1978法国剧情·短片
Even before finding her place on those Mexican plains (in film and video works dating from 1978 to 2003), the formal elegance that structures Carasco's style in Gradiva – esquisse I (1978) exhibited the plastic structures associated with ritual: fragmentation, monumentality, fetishisation, seriality. But here, cinema monumentalises nothing other than the real itself – at the heart of which Carasco isolated a privileged motif: gesture. (Nicole Brenez)