一个蛮横无理的美国职业篮球联盟(NBA)球星，终于因为过于乖张的举止，而被法庭勒令禁赛。一心想打球的他，化装成一个女人，试图加入一支美国女子职业…

杰尼尔（小米盖尔-A·努耐兹 Miguel A. Núñez Jr. 饰）美国男子篮球联盟的大明星，虽然球技了得，但是他的个性却非常的自大和自私。在比赛中，杰尼尔从来不会给队友传球，只想着自己表现，不仅如此，他还明目张胆的顶撞教练裁判甚至观众。终于，忍无可忍的职业篮球联盟处罚了杰尼尔，对他进行了禁赛处理。 无法比赛的杰尼尔一下子就是去了所有的经济来源，陷入了拮据之中，与此同时，无法再站到赛场上与篮球为伴，令杰尼尔感到十分的痛苦。为了打球，杰尼尔男扮女装参加了女子篮球队女妖队的入队考核，顺利的拿到了名额，但在这里打球，杰尼尔必须时时刻刻注意，不能让自己的“小秘密”泄露出去。

Jovana is a beautiful young woman who lives lonely with her husband, in the rocky wasteland area. The road which passes near their house brings them people with different destinies, which settle in Jovana, destroying her picture of her own life as a quiet, idyllic flow. Without her will, she is involved in somebody else's evil, which grows to evil in herself. Fighting that penetration, she changes the conflict with the outer world into the conflict with her husband, and the weapon for her mutiny is evil itself.

Since the death of their father and mother, Ambar and Dika move to a nursing home owned by their parents' best friend and their son, Agus. There are three people in the nursing home of Masa Toea: Grandma Ani, Grandpa Farid, and Oma Ida. The three are taken care of by Rina, a nurse who is also Agus's girlfriend. Not long after Ambar and Dika's move, Oma Ida's grandson, Arthur, comes to celebrate Eid. Ambar, who has the ability to see mystical things, accidentally gets a vision from the past: Ivanna, a Dutch woman, was tortured by Japanese soldiers which resulted in losing her head. A series of mystical events begin to haunt Ambar and all the residents of the nursing home, especially after they find a headless statue in the basement along with a vinyl record containing a scary song. On the day of Eid, things got even more tense when the residents of the orphanage found that Granny Ani has died without a head. Everyone panicky, especially when one by one the mystery of Ivanna's revenge is revealed. With the safety of all the residents of the orphanage now in danger, Ambar is required to finish Ivanna's revenge, before the spirit takes their lives.

Since the death of their father and mother, Ambar and Dika move to a nursing home owned by their parents' best friend and their son, Agus. There are three people in the nursing home of Masa Toea: Grandma Ani, Grandpa Farid, and Oma Ida. The three are taken care of by Rina, a nurse who is also Agus's girlfriend. Not long after Ambar and Dika's move, Oma Ida's grandson, Arthur, comes to celebrate Eid. Ambar, who has the ability to see mystical things, accidentally gets a vision from the past: Ivanna, a Dutch woman, was tortured by Japanese soldiers which resulted in losing her head. A series of mystical events begin to haunt Ambar and all the residents of the nursing home, especially after they find a headless statue in the basement along with a vinyl record containing a scary song. On the day of Eid, things got even more tense when the residents of the orphanage found that Granny Ani has died without a head. Everyone panicky, especially when one by one the mystery of Ivanna's revenge is revealed. With the safety of all the residents of the orphanage now in danger, Ambar is required to finish Ivanna's revenge, before the spirit takes their lives.

Ambar 和他的家人在万隆地区庆祝黎巴嫩节时受到了惊吓。Ambar，一位视力有限的美丽年轻女子，能够看到其他人看不到的东西。

罗曼菲，自大学时期翩然起舞、赴纽约学习现代舞、返台于舞蹈系培育提拔年轻舞者、担任云门舞集二总监、以迄学生布拉瑞扬在台东设立舞团。她的现代舞独树一帜，桃李天下、处处舞踏，「为了让多一点人跳，她为学生创作了多支大型舞作」。病痛临终她仍在彩排最后一支舞作，既是白蛇也是黑天鹅，一袭舞衣从黑褪淡至灰；当年一鸣惊人的《挽歌》里，她已永恒独舞，旋转不止。继两部文学纪录片之后，陈怀恩执导了此部舞蹈纪录片，呈现其对罗曼菲这位早逝的台湾舞者的不舍与呼唤，诉说她文学出身、翩然旋舞的一生。

中年女同性恋者马诺克（Manok）关闭了经营多年的同志酒吧“彩虹”（Rainbow），在母亲去世后回到了故乡伊班里（Iban-ri）。然而，家的感觉依旧令人窒息且陌生。在这个村子里，她的前夫如今担任村长，村民们对她的归来充满猜疑，根深蒂固的偏见和排斥依然存在。但马诺克拒绝退缩……

Shots ring out on a Brooklyn street and suddenly a young girl lies dead on her front steps. The killer's name is Zooman (Khalil Kain), and though dozens of neighbors saw the unintentional shooting, no one is willing to come forward with information. Life goes on, a killer goes free, and one grieving, broken father (Louis Gossett Jr.) is forced to take his cry for justice to the media, hoping to spark a confrontation with his daughter's murderer. Charles Dutton and CCH Pounder costar in this powerful original drama.

Middle-aged lesbian Manok closes down ‘Rainbow’, the queer bar she’s run for years, and returns to her hometown, Iban-ri, following the death of her mother. But home feels as stifling and unfamiliar as ever. The village, where her ex-husband now serves as headman, greets her return with suspicion, and deep-rooted prejudice and exclusion still linger. Yet Manok refuses to back down. To break down the walls between past and present, village and self, she boldly runs for village chief. It’s a declaration—not of rejection, but of affirmation: to live without denying who she is, and to once again take her place at the center, on her own terms. In Iban-ri, Manok finds new beginnings and reconnects with severed ties. Among them are Guem-ja, an old flame, and Jae-yeon, a high school student hiding his true self in the suffocating atmosphere of the countryside. Manok, who lives openly and without apology, becomes a beacon for Jae-yeon, and he, in turn, finds the courage to finally come out to the world. Even far from the days of Rainbow, Manok is still surrounded by strong, loving women who stand by her side. Manok is a warm and spirited portrait of courage, survival, and community. It gently but powerfully captures how women like Manok challenge societal norms and build new forms of belonging. This isn’t a story of simply 'returning' home—it’s one of boldly beginning again. (Kani KIM)