Главный герой — Толя (Александр Паль), молодой провинциальный парень, лишенный конечностей. Не имея ни рук, ни ног, он оказывается более сильным, оптимистичным и жизнелюбивым, чем окружающие его члены общества. Долгое время его мир был ограничен квартирой в ветхом доме. Но теперь Толя твердо стоит на новых бионических ногах и полон решимости крепко схватиться за перемены новыми руками. Несмотря на царящие вокруг тотальное воровство и полное безразличие соседей к условиям жизни, главный герой начинает борьбу за благополучие родного дома. Он-то знает: разруха прежде всего в головах. Подробнее на Кино-Театр.

Netflix科幻惊悚剧《副本/碳变》推出动画剧集，《副本：义体置换》发布预告，3月19日上线。《星际牛仔》编剧佐藤大创作剧本，设定在真人剧已展开的那个赛…

这是一个义体改造、人造人博弈、亲情与救赎交织的赛博朋克暗黑故事。在被“永夜”组织与掌控者白医统治的改造人世界中，编号永夜-073的主角鸦，体内被植入纳米炸弹，深陷组织的死亡陷阱，在一次次围杀与背叛中挣扎求生。

To the south of the Indian metropolis of Surat in Gujarat province lies a vast industrial zone that has been growing ever since the 1960s. Director Rahul Jain filmed the grueling daily routine in just one of the many textile factories there. In the factory, man and machine seem to have fused into one being. It is dark and dank, and barely any daylight penetrates the space. The labor is heavy and mind-numbing, and the work days seem endless. We are drawn into a gloomy world where the cacophonous beat of machinery sets the rhythm of toil. Jain is as interested in the mysterious connection between worker and product (the fabrics are treated mechanically, but also with love) as he is in the degrading conditions. Each shift lasts 12 hours, for adults and children alike, and wages are extremely low. Short interviews are interspersed throughout the observational sequences, some of which are captivating in their beauty while others are painful to watch – such as when we see a boy nodding violently in his struggle to stay awake. (From IDFA official website)

To the south of the Indian metropolis of Surat in Gujarat province lies a vast industrial zone that has been growing ever since the 1960s. Director Rahul Jain filmed the grueling daily routine in just one of the many textile factories there. In the factory, man and machine seem to have fused into one being. It is dark and dank, and barely any daylight penetrates the space. The labor is heavy and mind-numbing, and the work days seem endless. We are drawn into a gloomy world where the cacophonous beat of machinery sets the rhythm of toil. Jain is as interested in the mysterious connection between worker and product (the fabrics are treated mechanically, but also with love) as he is in the degrading conditions. Each shift lasts 12 hours, for adults and children alike, and wages are extremely low. Short interviews are interspersed throughout the observational sequences, some of which are captivating in their beauty while others are painful to watch – such as when we see a boy nodding violently in his struggle to stay awake. (From IDFA official website)

在一个阴冷的小镇上，所有的人都能够分成两类：将要离开的和计划着离开的。年轻的卡琳娜梦想着能够成为一名演员并且看一看外面的世界。安东尼奥爱上了卡琳娜，并在一个电视节目上宣称他将做一件轰动的事，即到未来旅行，将自己的一切都给卡琳娜；如果失败的话，就将有一部死亡机器当这所有观众的面杀死他。整个小镇都在等着他实现诺言……

本片讲述了主人公刘梓豪因为不懂得包容他人与公司同事相处不融洽导致工作不顺心，也因为这样的个性失去了爱情，生动的教育了现代年轻人在于朋友同事相处时应该学会体谅他人，对待爱人也应该相亲相爱，树立一种正确的价值观。

影片故事，大致讲述两名追踪“失踪飞船”的太空猎人，当他们终于找到飞船后，却目睹了一系列离奇的现象：一名年轻女子的幽灵从她的尸体中走出，而这架飞船也仿佛拥有了自己的灵魂......

一对理想主义的年轻夫妇获得了一个逼真得令人惊叹的机器人，机器人的帮助使他们无忧无虑，但随着他们日渐亲近，他们对人性的感知将会改变。

也许余力·史泰克是这世上最快的登山者了。《瑞士机器》中，当他谈及其破纪录的阿尔卑斯山攀登经历时，给我们展示了从空中拍摄他爬山2500米高度的影片，那真是令人难以置信。而当他与阿莱士·霍诺德相约挑战美国的约塞米蒂山谷时，他又为自己设立了终极目标：将他肚子在阿尔卑斯山的速度游戏带到这世界最险峻的峭壁上。