Tough and cynical veteran Mitch and her more naive, yet eager partner Tigr are a couple of porn actresses involved in an intense lesbian relationship. Their already strained relationship reaches the breaking point as substance abuse and the pressure of working in the sex industry begins to take a heavy toll on both women.

From http://theculturalgutter.com/movies/kamikaze_hearts_of_gutter_punk_lesbians.html Robin Bougie is the creator of Cinema Sewer magazine. Kamikaze Hearts of Gutter Punk Lesbians by Robin Bougie Make-believe, addiction, despair, two-bit sleaze and two-bit dreams.During the 揝haron Mitchell film festival?held at the Coolidge Corner Theater in Boston on June 6th 2000, the legendary porn queen showed clips from her XXX films spanning her 3 decades long career and provided a running commentary for the audience. Sharon held the crowd in rapt attention while she revealed the title from which each clip was taken, the director and, when she remembered, anecdotes about the cast and what drug she was on at the time the footage was shot. It was usually heroin or marijuana, and in some cases, both. One such example was the ultra-rare documentary KAMIKAZE HEARTS, which also depicted Mitchell ?then addicted ?passionately defending drug use. 揔amikaze Hearts? wrote the L.A. Weekly of the now-forgotten film back in 1986, 揹rags you to a certain place ?the world of lesbian-junkie porn stars ?and keeps you there for 80 minutes. If you抮e excited by that place, or even if you find that place disturbing, you抣l like this film because it抯 so relentlessly inside the world of naked bodies, make-believe, addiction, despair, two-bit sleaze and two-bit dreams.? It抯 a documentary, but director Julie Bashore抯 film is harder to peg than simply that. This one-of-a-kind 16mm porn industry time capsule shifts nearly unnoticed between the real and unreal, as Mitchell and company become actors portraying themselves in reenactments of scenes leading up to and following the footage a documentary camera crew captured while behind the scenes of a cum-coated mid 80抯 porn film. And when I say 慴ehind-the-scenes? I mean it. Usually unseen crew members are brought out into the open as they capture the performers either fucking one another or waiting around to get the chance to do so. Look, there抯 a young Marian Wilde holding the boom. She would later go on to be foley editor on dozens of Hollywood films such as THE PHANTOM MENACE and RAIN MAN. Sitting on the sidelines watching drug-addled Sharon flop on the carpet and contort herself into a nearly nude ball and go 揘yha nyha nyha?is still photographer Vincent Fronczek. Listen very carefully in an early scene, and hear small fry fuck-actress Jennifer Blowdryer having a background conversation where she unwittingly admits that she started in porn when she was only 17, and falsified age documents in order to work. When the film premiered (and won the 揃est Feature Film?at the Torino Intl Gay and lesbian film fest) The Chicago Reader抯 Johnathan Rosenbaum called it 揂lternately distressing, instructive, contestable, and fascinating? and he抯 totally right. Mitchell comes off as seasoned and cynical, while also talks of being a shame-free exhibitionistic personality in front of the camera and otherwise. Her lover and co-star in KAMIKAZE HEARTS is Tigr (pronounced 揟igger? Mennett, production assistant and porn actress who was featured in roughly forty 70抯 and 80抯 pud-pullers of her own. Her career ended right about the time this film came out in 1986, but look for her in ball-drainers such as DR. BIZARRO, 8 TO 5 (as Chelsea McCleane), and MATINEE IDOL (as Chealsea Manchester). The unusual blend of reality and fiction she and Mitchel bring to KAMIKAZE HEARTS tastes like skid row while laying bare the stormy gutter-punk relationship between the two women. 揥hen I first met her I thought she was sleazy?Tigr tells the audience of Mitchell, (whom everyone calls 慚itch?for short) 揝he needed to make a living, she was fucking on camera - I thought she was just another dumb porno slut. But I was wrong.? Filmed on location in San Francisco, the notorious original home of the XXX film industry, the two scrounge around in a semen-soaked seedy world colored by strip joint punch-outs, after party arguments, kinky sex, and egotistical sleaze-ball directors. These two are thrillingly unapologetic about the fact that they use heroin as a shield while traversing through this gritty 24 hour party lifestyle, and the camera is there to catch what it can, and reenact what it can抰. 揟he camera抯 presence?wrote Rosenbaum, 揾as a shifting role in the film, moving from seemingly impartial witness of certain events to stimulus and catalyst for certain others, and this tends to confuse and change one抯 relationship to both the film and its characters.? Mitchell initially introduced Tigr to intravenous drugs years previous to the filming of KAMIKAZE HEARTS, and in one of the final scenes in the film, the two lie on a bed and hit up while on camera. Mitchell brings the point home with the kind of wisdom only found in junkie babble. 揟his is the truth.?she says as she stares into the camera after pulling the needle out of her arm, 揧ou got what you want. You did not have to put it in. You could give it to me. I抣l put it in my movie. There is no legitimate or illegitimate anything. No one dragged you into anything. This [she holds up a needle] was my dick and I fucked her with my dick. And I waited for this relationship to mature. This is a movie within a movie within a movie. This is timeless.?

The series revolves around three friends who decide to embark on a journey, in which they will run into a stranger who will molikan.com make their lives change completely.

母亲是一个把家里打扫得一尘不染、 为丈夫子女付出一切、追求完美的妈妈，其“美德”的极限发挥，竟是主动杀掉那些对他家人不好、甚至看不顺眼的人，彻底颠覆了贤妻良母及中产阶级的价值。本片运用了黑色喜剧的手法拍摄了一起离奇的连环凶杀案。极具讽刺意味。

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“我”的娘亲，一位曾是青楼头牌的女子，被当朝丞相孟然以十万两天价赎回为妾。世人皆以为这是她摆脱苦海、飞上枝头的“天大福气”，却不知这背后隐藏着比地狱更深的绝望。入府当晚，娘亲憧憬新生，忍受着下人的白眼与大夫人的刁难。她用青楼十年所学，小心翼翼侍奉着这位号称公正廉明的丞相，以为能得其垂怜，安度余生。然而，一夜缠绵过后，等待她的并非幸福，而是丞相亲手抠下的双眼。他那句冰冷的话语——“你这种低贱的人不配拥有跟她相似的眉眼”——成了娘亲永世的梦魇。她至今不知“她”是谁，只知自己一夕之间从妾沦为后院的盲眼洗衣奴。曾经的身份与美貌，不仅未能带来庇护，反而招致更深的苦难。

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任職模特兒公司公關的葉青(吳詠虹飾)與任職化妝品銷售員阿玲(梁佩玲飾)，二人背景雖然懸殊，但兩人情同姊妹，常約一起吃喝玩樂；兩人的愛情觀則大大不同，阿玲深信緣份會對愛情有影響，但阿青則認為根本沒有所謂的緣份，一切終須考慮環境因素。 阿玲的同事Irene為情企圖自殺，阿玲趕至拯救；Irene之友Michael(胡越山飾)亦隨後趕到，二人成功阻止Irene自殺。及後，阿玲正式與Michael認識，原來他乃當天沙灘上弄污阿玲的男士，雖則如此，阿玲對亦Michael頗有好感。 因為工作上的關係，阿青為了洽談生意，因而亦認識了Michael。Michael對兩位背景不同女士產生興趣，因此對雙方都進行追求。

陈默受儿子沈铭之托来到沈氏别墅照顾自己的哑巴孙子沈元，不曾想刚到沈氏别墅的陈默就撞见儿媳林蔓红杏出墙。得知真相的陈默勃然大怒，他决定留下并伪装成保姆收集林蔓的出墙证据。就在此时，院子里传来孙子沈元的哀呼，陈默撞见儿媳的真面目。

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