Documentary on the French-Algerian conflict 1954-1962 which was never officially called a "war", including interviews with some of the survivors.

裘德（约翰·斯科特·马丁 John Scott Martin 饰）在农村长大，一心要用知识改变命运，考取大学成为了他的奋斗目标。但是，年少的欲望却让他与当地一个姑娘发生了关系，大学梦也随之破碎。 不久姑娘远走澳洲，寻觅更美好的生活。剩下裘德和他的梦想，继续在这里萌芽成长。裘德为了能考上大学，专门搬到大学城附近苦苦寻求机会。同时在这里，表妹苏（菲奥娜·沃克 Fiona Walker 饰）让他暗暗倾心。迫于亲缘的关系，二人都不敢打破禁忌。当苏嫁给了他人，裘德终于冲破了心中压抑已久的感情。他们不理世俗，不想后果，只要一起。即使流浪到天涯都无所畏惧。然而，不幸终究来临。他们的孩子为这一切付上了沉重的代价，裘德和苏的感情，亦迎来了寒冷的严冬。

On the border between United States and Mexico, once every 20 years, there are days that locals call timelessness. At this time the gods, to whom the ancient Mayan tribes made sacrifices, descend to earth to take human souls.

国家安全局侦察处处长方健为追查间谍组织非法活动的线索，深入卧底与大毒枭打成一片，其妻郑小敏耐不住长期寂寞生活，在痛失胎儿之后，投入了热烈追求她的记者高飞的怀抱。一项高科技军事技术AS105工程的机密磁盘失窃了。重大嫌疑人为电视台记者高飞和市委书记的女儿叶华。高飞突然死于非命，而叶华则深深爱上了方健。一个神秘的女人——“芳芳”始终在背后操纵着一切，一个更大的阴谋正在酝酿……间谍分子逐一暴露，令人意想不到的是——背后的大间谍竟然是他！

It is shortly after the end of the Second World War and a small group of people – director, screenwriter, actors – are discussing the form and subject of a proposed film project. Two acquaintances of the screenwriter, a country girl and a Berlin art dealer, enter the scene and suggest that the crew make a film based on their lives. Martin, the art dealer, offers his business partner and her maid Christine a place to stay after the house they live in is bombed. From the very beginning, he feels drawn to the simple country girl, and the two become close during a night-time bomb raid. However, their love is doomed by the class prejudice rampant in the circles in which Martin moves, and Christine eventually leaves. After the war, the situation is reversed: Martin returns from the front, with nothing but the clothes on his back and appears at Christine's father's farm in need of a roof over his head. This time, it is the farm girl who turns Martin away out of pride, and it is Martin who leaves the home of his old love. The members of the group disagree on how the film should go on from there. The director wants it to end on a tragic, moralizing note, while the actor wants a happy end. Finally, the writer asks Martin and Christine themselves how the story continued. If you belong to those who dislike the triviality and banality of German film after World War II (like myself) then you should turn to those films who were made in a short period between 1946 and 1949. Many of them show the will not to just simply go on like nothing happened but to search for new forms of entertainment in the light of the war and the guilt of the german people. "Film ohne Titel" (Film Without a Title) is an interesting reflection about the rights to be entertained: Which stories can be told, when all stories seem to have been finished? It shows the attempts of a film crew to shoot a film. They offer several versions of one simple love story in different film form (melodrama or german expressionism) until they come out with the right form (which is this film itself). The film is entertaining and modern as well. Unfortunately questions of film form were not to be touched again until the seventies.

1941年12月7日，日本偷袭 珍珠港。次日，汪伪政府跟随日本对英美宣战，日本象征性占领 上海全境。随着太平洋战争全面爆发，中国抗战形势也因此完全改变 。中国共产党领导的中共特科在上海周旋于重庆、汪伪、日本间谍机构之间，通过错综复杂的敌后情报系统，策反敌人，获取情报，诛杀汉奸，建立更广泛的统一战线，直至抗战胜利的前夜 。

洪都拉斯女孩萨耶娜(鲍琳娜·盖坦饰)与久别的父亲重逢，这使她有机会实现前往美国生活的梦想；但这并非易事，她要跟随父亲和叔父前往墨西哥边境，在…

“我是一位热爱韩国和韩国人的日本传教士。” 1896年，德松 从一位韩国男子口中得知，朝鲜女王被日本人杀害。 身为日本人的他，深感愧疚， 不顾周围人的劝说，毅然前往当时正处于黑暗时期的韩国。 几年后，另一位追随德松精神的日本男子 ，来到了仍然需要耶稣的韩国…… 我们见证了那些只传福音，留下耶稣的爱而非名字的传教士的故事。