Pet of the Month Mariwin Roberts is featured in this Hawaiian adventure. As she recounts for the office girls her recent adventure, the audience is treated to a visual & sexual tour-de-force. From hang gliding above the tropical cliffs to lovemaking on the lovely sands, beautiful Hawaii is seen in an entirely new light. This Pet proves to be the hottest thing to Hawaii since volcanoes. Aloha!

影片前半部看是一出荒诞不经的嬉闹剧，但在黑色幽默的底层却深深反映出了战争后期人们的厌战情绪，影片后半部则感人至深，可谓深具震撼力，那个象征禁锢…

妮可拉·罗伯茨带领我们了解英国青年中晒黑皮肤的文化。(文：life_is_good@YDY) 　　Since Shooting To Fame In 2002 As One Fifth Of One Of Girls Aloud, Nicola Roberts Has Had To Deal With Life Under The Spotlight. As A Result, Everyone Seems To Have An Opinion About Her Fashion, Hairstyles And Her Naturally Pale Complexion. 　　In This Documentary, Nicola Goes On A Personal Journey To Explore The Culture Of Tanning Amongst Young Women And Men In The UK, And The Extremes They Will Go To In Order To Obtain The Perfect Tan. 　　Nicola Meets Young Women Whose Love Of Tanning Is An Addiction, Who Use Sunbeds 5-6 Times A Week And Who Inject Untested Tanning-aid Drugs. She Meets Girls In Their Early Teens Who, Like Her When She Was Young, Experience The Pressures From Their Peers To Conform And Be Tanned. 　　Nicola Reveals How She Has Overcome Her Early Reliance On Fake Tan And Her Gradual Sense Of Confidence In Her Own Skin. She Meets Top Dermatologists And Cancer Experts Who Explain The Risks Tanning Addicts Are Exposing Themselves To. Nicola's Journey Takes Her Into Hospital Wards Where Some Of The Estimated 120 Under-40s Who Die From Skin Cancer Each Year Are Treated. Skin Cancer Is The Most Common Cancer In Under-35s In The UK. 　　Nicola Meets The Families Of Those Who Have Died From Melanoma And Who Are Now Pushing For A Change In The Law To Protect The Young From The Tanning Industry. Her Journey Takes Her To Westminster, Where She Has The Chance To Rally Support For A New Bill That Would Protect Under-18s From The Dangers Of Sunbeds.

暂无剧情简介

华纳兄弟公司将请盖伊·里奇（Guy Ritchie）执导根据DC漫画《罗伯》（Lobo）改编的同名电影。 　　《罗伯》是DC漫画的一个反英雄漫画作品，主角“罗伯”（Lobo）是一个游走于星际之间的赏金猎人，他身高7英尺，蓝色皮肤，拥有发达的肌肉，刀枪不入。他骑着一辆摩托车，降落在地球上，和一名地球小镇少女结伴追捕四个危险的星际逃犯。 　　《罗伯》将于明年初开始制作，华纳希望将该片定级为PG-13。

The many adventures of the Main Man Lobo, a galactic bounty hunter.

华纳兄弟公司将请盖伊·里奇（Guy Ritchie）执导根据DC漫画《罗伯》（Lobo）改编的同名电影。 　　《罗伯》是DC漫画的一个反英雄漫画作品，主角“罗伯”（Lobo）是一个游走于星际之间的赏金猎人，他身高7英尺，蓝色皮肤，拥有发达的肌肉，刀枪不入。他骑着一辆摩托车，降落在地球上，和一名地球小镇少女结伴追捕四个危险的星际逃犯。 　　《罗伯》将于明年初开始制作，华纳希望将该片定级为PG-13。

LOONA TV (이달의 소녀 탐구, Girl of the Month Inquiry) are short videos featuring the members of LOOΠΔ during their travels, behind the scenes of jacket shootings and the sets of music video filming, and even their off-time interactions as they have fun.

墨西哥超现实吸血鬼片，导演Juan López Moctezuma是JODOROWSKY大师的好友，曾经参与杨大师多部经典CULT片的拍摄工作。 　　A beautifull artist (Cristina Ferrare) moonlights as a vampire while in Mexico, killing lovers of both sex. It seems that the only person who has any chance of stopping her reign of terror is her father (John Carradine), who's also a vampire. Model and future TV host Christina Ferrare is a lesbian vampire whose victims are dying to quench her thirst for blood. Mexican authorities and her father (John Carradine) try to come between Ferrare and her next target's neck in this horrifying shockfest. 　　Juan Lopez Moctezuma's MARY, MARY, BLOODY MARY (1975) is one of those movies you watch and, after mentally cataloging all the things wrong with it, realize how cool it really is... mostly because of all the things you thought were wrong with it. Cristina Ferrare is such a Pamprin headache of an actress, as stiff as a celluloid collar, and yet she does create one of cinema's most interesting vampires. In many ways, Mary couldn't be worse at what she does - while the early murder of a man interested in more than her paintings goes off smoothly (Miss Thing slyly sliding a hairpin out of her chignon during female superior sex and using it to lay open his jugular), her next victim (a fisherman, whom she has attempted to drug) nearly fends her off until she takes him down in one of the most ungainly vampire attacks of all time. 　　Elsewhere, Mary proves herself a complete chicken shit in moments of tension, as when she breaks down in big boo-boo tears when confronted on a country road by a mysterious figure clad in black. She's lachrymose, emotionally withdrawn, sexually disengaged and her art sucks... what a perfect portrait of an Ugly Americana spreading the white man's poison south of the border. It's in this context that the cheapness of the production, the harsh 70s decor, the cold, perfunctory performances and the wall-to-wall Muzak score actually begin to seem like grounded artistic choices and have a lot to do with why I keep coming back to this one. 　　MARY, MARY, BLOODY MARY ends in a surprisingly cynical bloodbath of ultraviolence that leaves only the pathetic title character standing... or in reality on her knees sucking the life out of the one person whose love she had relied on to point her to some kind of normalcy. Not enough vampire movies use awkwardness and incompetence as character traits to define their bloodsuckers and that's too bad. George Romero had similar ideas for MARTIN (1976) a year later but portraying vampires as just folks is definitely the horror road not taken.