大年三十，江城突发全城停电，唯有周芷晴能窥见无边黑暗，家人、邻居却对着黑屏电视沉迷 “春晚”，同事、男友的认知更是与她天差地别。一场意外身亡后，她重生陷入无尽轮回，反复经历停电之夜的诡异与凶险 —— 被家人冷漠驱赶、遭同事邹虹因男友之死疯狂报复，唯有男友陆燕青为救她主动闯入轮回。随着红色日历虚影、弟弟的隐秘日记等线索浮现，她终于揭开真相：这场灾难源于家人误报电力故障，而亡灵的执念织成了困住她的牢笼。最终，在爱与忏悔的救赎下，她打破循环，于黑暗尽头寻得光明

最真实的毒战现场、最无畏的缉毒身影。从街头追缉到跨境博弈，每帧都藏着生死较量与人性挣扎。他们以血肉之躯筑防线，用信念撕开毒雾。缉毒题材电影合集，还原黑暗里的热血与牺牲。

影片根据台湾著名女作家李昂的同名小说改编。《暗夜》是一部描写权力、金钱、欲望与道德冲突的小说，导演但汉章将小说搬上了银幕，表现了股票记者、商人、商人之妻三个人间的爱欲纠缠。

The Israeli-Palestinian conflict manifests in its most complicated form over one night, and the encounter between two Israeli soldiers and the two Palestinian residents of the house to which the soldiers escape after their vehicle is attacked.

《暗夜》一个恐怖的故事，发生在夜里，血腥、残暴、癫狂只要是能刺激你眼球的东西一样不少。而且全部都是用动画表现出来。 Malena 和 Pablo 兄妹俩旅行到阿根廷，发现了一本日记记载了20年前发生的罪案。这一晚一个家庭随着日记的历史重演被谋杀了，这个 Malena 和 Pablo 去查处究竟什么是真实的，什么不是真实的？……

Mixture of documentary and fiction about the dictatorial 1930s. With archive footage of 'kino newsreels', a script that is loosely based on the utopian fantasies of Fritz Lang and about the forbidden passionate love affair between a photographer and his model. The Dark Night takes Oleg Kovalov a little closer to his target: to write a complete history of the twentieth century in the language of film. Not a documentary or chronological history, but a lyrical, subjective and poetic history. In Sergei Eisenstein - An Autobiography, we witnessed the stormy 1920s and the blossoming culture of that era, in Scorpion's Garden we saw the paranoia of the Cold War and the thaw that followed. The Dark Night, just like Concert for a Rat before, is on the subject of the dictatorial 1930s. Kovalov has little faith in the documentary as a means to find truth. He does not think that the truth can be found within existing genres. So his films transgress those genres. Documentary and fiction are just as difficult to distinguish in his work as fictional characters from concrete people in old newsreels and other archive footage. That also goes for The Dark Night. The film combines archive footage from the Third Reich with a script that is loosely based on the fantasies of Fritz Lang: a lyrical thriller with horror elements. As the stylised black & white images have all been shot in reconstructed studio sets, the film has the mood of the 1930s cinema.

夜枫从小被投入边军历练，即将立为夜北王。因为自己从军需要隐藏身份，所以夜枫一直装作无业游民，就在夜枫决定立苏雨冰为王妃的前一晚，苏雨冰却背叛了他。夜枫决定在王妃晚宴上收回苏雨冰的一切。

撞破丈夫章致远的背叛，诗悦决然离婚。酒吧买醉夜，与丈夫好友秦昭意外相遇。一个借他疗情伤，一个被她倔强反差吸引，一拍即合。人前疏离，人后亲密。待诗悦以为关系终将结束，秦昭早已深陷其中。改编自《越夜越熟》，作者玛格绿特。