Lamas plays an indentured servant who rises to power in Georgia shortly after the Revolutionary War.

这是一部超现实的工薪阶层情景喜剧，讲述了“老年天后”加里·金（Gary King）和他的青梅竹马泰瑞（Terri）的风雨历程，他们渴望在竞争激烈的郊区取得适度的物质成功。

设定在《熊家餐馆》故事之前，讲述Richie（艾邦·摩斯-巴克拉赫）和Mikey（乔·博恩瑟）一起去印第安纳州加里市出的一趟差。

这部纪录片聚焦居住在加里峰洞（Garibong - dong）的移民工人。这个地方充斥着他们所带来的渴望、沮丧与沉默。镜头紧紧跟随着他们，却又带着一种冷漠。

暂无剧情简介

Two brothers embark on a cross country road trip that quickly devolves when they become involved in a global conspiracy.

卡罗维发利特别提及奖，巴黎国际影像展最佳纪录片，伦敦同一世界国际电影节唐吉柯德奖，圣彼德堡影展最佳纪录片。讲述卢旺达难民的故事。 After the massacre among Tutsis in 1994, many tens of thousands of Hutus fled to Zaire. Many of them never returned. In March 1997, Hubert Sauper travelled along on a UN train, in search of these 'forgotten' refugees, who were leading a poor existence more than a thousand kilometres from home, victim to famine, disease and attacks by various armed militias. Along the tracks that are overgrown by the rainforest, Sauper leads the spectator to the 'heart of the darkness', the same place where Conrad wrote his novel Heart of Darkness a century ago. The film confronts the audience with the consequences of civil war: chaos and inconceivable suffering. Sauper shows images of emaciated children with large eyes and of silent adults with a gaze that betrays their feelings that all hope has evaporated. We see how photographers and cameramen depict the misery, and we observe the impotence of the international community: time and again, relief runs up against logistical problems. Along an overgrown railtrack south of the Zairen town Kisangani, a UN expedition together with a handfull of journalists discover "lost" refugees. They are eighty thousand Hutus from far away Rwanda, the last survivors of three years of hunger and armed persecution that transpired throughout the vast Congo basin. The Hutu-refugees leave the forest, gathering in two gigantic camps. Hundreads of refugees die every day from diseases and malnutrition The Rwandans are promised repatriation with airplanes out of Kisangani. The film traces those refugees into the heart of the rainforest, and the hopeless attempts to help them.. But only four weeks later, the unprotecteed UN-camps are again attacked by machine-gun fire, deliberately massacred by factions of the rebel army (AFDL) of today's Democratic Republic Congo. Eighty thousand men, women and children disappear once again back into the jungle. Kisangani Diary must be the most extraordinary and passionate documentary I've seen in ages. Had modern cameras entered the Nazi death camps, this is what they might have brought back. Shot at the site of Conrad's Heart of Darkness, this jewel of a film confronts the unspeakable suffering of late 20th century Africa. Although violently angry with the cruelties he finds, director Hubert Sauper speaks in a language that is visual, poetic, and purged of ego. A tour de force of compassion and filmmaking.

电影讲述了第一次世界大战中加利普里战役的悲惨结局，并聚焦于两位主角——理想主义者阿奇里（梅尔·吉布森 Mel Gibson 饰）和浪子法兰（马克·李 Mark Lee 饰）。他们原本来自澳大利亚，在战争中的经历塑造了他们的性格和价值观。 阿奇里是一个理想主义者，原本是运动场的跑步选手，但是出于对正义的渴望，他决定参加战争。他身上充满了体育精神，希望将这种精神延续到战场上。他不愿在战场上仅仅充当无足轻重的角色，而是希望亲自与敌人战斗，即使知道上级颁下的命令荒谬无理，他仍然忠于执行。这种理想主义和忠诚的品质使他在战场上显得与众不同。与此相反，他的朋友法兰原本是一个行为不端的浪子，喜欢作弊和不拘小节。然而，当他置身于战争之中时，他逐渐放下了轻佻的态度，开始感受到战争的残酷和现实。这种经历改变了他的态度，他逐渐成熟并接受了社会责任。

斯帝芬.塞亚迪安是美国80年代著名的B级片电影大师，在美国与约翰.沃特斯和罗斯.梅耶尔并列齐名，可由于他的作品很少而且自92年后就再也没拍片了，所以名气上已无法和那两位相比。本片是斯帝芬.塞亚迪安最著名的作品，与其他两位的电影风格不同的是，塞亚迪安的B级片除了有对性的描写外，还有强烈的超现实风格，他从不在户外取景拍摄，所有场景均在摄影棚里搭幕完成，这使得他的电影有很强的舞台剧和室内肥皂剧风格，剧情以奇幻为主，演员的表演也是夸张疯狂，服装五颜六色，据说本片是受德国经典表现主义影片《卡里古拉博士的小屋》的启发而来，所以角色的服饰化装以及舞台的布景等各方面都带有明显的表现主义风格，而影片内容又完全与原作不同，是一部重点表现恐怖事物和性的低成本B级影片，这就使得全片成了一锅大杂绘，怪诞奇异的人物和场景层出不穷，情节也是杂七杂八，稀奇古怪，很难一下子说清，但却毫不影响其成为80年代美国的最后一部B级Cult片经典。