返乡青年陈建业身怀祖传羊肉熬制秘方，和大伯合伙开店反被处处算计，三十万入股资金只得到五斤羊肉。历经背叛他并未一蹶不振，陪着父亲重启老店，做到后厨公开、定价公道，用好食材赢得街坊认可。大伯处处使绊子，断货源、传流言，多方阻挠他发展。

和发小合伙经营烧烤店，门店年净赚两百万，二人提前约定五五分红。可分红时对方仅给我五万，还刻意贬低我的付出，践踏多年情谊。他自以为偷到酱料配方、更换廉价食材就能稳赚不赔，殊不知招牌烧烤酱的核心秘制手法只藏在我脑中。心灰意冷的我斩断二十年兄弟情，采购顶级香料，准备在他店对面开店反击。

多年前洪灾之中，苏棠被靖安侯所救。十年光阴流转，一纸赐婚让她嫁给威名赫赫的锦衣卫萧衍之，昔日恩人也成了她的公爹。这场婚事于二人皆是身不由己。新婚之后，苏棠巧用心思慢慢走近对方，可侯宅之内风波不断，旁人处处设绊。而夫君身旁出现的女子，更让她心生忐忑。

靖安王妃沈知鸢遭宠妾构陷，被王爷萧诀狠心绑在五马之后拖行千里，囚禁马厩受尽折辱。幸得婆婆暗中相助，助她假死脱身，携兵符远赴西域。她绝境涅槃，逆袭登顶西域女王，手握重兵荣耀归来。昔日绝情王爷卑微跪地忏悔求和，她早已心冷如铁，决然转身绝不回头。

A man and a woman meet in 1960. They marry because that's what you are supposed to do. But something goes wrong on their wedding night. They have no idea what to do with each other. Sexually. Emotionally. The husband meets a man who knows what to do with his sexuality. Suddenly a hand can do something no hand has done before and lips something no lips have ever done. The two men have a secret love affair. But there is a problem: The woman. And she has something up her sleeve. Will she act? Yes, she will. What happens? Nobody knows. Until now.

八十吨重卡，满载货物，也装着普通人的生活百态与世间冷暖。主角年轻时意气风发，凭借过硬的驾驶技术在国道上肆意狂飙，无视行车规则，在名利诱惑中渐渐迷失，一度深陷困境，人生险些跌入谷底。一路行来，他闯过风雪险路，经历生死考验，也看遍公路上的人情善恶、相聚别离。重重磨难过后，他彻底醒悟，褪去浮躁轻狂，读懂责任与担当，在漫漫路途上重新找准人生方向。

清泉村的林晓雅家中接连丢失衣物，满心委屈向婆婆倾诉。婆婆得知此事十分气愤，决意查清背后缘由。 邻人王二柱爬上墙头出言轻薄打趣，婆婆当场厉声呵斥，泼水将其驱离，化解这场风波。 风波平息之后，清泉村蓬勃发展，乡村产业蒸蒸日上，道路整洁，村容秀美。林晓雅也如愿怀有身孕，与丈夫、婆婆和睦相伴。一家人沐浴暖阳，日子安稳顺遂，迎来圆满的生活。

1946年在战后的废墟中，两个男人在修理破旧汽车，并展开对人性的讨论。本片即以这辆废车的角度，通过在车中留下的一件件小物件，讲历任往昔车主的故事。 他们中，有匆忙出逃的政客，有不得志的音乐家，有分居又复合的老夫妇，有儿子判罪的夫人，有赴任的上尉…战争年代，人们的命运只能摇曳，但是依然有爱情、亲情等等在动荡中闪耀着美好的人性光芒。影片并没有气势恢弘的场面，却用普通人的生活串联起一段完整的历史。

Look up is a video installation that explores video as a portal for revisiting the homes I’ve lived in and the digital presence of those places. These include my childhood home, the first place I moved out to in college, my grandparents’ house, and my first home in Los Angeles. The work consists of a ceiling video generated through the Google Maps API, alongside a live camera that detects and blurs viewers’ faces using Mediapipe, echoing the anonymized figures in Google Street View. As viewers look upward, they see their own screen-based reflections doing the same. The way we look up at the moon, toward light, at places we long to enter, or at people we miss. It mirrors how I “look up” homes that no longer exist in my physical world but continue to live on in Google Maps, a public archive where personal memory and public data converge. Google Street View is not a neutral space. It is a strategic simulation of reality composed of flattened and selected images rendered into a 3D illusion. My memories function in a similar way. Fragmented yet dimensional. Spattered across a map. I zoom in to find the place, the photo, the people. To remember is to locate. All are mapped. In this archive, my grandmother and the blurred passersby are rendered equal, just one entry among many. We can always return to a cleaner, more permanent version of home, not through our own eyes, but through the lens of shared digital landscape. - Wei-Fang CHANG

自费建起烘干塔，无偿帮乡亲烘干粮食，自掏腰包承担所有开销。可有人把这份好心视作理所当然，索要不成便恶意举报，烘干塔被迫关停。连绵阴雨来袭，家家户户粮食受潮发霉，无处存放。众人追悔莫及，纷纷前来求助。不再一味付出，制定明确规则，明码标价，用亲身经历立下处事准则。