以至今每三年在富山立山举行一次的女性救赎仪式“布桥灌顶会”为灵感创作。讲述因某事件陷入自责的女性被引导参与布桥灌顶会，在立山与各色人物相遇后重获新生的故事。 自古作为山岳信仰圣地的立山，在江户时代许多人因恐惧生前罪孽导致死后坠入地狱，男性为赎罪主动前往朝圣。而女性当时被禁止入山，由此诞生布桥灌顶仪式。 渡边饰演的主人公八木由起子，因痛失三岁爱女内心深受创伤。

风姿绰约的成衣坊老板娘司小念与清苦郎中晏无明喜结连理，然而大婚之日两人却纷纷离开，原来两人都隐藏着一个反转身份——杀手。面对内心的深爱与隐瞒，两人陷入深深的纠葛……

沈沉舟为救温知瑜深陷火海致重伤，温知瑜在压力下一度动摇，却未真正放弃。两人在误解与扶持中双向救赎，沈沉舟走出创伤阴霾，温知瑜亦成长为心理咨询师。他们携手帮助更多伤者，用疤痕下的坚韧，书写了关于爱与重生的故事。

有着“律界魔女”之称的金牌律师林清颖，看似为富人打官司，实则默默捐款助学、帮扶弱者。她受江城首富钟不易委托为其子钟多行辩护，谁知嚣张的钟多行欺凌羞辱了她的女儿林渺渺。悲愤的林清颖搜集罪证，当庭反告钟多行使其获死罪。遭钟不易与叛徒助手联手构陷的她，在众律师助力下，于直播庭审中曝光多年公益善举与正义初心，洗刷冤屈。

《无明夜火》：腾讯视频出品，筋斗云影业承制，庄绚维导演，夏忆原著&编剧，女性情感悬疑剧。

1983年温宁生产后，其丈夫严刚将其亲生女儿与小三的女儿严玲玲掉包，温宁当时清醒但无力阻止。温宁多年来假装嫌弃亲生女儿，利用严如玉和严玲玲之间的矛盾，让刘金兰和严如玉自食恶果，同时收集严刚的犯罪证据。温宁在偶然间遇到明珠，怀疑其是亲生女儿，在进行亲子鉴定时被严刚破坏，明珠被诬陷赶出公司并被严刚绑架。温宁得知真相后，为救明珠签合同付五千万，后发现严刚将钱输光，毒校服事件爆发，温宁为保护明珠顶罪入狱。

黄世东 （ 余文乐 饰）罹患躁郁症，日常就是战场，在情绪里反复煎熬。爸爸黄大海 （曾志伟饰）离家不顾，留下久病的妈妈，家门就是栅栏，一点点碰撞摩擦都让母子俩露齿相斗。有一天，阿东帮失禁的妈妈 （ 金燕玲 饰）冲洗，却意外结束她的生命，被判入住青山医院。大海在愧疚下决定接治疗后出院的儿子阿东回到自己独居的小室一起住，两个心怀愧疚的大男人相挤在呼吸都嫌拥挤的斗室中。阿东重投社会，却遭到身边的朋友歧视，唯让他尝试平复自己，同时阿东也想尽方法希望找回当天谈到近乎订婚的谭思慧Jenny （ 方皓玟 饰），没想到当找到Jenny时，却有着另一番滋味。心头沉没的是家，肩头沉重的是枷，最简单的关系，最复杂的纠葛，阴暗屋檐下透现父子对坐光影，成一张现代生活的全家福，哭着微笑，恨着相爱 。

這是一個結合煮食、睇樓元素的節目。有明火，無明火，除了是有無鑊氣，在香港更是有冇廚房的天淵之別。五百呎以下的新盤，開放式廚房加無明火煮食爐是必然定律。當納米廚房只剩下一個無明火爐頭，如何用巧手、心機、創意就地取材，煮出留住你胃口的納米家菜式？

在巴黎街头的虚幻漫步中，Marie（Bulle Ogier饰）是一名因抢劫银行而被定罪的女人，她刚从监狱里出来，就遇到了需要陪伴的年轻偏执狂Baptiste（Pascale Ogier饰），两人合作了一段时间。玛丽的前男友（Pierre Clementi饰）向他们提供了一张奇怪的城市地图，这令人怀疑，因为他保留了可能与地图有某种联系的政治人物档案。一个绰号为“Max”的歹徒开始跟踪Marie和已经偏执的Baptiste，导致Marie检查地图，好像它掌握了城市的哪些侧面是“安全的”，哪些不是。当两个女人试图智胜Max和不知名的黑帮时，她们试图弄清楚地图 - 由于Baptiste倾向于剧烈刺激肾上腺素和Marie过度劳累的想象力（北桥上的一条龙是一个威胁，直到Baptiste尖叫他下来），这项任务变得更加困难。在龙和他们自己的恶魔之间，Marie和Baptiste面临着可怕的困难，无法完好无损地从这场不幸中走出来。〜Eleanor Mannikka, Rovi

西班牙先锋导演Pere Portabella的代表作之一,这可不是波兰的华沙而是西班牙的"华沙"... http://www.pereportabella.com/ Pere Portabella (b. 1929, Barcelona) is a veteran Spanish filmmaker whose narrative features—rich in interludes, plot diversions, atmosphere, and unexpected synchronies between sight and sound—limn the avant-garde and expand the expressive potential of cinema. Portabella, who began his cinematic career as a producer of fiction films implicitly critical of General Francisco Franco, had his passport revoked when Luis Buñuel's Viridiana (1961), which he helped to make, "embarrassed" Spain at the Cannes Film Festival in 1962. When democracy returned to Spain, Portabella served as a senator in the Catalan government. However, throughout his various careers, Portabella continued to make cinema, investigating meaning in the moving image and flexing the notion of genre—particularly for horror films, fantasy films, and thrillers. Warsaw Bridge. 1990. Spain. Directed by Pere Portabella. The idea for Warsaw Bridge, a less conceptual film than Accío Santos, started from a line in a newspaper: "The body of a scuba diver was found in a burnt forest." Portabella elaborates narrative fragments from this kernel in a procedure that recalls that of the French nouveau roman. Made as the Cold War was ending, the film critiques the Spanish intelligentsia's indifference to political and historical change. Warsaw Bridge is dated 1989, the year of the fall of the Berlin Wall. If the predominant look in Nocturno 29 was that of the upper classes in the sixties, in Warsaw Bridge we have shining images of the new intellectuals and the amnesic, progressive, European political classes. But beneath that sparkling surface of spectacular socio-cultural events and the frivolous life in a happy Europe, lies the tension of broken memories and personal and historical cataclysms. Filmed as meticulously as contemporary commercial cinema, Warsaw Bridge shatters the plot into a thousand fragments in a European landscape broken by the return of History. It is therefore not strange that two years later Godard should be the author of a sibling film, Germany Year 90 Nine Zero, explicitly the heir to Rossellini’s Germany Year Zero in 1947 post-war Europe. Regardless this film is incredible visually and emotionally. Definitely not for the fan of Hollywood films, or even independent films, or actually any film with any type of structured narrative. But if you let the film take you and suspend and expectation the reward is very worthwhile.