播的必争之地。在新闻电视部，资深主播文慧心（佘诗曼饰）和梁景仁（马国明饰）分成两派、平分秋色，前者一番兴风作浪，终攀上管理层之位。黄金时段女主播的空缺，引发连场风暴！早、午、晚不同时段的女主播许诗晴（高海宁饰）、张家妍（李施嬅饰）、徐晓薇（何依婷饰），三人为求上位，不顾师徒情谊、新闻道德，在公不择手段争取表现，在私互挖疮疤、互相伤害。最终，有人从“冷宫”中找到战友，有人跳出主流另觅出路，有人却成为自己最讨厌的人。新人刘艳（王敏奕饰）一腔热诚，目击明争暗斗，只求不被同化、保持理想。心以为操控结果，便能掌握权力，然而老总监和老板另有盘算，不惜揭开她的不堪往事，拉她下马，以达成最终的改革计划。大家只顾争夺眼前一杯水，却忘了身后原来有一片汪洋。

常言道：「今日新聞，明日歷史」。每天那麼多新聞，大家可能來不及消化，更遑論回望歷史。歷史就是一個大寶庫，少看歷史和小看歷史，很容易「走寶」。新節目《新聞掏寶》帶大家在寶庫「掏」新聞寶藏，除了昔日特輯、直播和系列報道，還有從未曝光的珍貴片段。

美国爱情动画短片

1970年代にオカルトブームの火付け役となった、つのだじろうの伝説的ホラーコミックを映画化。深夜2時に突然郵便受けに配達され、これから起こる不吉な未来を掲載した謎の新聞“恐怖新聞”をモチーフに、愛する者を守るため、戦慄（せんりつ）の運命に立ち向かう大学生の奮闘を描く。主演はスーパーユニット、AAAの真司郎。監督は『ライトノベルの楽しい書き方』の大森研一。異様かつ緊迫感あふれるホラーの世界が堪能できる。 　　あらすじ 　　「購読料は1年分の寿命」という文字と共に、同級生が刃物で刺されて死亡する記事を掲載した“恐怖新聞”が大学生の鬼形（真司郎）の部屋に届く。その後、記事通りの事件が実際に起こり、驚がくする鬼形だったが、そんな彼のもとに、怪奇現象研究同好会の仲間である雨宮（近野成美）が人形にのろい殺されると記された新聞が届く。

A real television newscast, the show is prepared in Toronto and runs daily, with 25-minute episodes 6 days per week. The female anchors read the news fully nude or strip as they present their news segments.

Appunti su un fatto di cronaca (Notes on a news story) is a short documentary by director Luchino Visconti, released in 1953. Visconti had already found success with his two first neorealist feature films - Ossessione in 1943 and La Terra Trema in 1947. The film opens with text overlaid against the backdrop of a city. The text tells us about the murder of a 12-year-old girl, Annarella Bracci, in the Borgata Primavalle neighborhood of Rome in March 1950. We see a young girl standing against a building, as well as artistic angles of other buildings in the neighborhood. 　　The narration begins as well with a wider landscape shot of the neighborhood. We see boys playing cards. A wide shot of a beach. The camera hovers for some time on a wide shot of the beach and then turns to a close-up of two young men playing a tennis-like game. We return once again to the girl, and it seems the narrator is indicating that this girl is the girl featured in the news story at the beginning of the film. We then cut to the site of the girl's murder, where we see a memorial and flowers set up. 　　Some have called Appunti su un fatto di cronaca a pure attempt at neorealism, in that there is virtually no mediation between the camera's lens and the neighborhood people as Visconti captures them. There is some poetic sense of course with the style of the visuals, the camera angles, as well as the music that creeps in toward the beginning and the end of the film. Likewise, the narrator takes some license with flourishes that are quite poetic - "We resign ourselves to a handful of wildflowers and a painful catch in the voice".

A reporter risks his life to get to the bottom of a stack of lies, corruption and murder surrounding the opening of a local power plant.