张桂兰重生回儿媳晓月进门立规矩当天，上一世她与老伴遭儿子王洋、儿媳 “边界感” 压榨 —— 老伴心梗时二人拒接求助电话，后续还被霸占房产。重生后她不再妥协，反设边界，要求归还亲戚红包、让小夫妻搬离。面对二人撒泼、私闯民宅、网上抹黑，她坚决反击，与儿子断绝关系并做遗产公证。最终，张桂兰与老伴享幸福晚年，王洋和晓月则落得离婚、落魄的下场。

自张小雅出生的那一刻起，张子帆便对这个亲生女儿始终冷眼相待。他可以耐心地为别人家的孩子系鞋带、讲故事，却不愿意回应小雅怯生生的一声“爸爸”。在他心里，初恋柳静怡带来的女儿涵涵才是“贴心小棉袄”，是他多年执念的延续。因此，他对涵涵百般呵护、毫无底线纵容，甚至在亲子关系上严重偏心，几乎到了令人窒息的程度。 张小雅年仅7岁，却早早懂得察言观色。她渴望父爱，也努力想讨好父亲——递水、捶背、帮忙收拾房间，她做得小心翼翼，只求换来父亲哪怕一个肯定的目光。然而，她得到的往往是质问、忽视，甚至无端的苛责。她的懂事并不能换来温暖，反而让她的委屈更加无处安放。

A controversial affair unfolds when a young man, Glen, manipulates his stepmother, Lorraine and her sister, Leilanie, to fall for him to exact revenge on his father, Mauro. But there is twist and Glen is in for life-shattering shock.

A controversial affair unfolds when a young man, Glen, manipulates his stepmother, Lorraine and her sister, Leilanie, to fall for him to exact revenge on his father, Mauro. But there is twist and Glen is in for life-shattering shock.

秋千《边界》的故事发生在一片荒芜的草原上，主角是一个蒙古本地男子和一对从北韩出逃的母子。身心疲惫的三个人在无法相互交流的情境下接受着宿命的旨意，并不断寻求生存下去的希望。 在蒙古与中国交界的沙漠地带，尚存留着一个小小的村庄。干燥的气候、猛烈的风沙驱使人们纷纷离开，另谋出路。为了给女儿治病，蒙古男子将妻子和女儿送去乌兰巴托，自己仍留守原处植树造林。一天，一个名叫崔顺姬的北韩女子带着儿子昌浩来到这里，恳求在蒙古男子家中借宿一宿。后来，这对母子留了下来。他们彼此无法用言语沟通，却一起种树、挤牛奶、喝麻油酒，像一家人一样自然地生活到一起。在荒芜的草原，他们似乎找到了一种岁月静好的恬淡感受。

秋千《边界》的故事发生在一片荒芜的草原上，主角是一个蒙古本地男子和一对从北韩出逃的母子。身心疲惫的三个人在无法相互交流的情境下接受着宿命的旨意，并不断寻求生存下去的希望。 在蒙古与中国交界的沙漠地带，尚存留着一个小小的村庄。干燥的气候、猛烈的风沙驱使人们纷纷离开，另谋出路。为了给女儿治病，蒙古男子将妻子和女儿送去乌兰巴托，自己仍留守原处植树造林。一天，一个名叫崔顺姬的北韩女子带着儿子昌浩来到这里，恳求在蒙古男子家中借宿一宿。后来，这对母子留了下来。他们彼此无法用言语沟通，却一起种树、挤牛奶、喝麻油酒，像一家人一样自然地生活到一起。在荒芜的草原，他们似乎找到了一种岁月静好的恬淡感受。

Border, The / Granica [FL 573] 　　This excellent film openly deals with complex ethnic relations between Hungarians and Serbs in the ethnically mixed province of Vojvodina. The story takes place in a village close to the Yugoslav-Hungarian border just after the end of WWII. The war and communist revolution have changed the lives of two families, a native Hungarian and an immigrant Serbian one, leaving each of them with different traumas and deep suspicion towards their new neighbors. This mutual dislike stands firmly in a way of a possible love story that might otherwise easily emerge between Etel, the beautiful young daughter of Hungarian landlord who was raped by Soviet soldiers and now has a baby to support and the young son of the Serbian incomer to the village. As both families experience the tough first years of the new regime as are equally harassed by the brutal young officials of the new government, many joyous and sad, proud and humiliating situations develop. Events force these two families to change irreversibly and gradually break with their former prejudices, allowing free rein to the love between two young people of different ethnic backgrounds. Zoran Masirevic, Yugoslavia, 1990, Serbian, 88 min, fiction film, DVD-ROM

2010年，導演Nontawat遇見了來自泰柬邊界四色菊府的少年敖。敖多年前離家入伍，駐軍於暴動頻傳的南方地區。2012年，Nontawat追隨敖的腳步回到家鄉。此際，泰柬邊境緊張關係一觸即發，被列為世界文化遺產的當地古廟Preah Vihear Temple，長年以來即是兩國主權爭奪的焦點。而今，國內紅衫軍與黃衫軍的衝突越加增溫，再度喚醒了沉睡的歷史傷痕，邊界戰爭一觸即發......。Nontawat曾參與導演阿比查邦劇組工作，風格亦受其啟發與影響，本片是他的第一部紀錄作品，旋即入圍各大國際影展。 　　 　　★ 2013 柏林影展 　　★ 2013 阿姆斯特丹國際紀錄片影展 　　★ 2014 泰國影評人協會青年導演獎

影片故事讲述劳拉(维拉·法米加饰)和她古怪的父亲杰克(克里斯托弗·普卢默饰)展开一段非常古怪的公路旅行。

The story opens in Balochistan, in a small, scarcely ‘wired’ village bordering Iran and Afghanistan. Ahmad is an idealistic teacher in exile, educating the local community; his partner Haseeba, however, has spent time in jail in Tehran for the very same offence against the State. The disaccord between them is not only social but also personal. Ahmad's destiny collides with that of a family fleeing the Taliban; soon the intricate divisions of age and gender within that group will trigger other problems and entanglements – including a 'lovers on the run' intrigue that fleetingly recalls Murnau's classic Tabu (1931). 　　Across all the arresting, shifting peripeteia of its plot, Abbas Amini's film deftly dramatises the complicated question of commitment: do we commit ourselves to a political cause, a set of religious beliefs, or a person? And how do we negotiate the commitments of others, even those closest to us, when they are based on a very different value system? 　　With its sparse music score, densely naturalistic acting and unostentatious camera work, Endless Borders is almost a minimalistic suspense thriller (with Hitchcockian overtones), combined with a heated family melodrama – but it never loses sight of the serious and extremely timely issues that it raises. 　　源自：https://iffr.com/en/iffr/2023/films/endless-borders