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《中居之窗》是一档探究嘉宾深层心理状态的新型谈话综艺节目。

执着于求仙问道的江诚这天正前往一处道观寻找仙人，在半山腰休息问路时竟遇到很多妖怪。原来小妖们是在追击仙人长耳和小良。长耳将昏迷的小良安顿在道观后，搭救了江诚和凡人。江诚遇到仙人十分惊喜，想拜于长耳门下但被拒绝。长耳回到道观，要带终于醒来的小良立刻前往云中居。没想到在门外偷听的江诚也是云中居的有缘人。江诚再次拜师被拒，长耳正要离开时发现妖怪已经追来，便留下小良和江诚，只身引开妖怪。在道观的小良不堪江诚骚扰，不小心坏了长耳设下的保护，引来了虎妖。两人陷入危险之时，幸得冲明及时赶到。解决虎妖后，冲明说事出紧急要小良带他去找长耳，但三人出门发现妖怪已经包围了道观。

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空心病为主题的毕业设计动画短片

(G)I-DLE ，初真人秀'TO NEVERLAND'上市..1月中旬公开 女团(G)I-DLE出道后将要推出第一个真人秀节目 . 根据Cube娱乐公开，(G)I-DLE这个1月中旬会上市真人秀节目TO NEVERLAND. 'TO NEVERLAND'是 (G)I-DLE和CJ ENM 音乐数码工作室 M2 还有化妆品品牌 'Kaja'一起推出的旅行真人秀节目. (G)I-DLE将要通过“ TO NEVERLAND'展示以前从未表现出来的新鲜多样的模样，备受期待. 另外，(G)I-DLE出演的真人秀TO NEVERLAND'预计将在1月中旬放送.

A filmic encounter with Brazil, which Aurand visited for the first time in September 2022 for screenings of her films and Margaret Tait’s in São Paulo and Rio de Janeiro. Aurand’s 16mm films are portraits of people and place, often prompted by the discovery and experience of travel. As George Clark has written, the journey is a cornerstone of Aurand’s filmmaking: “Her work builds out from fragments, detours, refrains and returns; her camera picks up discarded gestures and suspends them in time. Films are always moving, always fleeting, Aurand’s work reminds us. These qualities are as fundamental to lived experience as they are to the cinema. Throughout Ute Aurand’s work we encounter a world animated by her mobile and dynamic camera, following, chasing, leading and dissecting space.” 　　源自：https://opencitylondon.com/events/combined-programme-the-moon-around-the-house/

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Mara is a disillusioned actor dealing with the terror of time. When she’s thrown into a classroom of kids rehearsing a Disneyfied version of Chekhov's THREE SISTERS — her favorite play about existential longing — she swan dives into her own crisis of aging, nostalgia, and the loss of childhood dreams.