A street scene in Berlin near Hallesches Tor.

In the 60 Bohumil Hrabal's been an extraordinary source of inspiration for young filmmakers - even Juraj Herz was no exception. For its mid-length debut, he chose a bizarre story taking place in the collecting of waste paper. The hero is there peculiar výkupčí who becomes witness to all sorts of embarrassing and moving events. The director here has proven a sense of spontaneity, bizarre and morbid preoccupation, has suggested the name itself.

简介： 德鲁另辟蹊径，拜访多位收藏狂人，最后终于达成他一直以来对汽车的执迷。朱利安紧随其后，他在朴茨茅斯的一家道具和戏服仓库中展开地毯式搜索，结果找到不少好宝贝。附近农场的主人那里也有众多珍宝，德鲁冒着激怒丽贝卡的风险，偷偷敲定一笔满足私欲的买卖。开发商尼克也是旧货回收的爱好者，他在诺福克的房子里堆满大大小小的古董，其中一部雪铁龙汽车勾起德鲁的买车欲望。大雅茅斯的鲱鱼博物馆是一个聚宝盆，馆内陈列着众多古代航海用品，并且所有的物品均可以出售，至少在丈夫厄尼出现之前，卡伦是这么说的。回到店里，一位路虎专家告诉德鲁，他对汽车的狂热痴迷也能让他们赚到大钱。

讲述旧货店主人美兰和每天拿着一瓶烧酒来的无赖客人，一起寻找将小狗遗弃在旧货店的犯人的过程中，领悟到真爱的故事。

高燃遭前合伙人李伟设局掏空公司，背负一百二十万巨债走投无路。手机意外出现能定位珍宝的 “旧货猎人” APP，他靠三十元破椅中古玉翻身，挖晚清官窑瓷片还债开店，挖出铜胎掐丝珐琅器后引来古玩圈大佬觊觎，能否守住皇家重器成谜。

女总裁沈倾城事业受挫，搭乡村货车时结识司机楚萧。他质朴善良陪她走过低谷，她意外发现他是隐于山野的金融奇才，一直在暗中报恩相助。两人携手重振事业，尘埃落定后她扎根乡间，愿与他共守烟火日常，并肩走过往后岁月。

Muskaan is a prostitute in one of Hyderabad's brothels, owned by Lalabee. But she is a prostitute not by choice, but bad luck. When she was young her parents married her off to an Arab Sheikh. This marriage was just an arrangement for sexual pleasure. After raping her for 7 days regularly, Sheikh divorces Muskaan. Muskaan's father Barkat Ali commits suicide due to the humiliation he receives after filling a case against Sheikh. Sheikh's assistant hires the best possible advocate and makes sure that Sheikh is released easily and flies back to Dubai. Muskaan's uncle also sexually harasses her. Finally one of the dalals takes her to Lalabee and thus she becomes a prostitute. But fortune brings her to Mumbai. Inspector Sawant Sayaji Shinde takes her to Juicy, a sophisticated gay doing body business. He changes Muskaan to Mallika using two of his best selling prostitutes Liza Suman Rangnathan and Esha. She luckily also meets with Bablu Pande Aryan Vaid who falls in love with her.

刘雨佳的短片将纪实素材、文学、民族志、民俗学和游记编织在一起，形成具身性、情动式的体验。她以亚洲的自然景观作为创作的主题和背景，其抒情风格打破了纯纪实与叙事故事之间的界限。她的作品表现出沉思性和象征性，通常关注其他生命形式，从而将人类降格为次要的角色。 《市场》拍摄于抚松县人参交易市场。长白山的跑山人至今仍遵循与这种草药相关的传统仪式，而人参在全球的日益流行则催化人们将其作为一种经济作物种植。透过这个市场，我们可以看到人类与自然界纠缠交错且往往相互冲突的关系。

新婚新娘妮鲁（Neelu）被丈夫阿帕·拉奥（Appa Rao）以虚假借口带到了妓院。这时，已做了多年妓女的穆斯卡恩·巴诺（Muskaan Bano）也回忆起了自己的不幸遭遇。后来，警方突袭了妓院，逮捕了嫖客和妓女。警官萨万特（Sawant）对穆斯卡恩产生了好感，并决定将她“推销”到另一个“市场”，只是……

福女在市场中央辛苦经营着卖苹果的小摊子，以此勉强维持生活。然而，她那整日游手好闲的丈夫成七，不仅不珍惜福女的付出，还辱骂她是笨蛋、白痴，甚至和别的女人厮混。管理市场的英奎很同情福女这样的女性，成七自私的行为让他十分憎恶，最终英奎因打伤成七而被关进了警察局。