A group of friends try to get into a popular electronic dance music festival.

The story of 19th century ballerina Matilda Kshesinskaya who had an affair with the future Tsar Nicholas II of Russia.

一个画廊运营商。一个“声音艺术家”。描写纽约当代艺术与艺术评论圈的一个无奈故事。

暂无剧情简介

暂无剧情简介

当乘务员安娜从纽约长途飞行抵达伦敦希思罗机场时，她已疲惫不堪且烦躁不已。又一个平淡乏味的酒店房间更是让她心情雪上加霜。不过，在酒吧与一个帅哥邂逅，让她的夜晚变得丰富起来，两人很快共度了一晚。第二天早上安娜醒来，却发现自己浑身是血，而那个男人在床上被残忍地杀害了。究竟是谁干的？这一情况让她陷入了困境，要报警，可她当下该怎么做呢？又该如何处理困在酒店房间里的尸体？安娜必须争分夺秒地拼凑线索，去揭开一个可怕的真相。

Viceland是VICE旗下专注青少年文化的电视频道，播出内容广泛，涵盖新闻、音乐、旅游、体育、科技和时尚等领域。该频道即将进军有剧本电视领域，首部作品是久违电视荧幕的James Van Der Beek参与的《What Would Diplo Do? 》（暂名）。James Van Der Beek将身兼编剧、制作和领衔主演数职。著名DJ、格莱美得主Diplo及其经纪人，还有MV导演将担任联合制作，MV导演还会执导该剧。这部喜剧被形容为《路易不容易》与《HipHop世界巨星》的结合，还穿插《摇滚万岁》的元素，它将在Diplo音乐会《Mad Decent Block Party》的宣传片《A Day in the Life》基础上进行拓展。该剧共6集，将于2017年播出。

菲恩·怀特海德将领衔主演Quibi开发的新剧《标题党》（Clickbait）。该剧将还原一群马其顿青少年的真实故事，2016年美国大选前，他们炮制虚假新闻并借此大发横财。剧集将探讨他们的这一行为对美国大选以及这些青少年自身生活产生的深远影响。怀特海德将饰演这群马其顿青少年的领袖之一尼科，尼科是个渴望逃避现实的年轻人，然而当他发现发布虚假新闻能带来巨大利益时，一切都改变了。马特·里夫斯与曾打造《梦之安魂曲》《通天塔》《美错》《革命之路》等影片的金牌制片人安·鲁阿克共同担任该剧的执行制作人。知名广告导演马克·莫洛伊执导本剧，里夫斯的《蝙蝠侠》编剧助理亚当·索林担任编剧。

一部刮划胶片的先锋电影。 An etched, hand-painted 35mm digitized film comprised of collaged words, images, patterns and glitches shot from over 500 movie title cards to a musical soundtrack. West describes the new film as “a psychic montage of my inner-history of film in alphabetical order”. The film is structured by a computer alphabetical sorting process, beginning with numbered films and moving through the list of movies in alphabetical order. The images were shot using a flashlight creating the effect of lighting the walls of a completely dark space. It is comprised of shots of individual movie titles and isolated words from the titles; these create a rhythmic word and image viewing game for the viewer, as they decipher recognisable fragments. Shot on analog 35mm film, the film celluloid of 8,000 feet of optical prints were inscribed with etched patterns, outlines, tracings, punctures and marks emphasizing the materiality of the film – using a host of unconventional tools such as forks, vegetable peelers, shards of mirror and hole punchers. This work is part of a wider project considering the idea of the “remembered” film and how fiction weaves itself into our lives and memories – and how our viewing experience, and thus memories, has changed with the digital and Internet revolutions.