云娘在旧世悲惨的命运。她被丈夫许桓无情地租给杜老爷生子，本以为生育后能逃脱苦海，却遭许桓及其亲生儿子合谋残忍杀害。然而，命运眷顾，云娘得以重生。带着前世的记忆和刻骨的仇恨，她毅然决定留在杜家，誓死守护她与杜老爷的龙凤胎，不让历史重演。面对许桓父子一次又一次的贪婪与恶行，云娘步步为营，机智周旋。她意外结识了同样带着前世记忆重生的仙儿，两人联手，共同编织一张揭露许桓父子阴谋的大网。最终，恶人自食恶果，受到应有的惩罚。

沈晚意是京都沈家的千金，因黎家的陷害而家破人亡。为了报仇，她找到了黎家的儿子黎南枫。黎南枫在得知她的目的后，不仅没有阻止她，反而主动帮助她讨回了公道，甚至为了她与自己的父亲黎千东抗争，并因此受了重伤。沈晚意被黎南枫的真诚和勇气所感动，最终放下了仇恨，与他一起开启了新的生活

河南省，中国最大的外出务工省。成千上万的农民外出打工，他们的孩子被迫留在农村老家与爷爷奶奶生活，成为“留守儿童”。7岁的男孩优优与70岁的爷爷相依为命，整天盼望离家三年外出打工的父母回来。他的心愿就是下棋赢爷爷，因为爷爷告诉他，只要他赢了，爸爸妈妈就会回来了。　　这一天他终于赢了••••••

影片根据台湾著名女作家李昂的同名小说改编。《暗夜》是一部描写权力、金钱、欲望与道德冲突的小说，导演但汉章将小说搬上了银幕，表现了股票记者、商人、商人之妻三个人间的爱欲纠缠。

The Israeli-Palestinian conflict manifests in its most complicated form over one night, and the encounter between two Israeli soldiers and the two Palestinian residents of the house to which the soldiers escape after their vehicle is attacked.

《暗夜》一个恐怖的故事，发生在夜里，血腥、残暴、癫狂只要是能刺激你眼球的东西一样不少。而且全部都是用动画表现出来。 Malena 和 Pablo 兄妹俩旅行到阿根廷，发现了一本日记记载了20年前发生的罪案。这一晚一个家庭随着日记的历史重演被谋杀了，这个 Malena 和 Pablo 去查处究竟什么是真实的，什么不是真实的？……

Mixture of documentary and fiction about the dictatorial 1930s. With archive footage of 'kino newsreels', a script that is loosely based on the utopian fantasies of Fritz Lang and about the forbidden passionate love affair between a photographer and his model. The Dark Night takes Oleg Kovalov a little closer to his target: to write a complete history of the twentieth century in the language of film. Not a documentary or chronological history, but a lyrical, subjective and poetic history. In Sergei Eisenstein - An Autobiography, we witnessed the stormy 1920s and the blossoming culture of that era, in Scorpion's Garden we saw the paranoia of the Cold War and the thaw that followed. The Dark Night, just like Concert for a Rat before, is on the subject of the dictatorial 1930s. Kovalov has little faith in the documentary as a means to find truth. He does not think that the truth can be found within existing genres. So his films transgress those genres. Documentary and fiction are just as difficult to distinguish in his work as fictional characters from concrete people in old newsreels and other archive footage. That also goes for The Dark Night. The film combines archive footage from the Third Reich with a script that is loosely based on the fantasies of Fritz Lang: a lyrical thriller with horror elements. As the stylised black & white images have all been shot in reconstructed studio sets, the film has the mood of the 1930s cinema.

夜枫从小被投入边军历练，即将立为夜北王。因为自己从军需要隐藏身份，所以夜枫一直装作无业游民，就在夜枫决定立苏雨冰为王妃的前一晚，苏雨冰却背叛了他。夜枫决定在王妃晚宴上收回苏雨冰的一切。