A man travels to the eastern coast of Korea carrying the ashes of his deceased wife. He hopes to scatter them in a place closer to her hometown, which lies near the demilitarized zone separating North from South Korea, but along his journey he becomes burdened with the deaths of two more women who cross his path. At the same time, a nurse attempts to escort the dying chairman of a business conglomerate to his hometown, which is also located just to the north or south of the DMZ. Pursued by henchmen of the chairman's son, a politician who wants to keep his father's journey out of the press, the nurse comes across the man carrying the metaphorical "three coffins."

故事围绕着一对争吵的夫妇展开，他们在开车去阿姨家的路上迷路了，然后不由自主地被吸引到了树林里的一座奇怪房子前。有几个恐怖片爱好者正在这座房子里露营，因为这里曾发生过一些离奇又血腥的事情。他们根本不知道接下来会遭遇什么。这部恐怖片之所以如此出彩，是因为恐怖情节来得十分意外，而且……

The third of the short films on the Best v Best Vol 2 DVD that I watched made me think that perhaps I am doomed to be on the outside looking in with all the films. I say this because Wayfarers just cracked on into what it wanted to do without really giving me anything to help me come along with it. With other films this was a minor issue but here it was a big one. A ten minute look around the grounds and patients within some sort of home for the mentally challenged is fine and it was reasonably interesting but the approach meant it was never more than that. I saw the people and the place but never felt anything for them or understood the wider aim of the film. Is this home part of a bigger failure in Ukraine to deal with the needy of society? I have no idea and, despite having watched this film, still have no idea. Visually the film is great. I really liked the black and white and enjoyed the mix of mobile shots, candid shots and portrait-like, silent frames of the people. It helps it a lot although the failure in the material cannot be redeemed solely by this strength. Overall then, stylistically an interesting film but one where it cries out for context and some sort of help for the audience. For viewers who are aware of the bigger picture or of the relevance, this may prove touching but for myself it was well put together and sadly nothing more than that.

映像作家の宇治茶が監督・脚本・編集・キャラクターデザイン・作画・撮影を1人で担当し、アニメーションと劇画を融合させた「ゲキメーション」という表現方法を用いて完成させた異色長編アニメ。日本の山奥の村に暮らすアメリカ人少年のボビーは、数少ない友人であるあっくんと猫のデレクを連れ、遊びに出かける。その道すがら、娯楽施設「バイオレンス・ボイジャー」と書かれた看板を発見し、施設に足を踏み入れるボビーたち。そこで彼らが出会った少女・時子は、数日前からここから出られずにいるという。さらに、先客として迷い込んでいた村の子どもたちは、謎の白スーツを着た子どもの襲撃を受け、次々と捕獲されてしまう。時子の救出と復讐のために、ボビーたちが立ち上がるが……。ボビーの声を「魔法少女まどか☆マギカ」の悠木碧が担当するほか、「ココリコ」の田中直樹、「サバンナ」の高橋茂雄、田口トモロヲらが声優として参加。ナレーションを松本人志が務める。

在埃及法老图坦卡蒙的陵墓深处，一具石棺被发现并送往加利福尼亚科学研究所。X光扫描显示，石棺内藏有五颗钻石般的水晶。技术员彼得·夏普偷走了这些水晶，却没有注意到强烈的X光意外唤醒了一种邪恶的绿色真菌。当石棺在大学新闻发布会上被打开时，现场的记者们发现了超乎想象的情况——木乃伊不见了……因为“时间旅者”已经复活！

A mysterious sign, a lost diary, a daring journey down canyons of the West and across France in search of three voyagers from 1938.

导演柯子建称，国立故宫博物院南部院区将于年底在嘉义开幕。嘉义是台湾历史上最早开发的地区之一，在历史、宗教和工艺等方面都具有重要意义与代表性。为使影片更加逼真，制作团队运用了实景合成、电脑绘景、历史重现以及4K拍摄等高端技术进行拍摄，并结合中研院学者、国立故宫博物院研究员的研究成果与精品典藏，将一亿多年前直至21世纪的嘉义故事生动地呈现在观众眼前。

3月18日，上海广播电视台纪录片中心百集城市更新微纪录片《申生不息》在徐家汇书院举办首发仪式。该片通过拍摄城市发展进程中100个真实的故事，从居住条件的改善、公共空间的重生与升级、历史传承与文化创新的共塑等多种角度切入，立体展现上海“以人民为本”的城市发展样本，记录传播上海城市更新的中国式现代化进程。

顾泽鸣是夏蝉想要紧握在手中的月亮，夏蝉是顾泽鸣这辈子发誓要娇养的玫瑰。当外卖少女夏蝉在一次意外中与青年才子顾泽鸣互换了灵魂，面对现状，两人毫无防备，只能相互指导，帮对方遮掩。原生家庭不幸的顾泽鸣借助夏蝉的身份感受到了友情和亲情的爱，体会到了隐藏在微笑背后的酸楚故事。而夏蝉则是透过顾泽鸣的视角，看到了这个男生的孤独和挣扎。

《烽火不息》围绕虚拟人物“我”的回忆展开，以抗日战争为时代背景，生动展现了以张露萍、罗世文、车耀先等共产党员在国民党军统于息烽设立的秘密监狱里的英勇斗争。这座监狱规模最大、等级最高、管理最严，被称作“大学”。同时，作品也历史地呈现了以杨虎城、马寅初为代表的仁人志士为争取民族独立所进行的可歌可泣的事迹。 监狱主任何子祯残忍杀害人犯，共产党员罗世文带领狱友为争取基本生存权利发起绝食斗争。绝食到第四天晚上，大雨倾盆，镜头从缓慢的遥摄全景中展现出，一个个囚禁犯人的木笼里，奄奄一息的狱友们相互支撑，毫不退缩，雨中的他们宛如一尊尊坚毅的雕塑。 知道自己可能遇害的张露萍，拿出精心保存的口红让狱友为自己化妆。面对残酷现实，作为女性的她依然流露出对生命和美的热爱，以这种独特方式……