马丁（塞巴斯蒂安·考奇）是一名编剧，在戏剧和电影界是位知名人物。十五年前，他的妻子神秘失踪了。马丁的女儿萨拉（丽贝卡·奈特）今年25岁，她和母亲一样都是漂亮的女演员。萨拉正在演出一部电影，由马丁担任编剧。在萨拉的25岁生日宴会上，马丁结识了迷人的女郎安吉丽克（洛特·弗贝克），但没想到的是，她第二天也神秘地失踪了。不久后，安吉丽克的尸体在河道中被发现。血液中有毒品迹象，并且身上没穿衣服。　　警方立刻开始调查，并不确信安吉丽克究竟是死于意外还是他杀。最后一个和安吉丽克说过话的人是马丁。马丁被警察盘问，但被虚幻的梦境以及对过去的回忆让他的记忆变得模糊不清。让事情更加复杂的是，前来认领安吉丽克尸体的人是她的双胞胎姐姐特蕾莎（洛特·弗贝克），而在特蕾莎和安吉丽克之间，有一段神秘的黑暗的过去。

住店总有点超现实。艺术短片集《暂停》邀请三位青年影人将酒店空间作为创作基点，展现了他们大胆的想象：彭磊波普文化样式的《有猫的房间》是一个漂亮女孩的等待，赵晔的《Excuse Me》像科幻也像隐喻，刘伽茵以她的一贯风格拍摄她父母的表演。三个短片是三场白日梦，同一舞台上的三场表演，艺术家与环境间的三段对话，影人们分享出来的三种想象。希望您暂停下来畅游此梦中。

Daniel loses his wife and son in a car accident. While slowly recovering from his injuries, he rebuilds his son's video camera that was destroyed in the crash. Infused with power from the moment of the crash, the camera develops the ability to stop time when Daniel presses the pause button. This discovery restores Daniel's purpose, and he fills the vacuum in his life by taking responsibility for another victim, Sarah, a newlywed who lost her husband in the same accident. At first Daniel only watches her, then tries to improve her life in small ways. But using his power to "help" becomes an addiction, and the vastness of Daniel's power can do only one thing...corrupt him

根据《申报》1923年5月15日报道： 记卡尔登之大跑马电影 杨左匋君所绘之滑稽画亦绝佳 “上海大跑马影片，于上星期四（ 即跑香槟之次日）起，已在卡尔登戏院映演。手续之迅速，殊不及料。内容亦复不恶，而犹以片首字句之书法为最佳。附以画图，亦能引人入胜。按片中字句（ “Art Titles”）影片之优美，大有关系。今我国自摄影片，尚鲜有注意及此。跑马片后更附以本埠名画家杨左匋君之速写滑稽画，先绘一吴佩孚，次绘一张作霖，寥寥数笔，形容毕肖。初因长城横贯于中，互相仇视，继因吸香烟遂相和好。此片一望而知为某公司之广告，惟此种广告，确为中国所仅见，闻绘滑稽画影片之画家，在影片界素占重要位置云。”

乌玛·瑟曼将主演苹果新剧《怀疑》(Suspicion，暂译)。该剧卡司还包括昆瑙·内亚(《生活大爆炸》)、诺亚·艾默里奇(《美国谍梦》)、乔治娜·坎贝尔(《黑…

北漂青年林晓峰，怀疑自己的美丽女友其实是个冒用别人身份的“复刻品”。这个怀疑的念头，把林晓峰引向了一个深不可测的危险陷阱。

April 2020 – Lockdown. Etienne, a film director, and his brother Paul, a music journalist, are confined together in their childhood home with their new partners Morgane and Carole. Every room, every object, reminds them of their childhood, and the memories of the absents - their parents, their neighbors…This compels them to measure the distance that separates them from each other and the roots they share, those of their ground zero. As the world around them is becoming increasingly unsettling, unreality, and even a disturbing strangeness, invades their daily gestures and actions.

以一场夸张变形的梦境来隐喻消费时代的纷扰世像，把人的冲突和弯曲处境归罪于自身的欲望，并发出“暂停”的呼吁。片中那些在城市天桥上弓身爬行的人群，如同卡夫卡笔下的甲虫，他们是“异化”这个现代主义文学主题在影像上的回响。