由导演张曜元拍摄的纪录片《登场》，记录了二手玫瑰主唱梁龙台上演出和台下生活。该片于2019年年底完成拍摄，目前已入列日本文化艺术振兴会扶持计划，同时入围大阪亚洲电影节（OAFF）芳泉单元，预计2022年在日本上映。 　　海报中片名《登场》二字源于日文平假名（とうじょう），出自赵彤之手，用一支梁龙色口红制作的墨宝书写而成。谁曾想，“梁龙色”竟以如此另类的方式被电影史所记录。 　　《登场》是导演张曜元的处女纪录长片，这部作品的意义早已超越它的表面形式。镜头之外的导演，此次把主人公梁龙当做一个课题去研究，当二手玫瑰的音乐与纪录片产生艺术交融，也证明了“摇滚无用，无所不用”的道理。

由导演张曜元拍摄的纪录片《登场》，记录了二手玫瑰主唱梁龙台上演出和台下生活。该片于2019年年底完成拍摄，目前已入列日本文化艺术振兴会扶持计划，同时入围大阪亚洲电影节（OAFF）芳泉单元，预计2022年在日本上映。 　　海报中片名《登场》二字源于日文平假名（とうじょう），出自赵彤之手，用一支梁龙色口红制作的墨宝书写而成。谁曾想，“梁龙色”竟以如此另类的方式被电影史所记录。 　　《登场》是导演张曜元的处女纪录长片，这部作品的意义早已超越它的表面形式。镜头之外的导演，此次把主人公梁龙当做一个课题去研究，当二手玫瑰的音乐与纪录片产生艺术交融，也证明了“摇滚无用，无所不用”的道理。

《初登场》讲述了1968年，年方十五的少女歌手邓丽君独坐化妆镜前抹泪，因为排演忘词节目遭取消，眼看上镜机会要溜走，而一场超现实般的邂逅改写了她的命运，也预示了两岸此后数十年的戏剧性交会。

《初登场》讲述了1968年，年方十五的少女歌手邓丽君独坐化妆镜前抹泪，因为排演忘词节目遭取消，眼看上镜机会要溜走，而一场超现实般的邂逅改写了她的命运，也预示了两岸此后数十年的戏剧性交会。

米歇尔·威廉姆斯将与凯莉·莱卡特([第一头牛])再度携手，拍摄A24新片[好戏登场](Showing Up，暂译)。莱卡特与老搭档乔恩·雷蒙德共同撰写剧本，故事围绕…

The film (and the acting) is superbly done, but the story is intense. I like it for its' dark, thick, "Cul du Sac" psychology but it is certainly not for everyone for that very reason. Set in isolated, rural France makes this film all the more desperate. 　　The film is about strenuous relationships, loyalty - and despair. It is about accepting hardships without really understanding them. It is also about pity and how it is to be distinguished from love and admiration. I've seen many French films with the same intensity and I'm guessing that it will be mostly the French who will enjoy this film. 　　The acting is superb in this film – if you're in the right state of mind and don't loose your concentration. Jean-François Stevenin ALWAYS impresses me. He doesn't disappoint me here either. For general audiences, however, I'd recommend his performance in "Deux Lions au Soleil" which is much more easily palatable than "Peux de Vaches". 　　Despite the fact that I like "Peux de Vaches", I have difficulties recommending it to anyone other than French audiences and perhaps someone with a morose demeanor.

The film (and the acting) is superbly done, but the story is intense. I like it for its' dark, thick, "Cul du Sac" psychology but it is certainly not for everyone for that very reason. Set in isolated, rural France makes this film all the more desperate. 　　The film is about strenuous relationships, loyalty - and despair. It is about accepting hardships without really understanding them. It is also about pity and how it is to be distinguished from love and admiration. I've seen many French films with the same intensity and I'm guessing that it will be mostly the French who will enjoy this film. 　　The acting is superb in this film – if you're in the right state of mind and don't loose your concentration. Jean-François Stevenin ALWAYS impresses me. He doesn't disappoint me here either. For general audiences, however, I'd recommend his performance in "Deux Lions au Soleil" which is much more easily palatable than "Peux de Vaches". 　　Despite the fact that I like "Peux de Vaches", I have difficulties recommending it to anyone other than French audiences and perhaps someone with a morose demeanor.

厚物（あつもの）と呼ばれる菊の栽培に情熱を傾けてきた初老の2人のライバルと、2人の間に紛れ込んできた若い女性との愛憎を描いた人間ドラマ。北陸の小さな町の消防士だった馬野杢平は、大菊の厚物を仕立てる事では北陸の名人と呼ばれるほどの男。定年を機に妻の夏美が東京郊外の精神病院に入院し、杢平は息子夫婦の住む関東近郊へ身を寄せる。北関東には杢平のライバル黒瀬玄一がいる。ある日、杢平は地元の菊同好会の集いで知り合った音大生ミハルの案内で黒瀬の家を訪ねるが……。

一个几近被社会抛弃的人逆袭成为毒枭，一个体制内受掣肘的普通民警，因毒品交易卷入大案，凭借顽强意志，对抗各方，展开双雄对决，干掉保护伞，誓将毒枭统之以法。

一个几近被社会抛弃的人逆袭成为毒枭，一个体制内受掣肘的普通民警，因毒品交易卷入大案，凭借顽强意志，对抗各方，展开双雄对决，干掉保护伞，誓将毒枭统之以法。