万，一个65岁的寡居中国人，经常潜入老唐人街一个叫莱莱的地下舞厅场所，透过帘子偷看。有一天，一个年轻人Ken在一家澡堂引起了万的注意，万记得在莱莱看到过他。Ken邀请万去莱莱并认识一些朋友。在经历了一些阻力之后，万接受了邀请，并第一次去莱莱跳舞。在那次经历之后，万逐渐对自己和他已故的妻子敞开心扉。

小椿的家乡经历了农村的拆迁，为了能多分几套拆迁房，她不到23岁就生了3个孩子，但当家里为了再分一套要求她再生一个时，小椿开始抗拒了。这个粗野又倔强的 女孩儿采取了各种方式阻止自己怀孕，就在这段时间里，她接触到了滑板。她原本嗤 之以鼻，但滑板却成了她反抗过程中的支撑。直至最后，小椿意识到自己已经不仅是身体不能再承受生育，而且从内心深处，开始向往了一种叫做自由的东西。

一场猝不及防的别离，让一份炽热的爱意坠入漫长等待，九十九天的时光成了执念的刻度。朝暮盼归期，日夜数流年，每一日的等待都藏着忐忑与期许，那些细碎的思念、无声的坚守，在时光里熬成温柔的执念。或许有误会横亘，或许有距离阻隔，却始终守着一份约定不肯放手。九十九天的尽头，是重逢的圆满，还是遗憾的收场？所有的等待与执着，都将在最后一天迎来答案。

姜晚曾是享誉国际的新锐导演，为守护婚姻选择隐退，低调嫁入霍家。三年婚姻里，她与丈夫霍凌寒误会丛生，又因旁人挑拨渐生嫌隙，攒够失望后她决意结束这段关系。离婚后姜晚重拾导演事业，在挚友傅宴川的助力下再创行业佳绩，幡然醒悟的霍凌寒也踏上了漫长的挽回之路。

80年代陈远山顶职成为铁路扳道工，凭过目不忘的天赋以及勤奋工作崭露头角，却被偏心父亲和不争气的弟弟拖入泥潭。27秒舍命救下三百乘客，换来的竟是亲弟联合反派的致命诬陷。妻子苏雁秋硬刚全家、冒险进入反派办公室查找证据，拼死为他洗清冤屈。最后他从扳道房一路走到国际舞台，用实打实的技术撑起中国铁路的未来！可就在出国研修前夕，政审却因弟弟的前科突然卡壳。

跳出《比海還深》（2016）的助導身位，廣瀨奈奈子繼承恩師是枝裕和一貫家庭缺失主題，以圓熟的敘事技巧，剖開父子關係的思考空間。憑《誰知赤子心》（2004）成為史上最年輕康城影帝的柳樂優彌，經歷過高山低谷，在死亡邊緣走了一回，與這個落泊孤絕角色感同身受。自殺不遂被中年鰥夫收留，獲編的名字竟與他的亡兒相同。亦父亦子的微妙關係，卻被兩人過去的秘密動搖。兩個「缺」的人生，能否合成一個「圓」？

故事发生在明尼苏达州北部的一个湖边小屋，一对兄妹来此探望隐居的父母。第一天晚上，他们发现有个陌生人出现在家里……

Following the murder of her family at the hands of her father in the wake of World War I, a young woman is sent to live in a convent. However, her demons follow and manifest themselves in ways which bring the nightmares of her past with her.

In a drama in which even Gad has a role as well as Michael York, it is certain that serious issues are at stake. Set during the time before the state of Israel was created and established, a British officer has been captured by a band of Jewish resistance fighters with the intent of killing him at dawn. One of the Jews was sentenced to die after being captured by the English, and this death will be in retaliation. The trouble is that a young and ambivalent fighter is left holding the officer captive with orders to shoot him at the pre-arranged time. It is a long night of soul-searching before the Jewish soldier comes up with a solution to his quandary.

György Fehér是匈牙利电影长镜头学派的另一位大师级导演，与杨索属同代人，可惜他的作品很少而且极难看到。。。 If you like to see what movies are really about (i.e. moving)you should see szurkulet. This highly original and intense film is an exercise in style 'pur sang'. The story is loosely based on 'es geschah am hellichten Tag' by Friedrich Durrenmatt. But how the story is told is the most important part here. In a shadowish black and white twilight we see the story unfold in very (and I mean very) slow moving breathtaking camera movements over different scenes. This means that the whole movie exists out of less then 50 shots, without making unnessecary cuts. Orson Wells eat your heart out. Every scene tells the viewer another part of the puzzle and so the story gets you more and more in its gripping way of telling the story. For movie fans this is a must-see because this movie is the only movie I've seen which has stripped a picture to its bare essentials.