《植剧场》，2016年台湾单元剧。本剧由金马金钟导演王小棣、蔡明亮、陈玉勋、瞿友宁、王明台、许杰辉、徐辅军、安哲毅八大导演投入演员人才培育24位新人，并力邀杨丞琳、吴慷仁、蓝正龙等金钟影帝后共同参与《植剧场》系列。植剧场系列将会有四大类型（爱情成长、惊悚推理、灵异恐怖、原著改编），植剧场系列共制播八部剧集，每系列制播二部剧集，共52集。 《梦里的一千道墙》，灵异恐怖系列第二部，接档《积木之家》。 晓菁做了一个梦，梦到有手来拉她的脚，她坐公车、她上课、她上班，甚至她洗澡淋著水低头看时，拉她的手变成一只幼儿的手后面是蛇身…她梦醒时失声叫了，她看了看桌面上的一些画稿，又伸手摸了笔来修抹，就在她修改著画上的眼睛的时候，真的一只手从她踢在床下的毯子下面蠕动过来了，一只手从她的脚趾背后慢慢现身，然后以五指穿越五趾缝隙的方式握住了她的脚。晓菁尖叫──然后，真的醒了… 在动画公司上班的晓青不知道从什么时候开始夜夜噩梦，从小与弟弟相依为命的她只希望努力工作让两个人过好生活，自己的事情总是看得不那么重要。 启光才华洋溢但没有未来方向，念设计的他在叔叔的建筑事务所工作。因为小学六年级发生的意外事件，产生无法克服的心理阴影，养成什么话都说一半的坏习惯，总是陷入无法抉择的优柔寡断。 当晓青和启光相遇，两人各自深藏的心绪和压抑，似乎在与对方的相处中自然而然的被理解和疏导了... 只是无法掌控的人生并不会因为一份美好的交会而减轻她的残酷... 我们可以设计自己的人生蓝图。 但是鬼却无法设计出轮回蓝图，只能继续徘徊在人世间… 不想遗忘，渴望再见，所以还想，留在世上。

生于赌鬼之家，七岁家破人亡。满月被少年小豹所救，成为空门神偷。三年后小豹被千门所废，嘱其退隐寻亲，满月自此消失。三十五年后，化名吴名的满月隐居修车。其子阿浩赌输家业，被迫害入绝境。吴名重出江湖，以千术横扫赌场，震动千门。最终，他与千门大佬对决，对方竟是恩兄小豹。赌桌之上，千术尽展，吴名却坚守当年“远离千门”的誓言。小豹透露，寻亲线索，尽在千门女王“花姐”手中。吴名毅然再入千道，踏上终结恩。

利用很浅的景深以及局部特写把大型涂鸦、壁画和现实街景实现融合,或者壁画模特走到前景与背景的人物轮廓重合,这种有趣的视觉游戏与Varda出身摄影有关,或应和了内容:八十年代LA的涂鸦艺术成为不同族群表达和重塑身份的方法-亦是视觉的假象?画外音中的絮语与影片内容组成了标题Mural Mur的双关.

The movie tells the story of two brothers, Vijay and Ravi Verma, who follow different career paths: Vijay is a smuggler and Ravi the policeman who is asked to hunt Vijay down. Vijay Verma (Amitabh Bachchan) and Ravi Verma (Shashi Kapoor) are the sons of a trade unionist, Anand Verma(Satyen Kappu), who was defeated and disgraced by the management of his firm using his family as bait. Unable to bear the public disgrace father deserts the family, and the sons are raised by their mother(Nirupa Roy)who brings them to Bombay City, who suffers the trials and tribulations of a poor single mother. Vijay Verma, the elder brother, grows up with an acute awareness of his father's humiliation and is victimized for his father's supposed misdeeds. In the process of fighting for his rights Vijay, who starts out as a boot polisher and becomes a dockyard worker in his youth, becomes a smuggler and a leading figure of the underworld.

This is a film about two persons and a wall that blocks their path. Faced with the wall, one of them immediatelly and resigned submits, while the other refuses to admit defeat. In various ways he tries to surmount this obstacle - always falling. Finally, in despair but not admitting defeat, he smashes a hole in the wall with his head, paying for victory with his life... Now all the other has to do is bend down a little to pass through the hole. His path is open - at least as far as the next wall... A wall blocks the path of two people. One man submits, while the other refuses to admit defeat. Finally the second man smashes a hole in the wall with his head, paying for the victory with his life. Now the other person's path is open - at least until the next wall. Directed by Ante Zaninovic. 1966 Special Prize, London 1966 First Prize, San Francisco 1966 First Prize, Belgrade 1966 Honorary Diploma, Locarno 1966 City of Zagreb Award 1966 Special Diploma, Bergamo 1966 First Prize, Mamaia

这部围绕着以色列隔离带的纪录片由出生在摩洛哥的犹太女导演Simone Bitton制作。对以色列国防部长的访谈贯穿全片，他声称隔离带的作用是防止阿拉伯人恐怖袭击与盗窃，这条每千米造价200万美元的隔离带根据作用与施工环境的不同有多种构建形式：农田上的铁丝网妨碍了阿拉伯农民收获果实，有时只能看着果实烂在地里；居民区中间的水泥墙、哨卡分开了犹太人与阿拉伯人，孩子们在高墙下成长……为养家糊口而参与围墙施工的巴勒斯坦工头叮嘱导演去掉他的形象，因为这可能导致他被追杀。在影片最后，加沙地区又一次被封锁了。 本片获2004年马赛纪录片电影节最高奖。2005年圣丹斯电影节纪录类评委会特别奖。

一段人类历史上最黑暗的过去，陷入法西斯狂热的哥哥，因法西斯失去年轻生命的弟弟，总有很多人为少数人伪装过的私欲所操纵，并终将被自己建起的围墙所囚禁。

这是一个发生在普通街道上的革命故事。表面上看，阶层间的差距好像不算大，但实际上有着天壤之别。上层人士高高在上，他们衣着光鲜，只看得见自己巨大的脚步，以欺负弱者为乐，偶尔会施舍一些食物。下层民众如同老鼠，挨饿受穷，整日躲躲藏藏，不见天日。而故事的主角是一只拥有人类行为和智慧的老鼠，面对如此艰难的环境，它决心做出改变。

小纪和小凯，两个在狱中度过青春年华的少年，走出禁锢的牢笼后，面对久别的亲人与环境的现实，他们该如何向前？如何才能追赶岁月所遗留下来的人生空白？而父子之间那道看似无形，却具体存在的高墙，又该如何翻越？