临近毕业的别云豹与女友相恋，女友因想把重要时刻留到婚后，拒绝了他的亲密请求，别云豹答应等待。两人正纠结时，女友的阿姨突然回来，别云豹慌乱中失手伤人。阿姨称去伊莲小姨家劝架刚回，听到动静赶来，别云豹谎称要杀鸡煲汤，阿姨未起疑回屋，别云豹陷入慌乱，不知如何处理眼前的状况。

林婉隐忍筹谋，利用老小区煤气罐隐患，趁何超感冒鼻塞，设计出门买菜时“意外”摔入下水道制造不在场证明，引发煤气爆炸致何超身亡。她伪装成完美受害者，顺利拿到保险金并通过法律夺回财产，让何家母子一无所有。但警方始终存疑，最终通过摊主证言、伞具鉴定、监控记录等铁证侦破案件，林婉因故意杀人罪被判十五年，所得钱财也被收缴。

茂哥是餐厅里年纪最大的员工，他不太擅长与人交往，总是力求把事情做到尽善尽美，这让他在同事眼中显得有些不近人情。这天，餐厅来了一位新人——子彥。初出茅庐的子彥在店长的安排下，跟着茂哥学习店里的工作。然而，在茂哥一项项传授工作方法的过程中，子彥也像其他同事一样，渐渐体会到了茂哥令人头疼的地方。

2014年7月24日，24岁的南加大研究生纪欣然在学习结束回家的途中遭四名歹徒抢劫，并被殴打致死。为伸张正义，华裔女律师蔡玟慧代表被害人家属义务出庭，开始了长达数年的艰苦诉讼。

For every movie made, dozens of pictures remain missing forever. MISSING PICTURES gives directors a chance to tell the story that would otherwise never be told. Each episode invites one filmmaker to narrate some key points of the movie, why the movie was so important for them at the time and why it was never made. Episode 1: Abel Ferrara, Birds of Prey (USA) In this episode, we meet long-time independent American filmmaker Abel Ferrara. ‘Birds of Prey‘ would have been the political thriller of his dreams…until it all fell apart. The neo-noir, provocative director behind movies like Ms. 45 (1981) and Bad Lieutenant (1992), takes us with him on a journey through the heart of his unfinished story based in the 70’s New York City. Episode 2: Tsai Ming-Liang, The Seven-Story building (Taïwan) Tsai Ming-Liang, the Taiwanese maestro of slow cinema, doesn’t have a real “missing picture”, but what he does have are childhood memories, so vivid that it is impossible for him to film. The filmmaker seizes the medium of virtual reality to go back to the Malaysia of his childhood, when his grandparents took him to see two movies every night. Rather than telling us about an unmade film, Tsai Ming-Liang transforms the exercise into a making-of of his entire film career. Episode 3: Catherine Hardwicke, The Monkey Wrench Gang (USA) After Twilight Chapter 1’s huge box-office hit, American filmmaker Catherine Hardwicke tried to make an adaptation of The Monkey Wrench Gang by Edward Abbey, a cult book of the 70s American counterculture and a precursor of eco-activism. The director revisits this project which excited her so much and which became, because of the reluctance of the Hollywood studios, one of these umpteenth “ghosts of the garage”. Episode 4: Lee Myung-Se, Father is gone (South Korea) Father is gone could have been Lee Myung-se’s debut film, but slipped into a long hiatus instead. After thirty years busy directing unprecedented features in Korea like First Love or Nowhere to Hide, Lee finally brings the lost project back to life through virtual reality. Set against the backdrop of a family of three moving to the outskirts of Seoul in the 1960s – where the director himself grew up – Father Is Gone questions the place of the father in the traditional Korean culture. Episode 5 : Naomi Kawase, Oh Debu (Japan) The most celebrated female filmmaker from Japan revisits a project that she envisioned after her 2015 film Sweet Bean. Oh Debu tells the story of Aya, a 27-year-old, overweight and over romantic woman. Through this story, Naomi Kawase wanted to give herself a challenge trying to make a comedy, far from her naturalist, poetic previous work.

1997年，美国国家篮球协会成立了其女子部门WNBA。纽约自由队是这个新联盟中组建的首支球队，由丽贝卡·洛博（Rebecca Lobo）和金·汉普顿（Kym Hampton）等明星球员领军。尽管她们在首个赛季就收获了巨大成功，但和其他实力强劲、战绩出色的女子篮球队一样，她们遭遇了从恐同症到性别歧视等种种不公对待，这些问题在2021年新赛季受到了更多关注。这部纪录片全方位呈现了WNBA的情况，将这个联盟丰富却常被外界忽略的25年历史，与纽约自由队充满戏剧性的2021年赛季相互交织——在女子运动员普遍为获得更多认可和尊重而拼搏之际，本片可谓恰逢其时。

1990年代，华裔加拿大艺术家黄良开启了一项个人视频项目，勇敢地记录自己与HIV共存的经历，然而这个项目最终未能完成。在他去世三十年后，电影制作人陈乐施偶然发现了这些遗留在时光中的影像资料，并决定将其编辑成片，以此纪念这位艺术家及其未竟的作品。

《父亲走了》本来是李明世的处女作，但陷入了漫长的停滞期。在韩国执导《初恋》、《无处藏身》等类型片三十年后，李明世终于通过VR将这一项目带回了现实。该片以导演经历的1960年代一家三口搬到首尔郊区为背景，对韩国传统文化中父亲的地位提出了质疑。

十五年前，黎玥用自己的血救下裴言深，与他许诺，长大后结婚，可裴言深却在结婚当天逃跑出国，两人在之后五年没见过一次面。裴言深归国后想要离婚，但他却不知道，一见钟情的黎医生就是他老婆，黎玥也没认出来自己老公。因为拿错手机，裴言深将黎玥的同事李晓悦误认成妻子，并发现了李晓悦出轨的事，裴言深对“妻子”愈发厌恶，一心想着离婚。可另一边，裴言深在跟“医生”黎玥的接触过程中，渐渐对她产生了感情。