イメージ・イラスト：生頼範義（プロデューサー） 企画協力：吉田達 作画監督/キャラクタ・デザイン：須田正己 美術監督/メカニック・デザイン：辻忠直 衣装デザイン：アンドレ・クレージュ エフェクト・デイレクター：高山秀樹 文芸・設定制作：鶴見和一 録音：波多野勲 指揮：熊谷弘 演奏：新日本フィルハーモニー交響楽団 主題歌作詞：山上路夫 主題歌作曲：風戸慎介 主題歌編曲：青木望

暂无剧情简介

一群邪恶的生化人从地球的未来绑架人类作为奴隶，并把过去的恐龙当作追踪者使用。他们的一个奴隶逃跑了，逃到了现在的洛杉矶。在那里，他必须击退半机器人和他们的追踪者、警察和政府，由一名妓女转变为修女，经营着一个中途宿舍。

After the gruesome events on Caprini, Sharp and his elite team of tough, witty and trigger happy space Marines must now head out to the icy planet Mezzo to investigate further Ma'har activities. What they will encounter will defy their imaginations as they tackle giant man eating snow worms, an underground city of Cyborgs, a slew of murderous alien entities and maybe, finally, the ever elusive Ma'hars.

战争一直是人类历史的一部分，如今作战方式正悄然改变，技术塑造着战争的未来。未来战争无疑是一场高科技的较量，其形式也日趋多样化。 军用人工智能、网络战、太空战略、特种部队作战等超维度打击和智能化作战，将成为未来战争的关键要素。未来武器的多元化会直接改变战争模式，了解这些新型战争形式，对人类的未来意义重大。 系列纪录片《未来战争》融合历史背景、专家访谈，运用真实影像、先进的CG动画技术以及生动的故事演绎，揭开“未来战争”中新作战形式的神秘面纱。 本节目共4集…… 第一集：机器之战（人工智能与自主性） 第二集：网络战争 第三集：太空之战 第四集：特种作战

在2023年的未来，哨兵机器人不仅开始消灭具有超能力的变种人，还把目标转向人类，定期突袭那些可能怀有变体基金后代的群体。多亏了能穿越物体的“幻影猫…

X档案是联邦调查局的一个部门，那里面贮存着几十年来遇到的无法解释的超自然现象案件……两位联邦调查局探员追查一桩又一桩非同寻常的案件。特别探员Fox Mulder在牛津大学修完心理学后，被调查局雇用，事业正一帆风顺时，他却突然将全部精力转向了超自然事件。他对于X档案中所隐藏真相的追寻着了迷，开始了全身心的调查工作。特别探员Dana Scully在工作的过程中，看到了许多无论科学或是逻辑都解释不通的事情，她的信仰受到了考验，她渐渐开始相信外星生命的存在。

The Airship Destroyer is playing on the ever-recurring fear of invasion. All the same, the futuristic aspect of the threat makes it very original. For that matter, this film is subject to a particular destiny. Six years after being first shown, it is projected again in 1915. At that time, the terror of zeppelin air raids hangs over England. Several bombings claim very many lives in Yarmouth and King’s Lynn. London is also aimed at. It is only in 1917 that the creation of anti-airship incendiary bullets and of a special regiment in the Royal Air Force contains the deadly raids. 1,500 British subjects are victims of this modern war instrument foreshadowed in this film. The airships are made using special effects. The animation and the models are the work of a master: the underestimated Walter. R. Booth. Before even contributing to the early stages of cinema, Booth exercises his creativity and exuberant imagination as an amateur magician. From 1889 on, he produces films containing “tricks” that allow him to combine traditional drawing and animation techniques. His taste for science fiction feeds on numerous inspirations, particularly on the French Georges Méliès and Jules Verne. In 1906, Booth joins the Charles Urban Trading Company. This producing company favors films that cover news, travel, science and natural history. Its founder, Charles Urban, born in the United States to German emigrant parents, radically develops cinema in England. His company supports Booth who sets up his studio in his garden of Isleworth. However, after a few years, Booth gives up and takes on advertising. His work remains unfortunately ignored, as does the rest of his career. The original element is a dyed print on nitrate film base, which went from a private collection to the Deutsche Kinemathek in the sixties. It was reprinted at the Studio Cine laboratory using the Desmet color restoration system in 2003.