印度昌迪加尔是从平地兴建起来的新城市。 1951年法国建筑师勒·柯布西耶受聘负责新城市的规划工作。昌迪加尔是一座规划城市，市内街道成方格状。昌迪加尔的总体规划贯穿了勒·柯布西耶关于城市是一个有机体的规划思想，并以“人体”为象征进行城市布局结构的规划。

马努（阿尤斯曼·库拉纳 Ayushmann Khurrana 饰）经营着一家健身房，他人生最大的梦想就是能够赢得健美比赛的冠军，以此来为自己的健身房增加人气。这一天，马努的健身房迎来了一位名叫马恩亚（瓦妮·卡普尔 Vaani Kapoor 饰）的舞蹈教练，马恩亚拥有健美的身材和俊秀的脸庞，她的到来一下子就吸引了马努的注意，让这个小伙子坠入了情网之中。 随着时间的推移，马努和马恩亚之间渐渐熟悉，并且萌生出了感情的萌芽，直到此时，马恩亚才告诉了马努一个惊人的秘密——她并非生而为女，而是一名变性人。马努出生在一个非常传统和保守的家庭之中，这个秘密让他的三观遭受了剧烈的冲击。

In 1960 Jane Jacobs’s book The Death and Life of Great American Cities sent shockwaves through the architecture and planning worlds, with its exploration of the consequences of modern planners’ and architects’ reconfiguration of cities. Jacobs was also an activist, who was involved in many fights in mid-century New York, to stop “master builder” Robert Moses from running roughshod over the city. This film retraces the battles for the city as personified by Jacobs and Moses, as urbanization moves to the very front of the global agenda. Many of the clues for formulating solutions to the dizzying array of urban issues can be found in Jacobs’s prescient text, and a close second look at her thinking and writing about cities is very much in order. This film sets out to examine the city of today though the lens of one of its greatest champions.

Kurds call it Rojava, or the West, the place where the sun sets on Kurdish lands: the north of Syria, the stage of the most violent war of our times, painted in blood by the mass-rape and mass-killings of the ISIS terrorist organization. It is here, in Rojava, in three destroyed cities, that three separate stories tell the story of how savage war destroys not only our cities, but our people, too. Sinjar, Kobanî and Jazaa are three towns that display the most destructive impact of modern war. All three are in the process of being rebuilt at the moment. The people who live here have transformed their tragedies into a determination to leave a better Rojava for future generations. The filmmakers have sought to explore the parallels between fiction and life by including stories told in the sincere words of those who actually experienced them. This is also the first feature film shot, in their own language, by the Rojava Film Commune, established after the revolution by a group of artists from Rojava.

In the near future, China Tracy will build a city dubbed RMB City within Second Life. This will be the condensed incarnation of contemporary Chinese cities with most of their characteristics; a series of new Chinese fantasy realms that are highly self-contradictory, inter-permeative, laden with irony and suspicion, and extremely entertaining and pan-political. China's current obsession with land development in all its intensity will be extended to Second Life. A rough hybrid of communism, socialism and capitalism, RMB City will be realized in a globalized digital sphere combining overabundant symbols of Chinese reality with cursory imaginings of the country's future. In RMB City, we will be able to cruise the digital ocean, witnessing a Ferris wheel rotating on top of the Monument to the People's Heroes; looking down from the sky on the water of the Three Gorges reservoir gushing out of the Tian'anmen rostrum; passing the giant new totem symbolizing the Oriental Pearl TV Tower of Shanghai; hopping over the Feilai Temple marooned in a raging torrent; walking across a vast, desolate state-owned factory area in Northeast China; and finally hovering over the Grand National Theatre in Beijing. Also in our view will be gigantic planes gliding over terraces in the crevices of the central business district, and aerial super-malls. We will see water flowing into huge toilets on the container piers of the Pearl River Delta area before traveling through the sewage system into an ocean with floating statues of Mao Zedong. The rusted steel structure of the Olympic Stadium aka "Bird's Nest" will be washed in splashes of ocean spray, while an aerial band on a floating sheet of the national flag filled with five-pointed stars makes a deafening noise that shakes Rem Koolhaas' CCTV building, causing it to collapse....

Vulgar is about a man who is a children's clown but has not been getting much luck lately. He lives in a cheap apartment which he can't even afford. Bums are constantly sleeping in his run down car and crashing on his lawn. He has a nagging mother who lives in a nursing home, and his best friend is a moocher. One day he comes up with the idea to become a bachelor clown.

The journey of redemption of a recently released ex-convict who discovers faith in God during his nearly 30 years of incarceration.

北京电影学院2010届毕业联合作业。编导：韩天 ，副导演：乌松杰，场记：杜金穗，摄影：宣孟阳，录音：陈宁，美术：郭磊，化妆：黄渝寒，制片：安康、刘军、程一佳。 样板戏迷周大壮原本是个孤寂的空巢老头，为了接近他从年轻时就爱慕着的老太太王桂菊，荒唐地加入了王桂菊的孙子贾鹏组建的朋克乐队，成了主唱。起初摩擦不断，他们开始寻找互相融合的方式，乐队渐渐找到了状态。演出临近，乐队的海报贴满了大街小巷。可就在演出当天，因为一次误会，周大壮原本激动的心情一落千丈，在家里躲了起来。王桂菊赶到周大壮家，化解了误会。演出已经开始，王桂菊拉着扮成“杨子荣”的周大壮跑进了酒吧。周大壮受到王桂菊的鼓励，冲上舞台，与三个朋克青年一起，充满激情地将样板戏与摇滚乐结合在一起，完成了一次精彩的演出。

年轻漂亮的女教师加尔吉正沉浸在即将结婚的甜蜜气氛中，她的父亲突然被指控参与强奸9岁女孩，她踏上了一场证明父亲清白的艰难之路。本片直指长期困扰印度社会的强奸犯罪问题，从警察、法院、媒体、加害人与受害人家属等多个角度做了全景式呈现。影片采用双线叙事，成年加尔吉为父奔走与童年加尔吉遭遇性骚扰的画面相互穿插，黑白影像作为区隔，呈现了印度女性“每天如同生活在第三次世界大战中”的艰难处境。饰演加尔吉的宝莱坞女星赛·帕拉维贡献了从影以来最为精彩的演技，荣获2023年印度影评人选择奖最佳女演员奖提名。

《范加尔：传奇背后的男人》独特地描绘了荷兰国家队教练路易斯·范加尔。他曾执教过巴塞罗那足球俱乐部、拜仁慕尼黑、阿贾克斯、阿尔克马尔和曼彻斯特联，可能是世界上最优秀的足球教练之一。他也是一个让每个人都有自己看法的人，他那些通常颇具争议的言论常常吸引大量关注。