地产公司经理周源英已然娶妻叶长华，然而长华整日只热衷于打牌玩乐，对丈夫以及一双子女大为和培珍全然不管不顾。长华的妹妹曼华受邀到周家暂住，她尽心尽力地教导大为和培珍，还把周家上下打理得妥妥当当。源英一直患有心脏病，周家的家庭医生冯医生曾嘱咐源英到郊外放松身心，可长华却临时变卦失约了。源英一气之下，带着曼华、大为和培珍出发郊游。返程时遭遇大雨，众人只能在古寺借宿。这次郊游后，曼华染上了肺病，必须到郊外静养，源英便安排她到自己所建的孤儿院暂住。不久后，源英患病离世，曼华经不住长华的苦苦恳求，带着孤儿院的女婴培玲搬到周家居住。源英的弟弟士英一直爱慕曼华，长华便代士英提亲，可曼华不肯答应，还无意间说出培玲其实是自己的私生女。长华于是追问孩子父亲是谁，曼华却拒绝透露。后来，长华因不满大为和培珍与曼华关系更亲近，决意抢走培玲以作报复。培玲在长华的溺爱下长大，只懂得吃喝玩乐，这让曼华十分痛心。

大富翁董浩然（姜明）的长女爱珍（韦伟）未婚先孕，这让董浩然极为恼火，他要求爱珍打掉孩子。之后爱珍生下了孩子，董浩然竟命人将婴儿活埋。爱珍的奶妈不忍一条小生命就此消逝，便救下孩子，为其取名乔雨生，并将他抚养长大。乔雨生成了一名医生，有一次他通过输血挽救了董浩然的生命，在讲述自己身世时，才得以和母亲爱珍相认。

JEUXhttp://i.mtime.com/100233        月子和阳子母女俩一起过着平稳的日子。某天深夜，喝得醉醺醺的阳子带着一个年轻的金发男子回到家，两人什么都没说就躺倒在玄关。月子只好把阳子拖进屋安顿在起居室的被炉里，又在那个男人身上盖了条毯子。        第二天早上，阳子突然宣布：“妈妈我要和这个人结婚。”这一切太突然了，月子冲出家门跑到邻居朔家里。        月子的父亲薰在她出生前就离开了人世，阳子以前总是说：“薰是我第一个也是最后一个所爱的人。”如今却冒出了这么个叫研二的人，他只有三十岁，染着金发一付混混样子，听说以前是厨师，现在没工作。        月子无法理解母亲，赌气一直呆在朔家。阳子说：“我们不能在没有小月的家同居”，一直让研二睡在面对庭院的走廊上。        月子依然不接受母亲的决定，和阳子很熟的上司村上以及朔努力想调解这三个人的关系，却徒劳无功。其实母女俩心中各自藏着秘密……

该剧讲述了独自拉扯子女长大成人的母亲惩戒四个不尽孝道，只打遗产主意的不孝子女的故事

《妈妈要我出嫁》根据刘真的小说《春大姐》改编。李玉春不仅能干、漂亮而且倔强。她所在的北村互助组与南村合作社土地相连。在生产中，玉春与南村合作社的刘明华相识。明华朴实、热情，玉春逐渐喜欢上了他。在一次风雨中，玉春的牛车陷进河里，正在为难时明华赶来，帮她推车上岸，并将自己的草帽给玉春戴上，自己则淋雨回家了。玉春知道明华家境不好，就背着娘做鞋送给明华。明华娘知道此事，也觉得玉春是个好姑娘。玉春娘一心想给女儿找个富裕婆家。王大娘带玉春娘到赵九喜家相亲。一看赵家的家业富足，再看九喜不仅能写会算还会做买卖，玉春娘非常满意。谁知九喜来送财礼时，玉春竟生气地走了。玉春好友秀芳责备她不该将她和明华的事瞒着娘。当天深夜，玉春把自己和明华的事告诉了娘，玉春娘认为女儿违背自己的意愿，爱上一个穷光蛋，非常生气。第二天，逼女儿和她去骡马大会买嫁妆。玉春和明华相遇，可没机会说话。互助组的小宝、二梅帮玉春离开了娘，跑到果树园和明华见了面。玉春把娘逼她嫁九喜的事告诉明华，并向明华表明非他不嫁的态度。他俩的事在北村传开了，王大娘唆使玉春娘赶紧把玉春嫁到赵家去。

Gwangho, a prospect on his high school baseball team, is not drafted by a professional baseball team. His desire to continue playing baseball strains his relationship with his team members. Gwangho eventually begins selling fake gasoline with his friend Mincheol.

Synopsis Scholar Maeng (Kim Seung-ho) is exultant when he succeeds in getting his daughter betrothed to the son of a government minister. But word reaches him that Mi-eon (Choi Hyeon), his prospective son-in-law, is lame in one leg. Becoming in-laws with an influential family is all very well, but Scholar Maeng's reluctance to marry his daughter to a cripple outweighs his ambition and he devises a scheme to pass off his daughter's maid Ip-bun (Cho Mi-ryeong) as the bride. On the wedding day, Mi-eon makes his appearance at the wedding hall, revealing himself to be a splendid young man without a hint of a limp. Scholar Maeng is utterly flabbergasted and dismayed, but it is too late: the maid Ip-bun becomes Mi-eon's wife. Notes "The first Korean movie to receive an award at an overseas film festival" Without a doubt, The Wedding Day's main claim to distinction in the history of Korean cinema lies in the fact that it was the first to win an award albeit in a minor category at an overseas film festival (Comedy Award at the Asian Film Festival). Although this may not seem like much from our current standpoint, the award was evidence that a Korean film received the recognition of a foreign film festival for the first time in history and, as such, delivered a tremendous stimulus to those in the domestic film industry. It is true that Korean actors, directors, and other industry personnel who were making movies in a country ravaged by colonial occupation and civil war were in the grips of a deep inferiority complex toward more advanced film industries. Although the accolade received by The Wedding Day did not fully cure this complex, it provided the basis on which to build a certain level of confidence about the future potential of Korean movies. The export of Korean films became more active in the years that followed, and in the early 60s several were even submitted to such prestigious festivals as Venice, Berlin, and Cannes. Of course, The Wedding Day has sufficient artistic merit in itself to be recognized as an important part of Korean cinematic history. Comedy was an unfamiliar genre in the history of Korean films, but The Wedding Day succeeded in garnering positive responses both from critics and at the box office. This served as the foundation for the continued creation of comedy films in Korea. A further distinction of this movie is the fact that its funny moments are derived not from slapstick but from irony and satire, rooting it firmly in the tradition of folk drama rich in local color. The performance of Kim Seung-ho, as a man whose greed leads him to plot his own misfortune, elicits the audience's laughter.

婆婆被儿媳赶出了家门，却被旁人默默接住了余生。那些曾嫌弃她的人，终究在风雪里学会了回头。

《小芳出嫁》讲述了杨小芳与同村的祁小伟未婚先孕，杨家人紧急回村为小芳出谋划策，祁杨两家态度不一，意外掀起了一场“婚恋风暴”，两家谈判失败，小芳“带球相亲”，却受到全村追捧并引发了一系列让人啼笑皆非的事件。