在外漂泊打工的男人匆匆返乡奔母丧，恰逢村中传了三年的枯井闹鬼怪事浮出水面。所谓鬼怪皆是人为伪装，枯井里那具无名尸骸，也不是传言坠井的女子。一桩早已盖棺定论的失足落井旧案再度重启，牵扯出贪赃枉法、蓄意灭口、串通伪证，以及压在亡母心头三年，日夜煎熬的昧心罪孽。

一只染血的手正伸向他，一把声音在呼唤他……男孩能否摆脱梦魇？

世界末日，两个饥饿的孩子找到了一具尸体······ 导演胡波在FIRST训练营时拍摄的一部短片，曾入围第71届洛迦诺国际电影节Sign Of Life竞赛单元。导演在16分钟的影像中倾注了自我的想象力，在贝拉塔尔指导下，完成了一次独特的拍摄练习。

影片根据真实故事改编，讲述了2019年年底，一对新人在湖北办了酒席之后，然后回山东老家办酒席。结果就在婚宴的当天，武汉爆发的疫情被证明有人传人现象。于是一家人很快被隔离在家中。由于牵扯的人太多了，一家人的压力都特别大。甚至，有一天新婚妻子，把村里送来的84消毒液没有兑水就洒在屋子里，造成大家咳嗽，引发一阵恐慌。除夕那天，一家人为了要不要打电话，向警察汇报办酒席的事情而争执不下……

沈桥在雪地里救下穿越而来的通缉犯祁风亭，与之成婚三年却遭背叛，祁风亭满心都是挚爱裴思情。沈桥彻底死心后设计让祁风亭回归其世界受惩，后遇首辅万目春，获其宠爱与支持，最终走出过往伤痛，投身女子教育，开启全新人生，与万目春相守相伴。

英国黑人士兵乔迪在阿尔马偶然认识了青年妇女茱德，她是爱尔兰共和军的一个成员。爱尔兰共和军绑架了乔迪，把他关一间温室里当作人质，准备用他交换他们一个被捕的成员。茱的情人弗格斯受命监视乔迪，这两个男人之间建立起亲密的关系。爱尔兰共和军的头目马圭尔对此很不满。乔迪给弗格斯看他在伦敦的女朋友迪尔的一张照片，告诉弗格斯去找她。这时，马圭尔宣布要枪杀乔迪。弗格斯请求由自己执行这个任务，然后他在树林里放走了乔迪。在路上，乔迪遇到前来摧毁尔兰共和军的英军坦克，不幸被辗死。弗格斯逃到伦敦，改名吉米。他暗暗跟踪迪尔，来到她工作理发馆，请她替他理发。迪尔有时在地下铁道的酒吧演唱，弗格斯又在这里与她见面，随后跟她回家。在她的公寓里，弗格斯入了她和原来的情人戴夫之间发生的一场争斗。结果，弗格斯和迪尔暂时成为情人。但是他惊恐地发现，迪尔原来是一个男人……

Petty crook and cop-killer Martin Rome, in bad shape from wounds in the hospital prison ward, still refuses to help slimy lawyer Niles clear his client by confessing to another crime. Police Lt. Candella must check Niles' allegation; a friend of the Rome family, he walks a tightrope between sentiment and cynicism. When Martin fears Candella will implicate his girlfriend Teena, he'll do anything to protect her. How many others will he drag down to disaster with him?

A man is drawn into the footsteps of the historic Haitian slave leader; Mackandal. Following a man trapped in a curse which started centuries ago, this modern fable folds accounts of the past with the resilience of the present.

德国搞笑微电《屌丝女士 KnallerFrauen》是德国SAT.1电视台每个星期五晚上11点15分播放的一部喜剧小品。由曾六次获得德国喜剧奖的女演员玛蒂娜·希尔（Martina Hill）扮演“炸弹妞，有时是母亲，有时是单身女性，有时是女朋友，有时是行人或是OL，角色都是现实生活中的各种女性，只不过她们对待人和对事的反应与表现都非常特别。她们为了达到目而采用的荒诞手段，常常令人捧腹大笑。无厘头是本剧的看点，动作表演及其神经质。6位剧中配角，两个是男性分别扮演女主老公和女主的男朋友。两个是女性扮演好朋友及同事。还有两个常任女主的父母的老人，本剧较重口味，未成年人不建议观看，但是并无露点等不和谐内容出现剧中。

Also known as At Great Cost, this adaptation of a story by Mikhailo Kotsyubinsky—a Ukrainian writer executed in the Stalinist purges but rehabilitated in 1955—anticipates the wave of Sixties poetic cinema in its focus on star-crossed lovers and its celebration of nature. Set in the 1930s, the film begins as Solomia is forced into an arranged marriage. She escapes with her lover, Ostep, and for a while it looks as if the fugitives will make a clean getaway. Yet eventually they come to the attention of the police, who mistake them for being part of a gang of thieves. One of the major figures of the earlier current of socialist realism, Donskoy, in one of his first post-Stalin era productions, here loosens his style to reveal a delicate romanticism rarely felt in his earlier films.