赴纽约淘金的阿普尔盖特（Ginger Rogers 饰）在经历了几份不长久的工作之后彻底厌倦了这座城市，在她眼里，男人不过是一群举止轻浮的登徒子。但她购火车票回乡的时候发现自己买不起一张全票，情急之下将自己打扮成小女孩，购半票蒙混上车。 　　为逃避乘务员检票，阿普尔盖特藏匿卧铺车厢，巧遇科比少校（Ray Milland 饰），年轻少校把她看做孩子，用温柔天真的方式待她，不巧被未婚妻帕梅拉误会，阿普尔盖特只得随少校暂住军校以澄清误会，期间十几岁的军校学员们对“少女”阿普尔盖特前赴后继，搞出连串笑话，少校与阿普尔盖特的情意也在渐渐滋长。分离的时刻到了，两人将如何对待这份感情？ 　　本片是编剧比利·怀尔德（Billy Wilder）的导演处女作。

赴纽约淘金的阿普尔盖特（Ginger Rogers 饰）在经历了几份不长久的工作之后彻底厌倦了这座城市，在她眼里，男人不过是一群举止轻浮的登徒子。但她购火车票回乡的时候发现自己买不起一张全票，情急之下将自己打扮成小女孩，购半票蒙混上车。 　　为逃避乘务员检票，阿普尔盖特藏匿卧铺车厢，巧遇科比少校（Ray Milland 饰），年轻少校把她看做孩子，用温柔天真的方式待她，不巧被未婚妻帕梅拉误会，阿普尔盖特只得随少校暂住军校以澄清误会，期间十几岁的军校学员们对“少女”阿普尔盖特前赴后继，搞出连串笑话，少校与阿普尔盖特的情意也在渐渐滋长。分离的时刻到了，两人将如何对待这份感情？ 　　本片是编剧比利·怀尔德（Billy Wilder）的导演处女作。

戏剧院的悲惨三级喜剧演员阿奇被瘟疫蚕食，然而他却幸存下来，变得目中无人和唯利是图，他许久，开国际玩笑，说冷笑话，大声谈论性事，对政治豪放厥词。阿奇还引诱自己的父亲提前退休后拿他的退休金恶意投资，最终还是全军覆没，这样像狗屎一样的人生，他在用自己的方式演绎一个社会中的普通人，然而把他放大来看，其实他只是社会中的一名艺人而已。

Adrift in a lush, nocturnal urban landscape, Nick is a post-modern urban hero asserting his anarchistic agenda on the endless maze of virgin exterior walls that comprise downtown Seattle and Portland. For writer/director Bolton's lonely "tagger" protagonist, the vast wall surfaces of deserted alleys and trainyards are at once a daunting symbol of capitalist oppression and a texturally rich, seamless tableau ripe for exploitation to amplify his artistic dialectic of anger and rebellion. His own virtually anonymous existence seemingly only secondary to the painted surfaces and "rupture the system" manifesto which more poignantly evidence his presence, Nick's prodigious solo graffiti output is interrupted by friendship with another young tagger. Their communication begins as less verbal than a kind of shared graphic tour de force; their enormous collaborative graffiti murals appear to emerge as the unmistakable offspring of their kindred spirit. But eventually their assumptions about one another are disproved as political, emotional and ethical issues arise which cause their relationship to dissolve into the background of urban detritus, and the artists themselves emerge only further atomized and alienated by the experience. Compelling themes, sensitive performances, and luscious visuals define this film which is a revealing immersion into the experiential reality of those daring to make their art in a socially condemned arena. For a film ostensibly focusing on manipulated surfaces, Bolton's cinematic artistry probes deep into the consciousness of the "tagger" and "graffiti artist" sub-culture.

旅役者

After a late-night cup of coffee, vaudevillians Jo Hayden and Harry Palmer sit at a piano and work a song. Moments later, Jo realises she's found exactly what she wasn't looking for: a partner. And with Judy Garland as Jo and Gene Kelly as Harry, the partnership isn't just ideal. It's a film fan's dream come true. Kelly debuts and Garland dazzles in this Busby Berkeley-directed tale of a song-and-dance pair who take on tank towns, tough times and World War I while struggling for show-biz success. A hit parade of era tunes paces the film, including the wowser "Ballin' the Jack" and the sweetly harmonized title tune. Bursting with vitality and old-fashioned charm, "For Me And My Gal" is for the ages.

该片以朝_鲜时代的板索里为背景，讲述了当时贱民地位的歌者漂泊于朝鲜八道的同时历经悲伤与痛苦的故事。

一部没有出名与普通人没什么不同的半艺人生活的真实写照。剧中李素利(金素利饰)作为不知名的艺人生活着的暧昧的存在,通过恋爱真人秀节目获得了大众的关心。