阿齐兹深陷中年危机，但他却假装一切正常，试图从枯燥的工作、孤独的朋友和吵闹的家庭中寻求慰藉。

姜阿珍与林长生相恋多年，却遭婆婆孙桂花以命相逼离婚，还被孙桂花和妯娌赵丽赶出林家。林长生让她先在外居住，小叔林泽平资助她。无家可归时，冤家牛强（退休院士）提出让她租住在自家小院。林长生在母亲逼迫下接小三钟艳回家。姜阿珍找工作时误会牛强公司是骗子公司。叶海洋归国寻她，与牛强争风吃醋。姜阿珍带两人回姜家要房，牛强为救她受伤，牛强出院后，姜阿珍拒绝叶海洋，选择和牛强在一起。

Unbeknownst to Stanley and Oliver, their long-lost twin brothers, sailors Alfie and Bert are in town on shore leave carrying a valuable pearl ring entrusted to them by their ship's captain. All four get involved in multiple cases of mistaken identity as a gang of hoodlums try to steal the ring Stanley and Oliver wind up with their feet in cement, about to be dumped into the harbor.

喜欢时尚的拜金女孩AJ，很不满自己的中产家庭，因此埋怨在大萧条中失去了家庭农场的祖父。一天晚上，在一次坠落之后，AJ发现自己穿越回到了1929年，在那里她遇到了年轻的祖父Frankenstein，并且发现了家庭的秘密，这永久地改变了她的价值观。

Boris and Sandra meet and immediately love each other with a lively passion. Enough to help them fight the best enemy of their love: addiction. That of Boris on drugs, that of Sandra in Boris. Linked, attached to each other, reclusive but alive, they will try to live their love in a closed circuit. In doing so, everyone will discover in themselves an unexpected strength and humanity.

贝丝在先生欧文过世后，独自住在先生生前为她所建造的湖边小屋中，虽然她努力维持正常的生活，但噩梦仍朝她袭来，她感受到屋内似乎有一些不寻常的动静，而在朋友的建议下试图从先生的遗物中找寻答案，于是她决心解开这令人不安的秘密……

十四岁少年阿赫梅遵循父亲意志，低调住进宗教宿舍，学习当个好穆斯林。白天外出至一般学校接受自由的西化教育，班上的女同学让他春心萌动；下课后深怕被侧目，他秘密返回男舍学习诵经祷告，被长老严厉管训，仿佛游走在两个颠倒的世界。对宿舍生活备感压抑，里面的底层青年伸出温暖双手，和他 结为莫逆，少男间躁动的荷尔蒙，却也让友谊催化出暧昧情愫⋯⋯

“Break Through the Limits of Eroticism!” So read the title of one newspaper advertisement for SABANGJI, set during the Chosŏn dynasty (1392-1910) and undeniably catering to heterosexual male desire to gaze into the realm of female homoeroticism. In classic exploitation form, the title character of the film possesses both male and female genitalia, leading Sabangji to suffer an identity crisis and experience feelings of self-contempt. And yet the film erases the protagonist’s masculine characteristics altogether. Sabangji’s penis never reveals itself even as a contour, existing merely as a crashing sound effect in the first sex scene. The erasure might be a sop to placate heterosexual men, but it also creates a space for female homoeroticism and an alternative, if tragic, form of love. In this sense, an otherwise sensationalistic phrase in the newspaper advertisement for the film is quite honest: “Hot female-to-female relations that rise above ethics and morals!” –Han Sang Kim

王晨旭和妹妹从小在孤儿院长大，院里有一个处所非常神秘，叫猫舍，很多年满18岁的姐姐，都会进入猫舍，但是进去的姐姐们都没有再出来的，王晨旭的妹妹年满18岁也进了猫舍，王晨旭为了寻找妹妹，经历重重困难，也终于找到了猫舍的秘密

未来夏国，杀手宁秋水误入神秘别墅诡舍。诡舍主理人言叔告知他，唯有进入异空间“血门”并战胜其中的“魅”，方能活命。在第一道血门中，宁秋水识破了伪装成女主人的魅，顺利通关，而第二道血门考验更为艰难——他必须化解一场横亘百年的恩怨，才有机会逃出生天。