编导专业的亚男在毕业设计一筹莫展之际，选择回到自家在县电子厂和中学附近经营的冰粉店，拍摄一部展现当代底层年轻人生活的纪录片，殊不知随着拍摄的展开，他渐渐发现自家女店员身上似乎正在发生着不同寻常的状况，而亚男深藏在内心的隐秘欲望也随之蠢蠢欲动起来……

编导专业的亚男在毕业设计一筹莫展之际，选择回到自家在县电子厂和中学附近经营的冰粉店，拍摄一部展现当代底层年轻人生活的纪录片，殊不知随着拍摄的展开，他渐渐发现自家女店员身上似乎正在发生着不同寻常的状况，而亚男深藏在内心的隐秘欲望也随之蠢蠢欲动起来……

又一部来自罗马尼亚的魔幻强片...罗马尼亚电影并没有死去... 　　surreal, dreamlike, unorthodox...see it. 　　This film was shown as "Every Day God Kisses Us On The Mouth" at the Philadelphia Film Festival this year to a surprisingly large crowd; it was met with more than its share of confused silence. I think the audience expected something different then what was on screen...Personally I went in expecting a film about a serial killer and his pet goose, something akin to a Romanian twist on Gaspar Noe's utterly brilliant "Seul Contre Tous". Sure, that's perhaps a fraction of it, but as the film moves forth, it reveals itself to be a highly surreal, unorthodox, and sad film. 　　I find the plot very hard to summarize because there is so much of it, for better or worse depending upon who views the film. The first hour or so follows a fairly steady course. Dimitru has just been released from jail, and upon returning home finds his wife pregnant with his brother's child. The plot also involves murder, arson, pet geese, and some truly incredible, dreamlike imagery very much befitting a film so bizarre. In a way the film becomes a series of very interesting, very lovely, but very frustrating paintings. I can't recommend this film to everyone or pretend to have made sense of the whole affair, but to those willing to experience a film very unique, beautiful, and haunting, you will find your efforts to find this film richly rewarded.

又一部来自罗马尼亚的魔幻强片...罗马尼亚电影并没有死去... 　　surreal, dreamlike, unorthodox...see it. 　　This film was shown as "Every Day God Kisses Us On The Mouth" at the Philadelphia Film Festival this year to a surprisingly large crowd; it was met with more than its share of confused silence. I think the audience expected something different then what was on screen...Personally I went in expecting a film about a serial killer and his pet goose, something akin to a Romanian twist on Gaspar Noe's utterly brilliant "Seul Contre Tous". Sure, that's perhaps a fraction of it, but as the film moves forth, it reveals itself to be a highly surreal, unorthodox, and sad film. 　　I find the plot very hard to summarize because there is so much of it, for better or worse depending upon who views the film. The first hour or so follows a fairly steady course. Dimitru has just been released from jail, and upon returning home finds his wife pregnant with his brother's child. The plot also involves murder, arson, pet geese, and some truly incredible, dreamlike imagery very much befitting a film so bizarre. In a way the film becomes a series of very interesting, very lovely, but very frustrating paintings. I can't recommend this film to everyone or pretend to have made sense of the whole affair, but to those willing to experience a film very unique, beautiful, and haunting, you will find your efforts to find this film richly rewarded.

又是一部费尔南多的超现实主义的电影,比《死亡万岁》晚了三年，完成与1973年。也可能正因为这三年，导演的思想以及艺术手法更加成熟。这个电影中导演抛弃了政治上的想法，迈向了更加广阔的自然与现代，文明与原始冲突的主题，母与子之间性冲突也不单如《死亡万岁》中儿子对母亲的性 萌动。 　　情节依然有一条主线，一个男子杀了自己的母亲，开车来到了沙漠，遇到了一个侏儒，然后产生了感情，把侏儒带回了文明社会，一起分享他的财产，同时警察所代表的国家机器又在追捕这个男子。全片中所蕴涵的冲突有许多，最明显的是，文明与原始，自然...

又是一部费尔南多的超现实主义的电影,比《死亡万岁》晚了三年，完成与1973年。也可能正因为这三年，导演的思想以及艺术手法更加成熟。这个电影中导演抛弃了政治上的想法，迈向了更加广阔的自然与现代，文明与原始冲突的主题，母与子之间性冲突也不单如《死亡万岁》中儿子对母亲的性 萌动。 　　情节依然有一条主线，一个男子杀了自己的母亲，开车来到了沙漠，遇到了一个侏儒，然后产生了感情，把侏儒带回了文明社会，一起分享他的财产，同时警察所代表的国家机器又在追捕这个男子。全片中所蕴涵的冲突有许多，最明显的是，文明与原始，自然...

從小吃到大，小妹最愛吃蛋撻。家中有四位家姐︰大姐留在最愛身邊，二姐成深閏怨婦，三姐想釣金龜婿，四姐奉子成婚。戀愛初哥的小妹從四位家姐對婚姻及愛情態度，領略到自己的人生。改編自陳慧《好味道》(http://book.douban.com/subject/1394194) 書中首個短篇故事〈蛋撻情緣〉，甜口卻脆弱的愛情，如出爐蛋撻一樣令人著迷。廖劍清執導 的第二部長片，《蛋撻》滿載獨立電影人對香港的情感，記錄一家人溫馨又含蓄的細緻點滴，細膩感人。 　　 　　(2009紐約亞美國際電影節參展電影) 　　http://www.hkaff.asia/newtalent/newtalent1.html

從小吃到大，小妹最愛吃蛋撻。家中有四位家姐︰大姐留在最愛身邊，二姐成深閏怨婦，三姐想釣金龜婿，四姐奉子成婚。戀愛初哥的小妹從四位家姐對婚姻及愛情態度，領略到自己的人生。改編自陳慧《好味道》(http://book.douban.com/subject/1394194) 書中首個短篇故事〈蛋撻情緣〉，甜口卻脆弱的愛情，如出爐蛋撻一樣令人著迷。廖劍清執導 的第二部長片，《蛋撻》滿載獨立電影人對香港的情感，記錄一家人溫馨又含蓄的細緻點滴，細膩感人。 　　 　　(2009紐約亞美國際電影節參展電影) 　　http://www.hkaff.asia/newtalent/newtalent1.html

米娅（鲁斯·维嘉·费尔南德兹 Ruth Vega Fernandez 饰）的爸爸莱斯（克里斯特·亨里克森 Krister Henriksson 饰）即将迎娶福瑞达（Liv Mjönäs 饰）的母亲伊莉莎白（莱娜·恩卓 Lena Endre 饰），在两人的订婚宴会上，米娅第一次和福瑞达相遇了。 随着时间的推移，尽管米娅已经有了未婚夫蒂姆（乔金·奈特奎斯特 Joakim Nätterqvist 饰），尽管米娅和福瑞达如今已经是没有血缘关系的姐妹了，可这并不能阻止她们之间的关系越来越亲密，一种炽热的感情正在以无法阻挡的速度席卷着两人的内心，而她们明白，一旦这种感情被公之于众，将会对各自的家庭带来多大的伤害。在迷惘和踌躇之间，两人的未来该何去何从？

米娅（鲁斯·维嘉·费尔南德兹 Ruth Vega Fernandez 饰）的爸爸莱斯（克里斯特·亨里克森 Krister Henriksson 饰）即将迎娶福瑞达（Liv Mjönäs 饰）的母亲伊莉莎白（莱娜·恩卓 Lena Endre 饰），在两人的订婚宴会上，米娅第一次和福瑞达相遇了。 随着时间的推移，尽管米娅已经有了未婚夫蒂姆（乔金·奈特奎斯特 Joakim Nätterqvist 饰），尽管米娅和福瑞达如今已经是没有血缘关系的姐妹了，可这并不能阻止她们之间的关系越来越亲密，一种炽热的感情正在以无法阻挡的速度席卷着两人的内心，而她们明白，一旦这种感情被公之于众，将会对各自的家庭带来多大的伤害。在迷惘和踌躇之间，两人的未来该何去何从？