弗兰克、斯文和斯迈利这三位传奇保镖的传记有点像这座被分割的城市转变为一个政党大都会的道路和迂回路线图。这部电影记录了柏林文化史上一段激动人心的历史——从柏林墙倒塌到脉动的现在。20世纪80年代末，法兰克·K·恩斯特从西德来到柏林，在那里，美国G.I.斯迈利·鲍德温（Smiley Baldwin）守卫着东柏林的边界，而墙另一边的年轻朋克和摄影师斯文·马夸特（Sven Marquardt）则惊讶地看到它倒下。不久，这三个人就发现自己卷入了20世纪90年代城市的疯狂夜生活中，在那里他们很快成为了城市最嬉皮士俱乐部的传奇“守护者”。 导演大卫·迪特尔与他的三位主角建立了一种特殊的信任关系，所有这些都让他得以在电影中回顾他的传奇故事。这是一个真实的故事，讲述了50岁时的成长过程，以及我们人生道路的多样性，恰如其分地伴随着充满感染力的俱乐部声音，这些声音已经成为主角的第二次心跳。 The biographies of three legendary bouncers – Frank, Sven and Smiley – are a bit like a map of the paths and detours this divided city has taken in its transformation into a party metropolis. This film chronicles an exciting piece of Berlin’s cultural history – from the time of the fall of the Berlin Wall up to the pulsating present. In the late 1980s, Frank Künster came from West Germany to Berlin, where Smiley Baldwin, an American G.I., was guarding the border to East Berlin and Sven Marquardt, a young punk and photographer on the other side of the Wall, was surprised to see it fall. It was not long before all three found themselves caught up in the city’s wild nightlife of the 1990s, where they soon became the legendary ‘guardians’ of the city’s hippest clubs. Director David Dietl establishes a special relationship of trust with his three protagonists, all of whom allow him to take a look behind the legends for his film. A real-life story about growing up at the age of 50 and the diversity of our paths through life, appropriately accompanied by the infectiously pounding club sounds which have become a kind of second heartbeat for the protagonists.

故事讲述一名海军陆战队军官在服役期间受到心理创伤，她回国寻找机会治疗。她在纽约的一座历史悠久、迷宫一样的公寓大楼当看门人，发现雇佣兵们有意摧毁一切，以便寻找公寓中的珍宝。

The Latino doorman of a New York apartment building begins to unravel when he is seduced and then dumped by a privileged college kid who lives in the building.

Follows a group of friends who travel to a secluded campsite to film a documentary. What they find is something much more sinister than they could have ever imagined.

After an accident involving a touring hockey team and a date gone wrong, a group of youngsters find themselves stranded in the Welsh hills with a weird local and a mysterious American stranger. When attacked by stupefied flesh eating zombies they must pull together or no one will survive the night.

一名退役的情报部门少校，如今是绑架团伙的一员，他爱上了其中一名人质。一个善良的年轻女孩突然让他想起了一生的挚爱。他回忆起年轻时担任中尉时，莫斯科市一家剧院的首席女演员曾与他有过一段交集。他一生都深爱着她，也希望能得到她的爱。然而……

Mick and his brother Aston live alone together in a West London house until one night Aston brings home Davies, who just left his job as a kitchen helper at a restaurant. The old man proves to be a violent, selfish bigot, uncharitable himself but quick to exploit the kindness of others.

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Hausmeister Krause – Ordnung muss sein is a German sitcom with Tom Gerhardt in the title role, shown from 1999 through 2010 on Sat.1.The series parodies typical German "squareness". Half-day janitor Dieter Krause is the embodiment of the German "square"; he is pernickety, blindly follows order, denounces others, is nosy, consistently puts his own interests above all else, acts subservient to his superiors and is brutish and unjust to those he deemes below him.Many plot elements — mishaps, misunderstandings, and frequent cases of mistaken identity — originate from Boulevard theatre. The characters in the series borrow heavily from those in Tom Gerhardt's film Voll normaaal, in many cases sharing names. In Voll normaaal, Tom Gerhardt played the roles of both Dieter and Tommie Krause; in Hausmeister Krause, Tommie was played by Axel Stein. Daughter Carmen is played by Janine Kunze. Other characters from Voll normaaal, such as Tommie's friend Mario, are relegated to the status of background characters. The scope of action also changed.

愤世嫉俗的佩尔Per（拉斯·米克尔森饰）是个60岁的老人，有一天，佩尔发现一个赤身披着窗纱的金发少女（尤莉·森恩贝尔饰）躺在一所空荡荡的公寓的地板上。少女是个保加利亚少女，恬静而不说话，脸上看起来很高兴而始终充满着笑容，并愿意和佩尔做爱。少女几乎就象一个从天上掉下的礼物，给了佩尔无上的惊喜。也许是少女的天真打动了情绪一直悲观的佩尔的心，他决定每天都悄悄地来照顾她。但是，少女对丹麦社会的商品和商品都不感兴趣，只喜欢可口可乐和做爱。原本生活漫不经心的佩尔为此决定调整生活，他将“不会行走”的少女背回自己的住所。渐渐地，佩尔从少女身上获得了身心上的安慰，世界在他的脑海中也有了美好柔和的一面。当充满爱心的少女象天使一般每天都在他的生活中，由此唤醒了厌恶女性的佩尔身心的自愈能力。然而好景不长，越来越多的人知道了他“金屋藏娇”。于是，每个人都向佩尔的世界倾斜，而他又设法拒绝他们干预少女的生活。佩尔被迫落在一个不为社会认可的角落里，方才发现所做的事正是要毁灭他自己和无辜的少女......