To the south of the Indian metropolis of Surat in Gujarat province lies a vast industrial zone that has been growing ever since the 1960s. Director Rahul Jain filmed the grueling daily routine in just one of the many textile factories there. In the factory, man and machine seem to have fused into one being. It is dark and dank, and barely any daylight penetrates the space. The labor is heavy and mind-numbing, and the work days seem endless. We are drawn into a gloomy world where the cacophonous beat of machinery sets the rhythm of toil. Jain is as interested in the mysterious connection between worker and product (the fabrics are treated mechanically, but also with love) as he is in the degrading conditions. Each shift lasts 12 hours, for adults and children alike, and wages are extremely low. Short interviews are interspersed throughout the observational sequences, some of which are captivating in their beauty while others are painful to watch – such as when we see a boy nodding violently in his struggle to stay awake. (From IDFA official website)

也许余力·史泰克是这世上最快的登山者了。《瑞士机器》中，当他谈及其破纪录的阿尔卑斯山攀登经历时，给我们展示了从空中拍摄他爬山2500米高度的影片，那真是令人难以置信。而当他与阿莱士·霍诺德相约挑战美国的约塞米蒂山谷时，他又为自己设立了终极目标：将他肚子在阿尔卑斯山的速度游戏带到这世界最险峻的峭壁上。

一对理想主义的年轻夫妇获得了一个逼真得令人惊叹的机器人，机器人的帮助使他们无忧无虑，但随着他们日渐亲近，他们对人性的感知将会改变。

隐居且有争议的作家布鲁斯·科伯恩（BruceCogburn）被一位痴迷的粉丝从隐藏中拉了出来，迫使这位小说家面对他认为可以逃离的过去，并解释他畅销书几十年…