记忆如何形成？难道这不是一个涉及遗忘和再创造的过程吗？电影使用碎片化的建筑影像来象征这一记忆构建的过程。摄影机穿越既像电影布景也像废弃地点的结构。我们想起曾经去过的地方，我们在联想。从黑暗的某处传来的澳大利亚配音演员的声音诉说着他在墨尔本上学的细节，讲述了他在异域城市的冒险，并描述了他记忆中的那些建筑。他的声音在渐渐消失，但被录音机所记住。

本片展示了加沙四名年轻人的生活，他们试图在以色列-哈马斯战争中幸存下来，因为他们希望停火——这是对战区生活的生动而坚定的看法。以色列不允许外国记者在加沙独立报道。为了制作这部电影，两名驻伦敦的制片人在加沙的地面上远程指导了两名摄影师，历时九个月，他们进入了外国媒体无法到达的关键地点。这部戏剧性的纪录片为加沙人道主义“安全区”内的生活提供了新的视角，展示了持续空袭的日常生活，以及在唯一一家正常运作的永久医院阿克萨为让人们活着所做的努力。

本片导演以一种难能可贵的幽默之情戏剧化的重现了当年南斯拉夫分崩离析的最初原因和经过, 以夸张的人物造型和超现实的镜头角度极尽挖苦讽刺调侃之能事, 将当年政客的丑陋虚伪, 军人的蛮横冷血刻画得相当戏谑, 让人们在笑声中又感觉到一丝辛酸和苦涩. 实属难得的东欧黑色喜剧佳作. A MUST-SEE! Although being one of the first movies to take humoristic approach towards violent break-up of Yugoslavia, this motion picture is partly based on real events that took place in September of 1991. Few months after Croatia seceded from Yugoslavia, Federal military installations are still present with previously recruited Croatian boys trapped inside. One such installation is a garrison on a small Dalmatian island, commanded by Major Aleksa Milosavljevic. Besieged by local militia, Major Aleksa threatens to blow up ammunition depots with half an island in case of any hostile action. During the stalemate, art historian Blaz Gajski comes from Zagreb in order to rescue his son from the barracks. In the beginning of 1991, the Yugoslav National Army, which does not acknowledge Croatia's independence, is still holding the military barracks throughout Croatia. Blaz Gajski travels to an island in order to retrieve his son from the barracks situated on this island. The atmosphere on the island is intense. The local government has besieged the barracks, and local people have organized a festival in front of it. With their singing and recitals, they plan to force major Aleksa and his soldiers to surrender. But, Aleksa has planted explosives in the barracks and threatens to blow up the island.

Junseok is the head of human resources at a car parts plant. His boss tells him to cut down the number of people on the production line, and he must meet with each department head to make difficult choices. At home, his wife is suffering from postpartum depression and he tells her to have a day out, asking her to take care of the rent. She parks the car, with her baby inside, at the curb while making the payment, and loses the car. Meanwhile, Hyeontae, the head of the production line at the same plant where Junseok works, is distressed over having to ask fellow workers to resign.

这是一部令人印象深刻的长篇纪录片，独家展现了全球为抗击新冠疫情在新冠疫苗的研究、开发、监管和推广方面所付出的巨大努力。影片从2020年初新冠病毒跨越国界开始讲起，跟随实验室里的研究人员，记录他们对数百万志愿者进行测试以及监管……

Henrik wants to sing a song for his wife. It has to be today, it has to be now. It's a question of life, death and karaoke.

分手后，她们在洗衣时总会一次次相遇。曾经相伴的爱人已不在身旁，爱情也已黯然失色。这使得原本的尴尬，变得愈发令人难堪。

After being ghosted by a romantic partner during a trip to Bangkok, the artist situates a contemporary act within a timeless SouthEast Asian cultural gesture, transforming personal heartbreak into a surreal exploration of ghosthood while reimagining its embodiment through ten playful yet haunting guidelines. Shifting between satire and introspection, the film contemplates the fragility of relationships and the futility and opacity of communication in the hyper-connected digital age.

暂无剧情简介

那天不過出門看個電影，怎麼就像罹患了創傷後壓力症候群，懼怕之情縈繞心頭，久久揮之不去。在他眼裡，群眾的臉孔越來越陌生難辨，直到沒了人的模樣⋯⋯。三分鐘、十張照片，內心的恐懼究竟從何而來？