康独自一人住在大房子里，Non住在镇上的一间小公寓里。 他们见面，然后分开，他们的日子像往常一样流逝。

While working on a film called Cinematic Letters, IFFR stalwart Peter Schreiner was diagnosed with cancer. Although the project was terminated for being logistically too demanding, his desire to make a new film remained. But what can you do when your beloved camera and tripod have become too heavy for you to carry, and setting up even a simple scene is an exhausting ordeal? 　　Tage is not a memoir of Schreiner's battle with his illness – this is merely hinted at, almost obliquely. Schreiner considered his ailing body above all an artistic challenge: What is possible, what can be developed from the set of options and perspectives such a state of being offers? Curiously enough, Tage turned into a variation of his last finished film, Garten (2019): a chamber piece shot almost exclusively in his house, featuring himself and his beloved wife Maria as well as some friends. It is also a return to a cinema of intimacy that he'd last essayed with Kinderfilm (1985). With all of that, Schreiner strove for and reached yet another level of artistic freedom with Tage, for none of his works to date are as light-footed in their movement: pure stream-of-conscious in a diaristic framework – a film as open as Schreiner's restlessly searching soul and endlessly curious heart. 　　源自：https://iffr.com/en/iffr/2023/films/tage

讲述了家庭差距颇大的朱劲草（陈晓 饰）和顾茉莉（童瑶 饰）相识，顾茉莉不听父母劝阻，一意孤行嫁给家庭条件不如自己的朱劲草，二人在上海顺利结婚生女后，原本想着悠哉顺遂的小日子就要到来，但双方父母“以爱之名”的强势介入却让这对小夫妻的婚姻陷入了岌岌可危的地步。二人无奈之下用名义上的离婚来摆脱被各方裹挟的生活，却没想到更多的问题接踵而至……