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    梵谷与我 - 电影

    1991加拿大·法国剧情·家庭·奇幻
    十三岁的乔喜欢绘画,并且爱以梵高为偶像,追随他的画风。在偶然的情况下,有人买了她一张画,令她十分高兴。不料,她后来在杂志上发现这张画刊登了出来,却标示为梵高本人小时候的作品,以数百万高价卖出。乔感觉很生气,遂跟好友一齐追寻这张画的下落。全片节奏生动流畅,是不同流俗的青少年喜剧。

    梵谷的耳朵 - 电影

    1994中国台湾·美国短片
    吴米森《梵谷的耳朵》20min 年代1994 英文发音 中\英字幕 彩色\黑白影片 《梵谷的耳朵》为《松鼠自杀事件》导演吴米森在美国电影研究所的毕业作品。本影片与美国传奇诗人\反主流文化英雄\同性恋文化代言人\西藏喇嘛教徒──艾伦.金斯堡共同创作实验,跨越在实验\纪录之间,以诗与影像的对话,侧记这位《垮掉的一代》(The Beat Generation)之父。
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    梵谷-浓烈的黄色调 - 纪录片

    1993中国台湾纪录片
    本片介绍梵谷旅居法国南部阿尔及圣雷米时期,其生活形态及创作风格;对画家用色丰富、笔触演变、作画题材及方法等有深入的探讨。 梵谷及高更及弟弟西奥的关系,亲自布置黄色小屋的经过,片中亦有描绘。穿插出现的书信片段,更让人得以领会梵谷的用意与想往。 片中特别详细分析了作品《在阿尔的卧室》,除将收藏于阿姆斯特丹、巴黎及芝加哥的三个版本加以比对,还透过历史资料的研究,解决了画中某些疑点的争议。
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    某某与我 - 综艺

    2021内地喜剧·纪录片·脱口秀
    脱口秀演员们被什么样的人影响过,他的喜剧审美和创作方式又是怎样形成的?在这个节目里,你也许可以窥之一二。虽然这并不是他们的全貌,但他们曾经这么想,这么做的,这么与这个世界发生关联。
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    与我跳舞 - 电影

    2019日本日本·喜剧·歌舞
    是一部以一流商社工作的铃木静香为主人公的歌舞片,风格偏荒诞滑稽,静香在片中受到一位催眠师的催眠,当音乐响起的时候,就会止不住地唱歌跳舞。
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    迪奥与我 - 纪录片

    2014法国法国·传记·纪录片
    第一部纪录Raf Simons 入主巴黎老牌时装屋Christian Dior 迪奥的纪录片将于4月17日Tribeca Film Festival 翠贝卡电影节期间作全球首映,并参与Tribeca 翠贝卡世界纪录片竞赛单元。 名为《Dior et moi(英译Dior and I,中译Dior 与我)》的纪录电影追踪了Raf Simons 加盟Christian Dior 迪奥后创造首个高级定制系列的全过程。由Frédéric Tcheng 执导的该片让外界得以窥视一个时装系列诞生的背后,一群热忱、迷人和幽默的协作者之间对工作的真挚投入,是对高级时装屋作坊中的裁缝们的生动致敬。
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    金钱与我 - 电视剧

    2016其他·爱尔兰人文
    你是否每个月都在为还款发愁?你是否想买一样东西却因为囊中羞涩迟迟不敢剁手?你是否背负着房贷、车贷、学生贷款,喘不过气?让我们跟着个人理财专家凯特琳娜·德弗里克斯和辛妮德·莱恩学习如何理财,了解做好预算的重要性。业内人士还会就买房买车度假给出内部的省钱小建议。行为学专家彼得·卢恩还会用实验说明很多消费者心理,助你更好地做出经济决定。要知道只要你愿意省,钱总是有的!
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    未来与我 - 电视剧

    2024泰国电视剧·剧情·科幻
    通过四个引人入胜的独立剧集,探讨了在先进科技的冲击下泰国信仰和道德观面临的挑战,分别是:“害群之马”、“天堂”、“佛陀流量”和“章鱼女孩”。当科技冲击古老传统,文化织锦的裂口历历呈现。
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    麦昆与我 - 纪录片

    2011英国纪录片·传记
    Alexander McQueen had the kind of fashion genius that only comes around once in a generation. He reinvented the catwalk and created clothes that shocked and thrilled his audience. This dramatic and elegantly shot film tells McQueen's story, by examining critical relationships - most significantly with the eccentric stylist Isabella Blow, who was credited with discovering McQueen and making his meteoric rise to the pinnacle of world fashion possible. McQueen and I includes rare footage of McQueen, and unseen interviews with the woman who shared his ambitions and inspiration. McQueen's designs were beautiful, savage and revolutionary, erupting from his frenetic imagination. They catapulted him from tough beginnings in the East End to becoming the darling of the catwalks the world over. From his first graduation show, the hard-up McQueen found a muse and patron in Blow, an exotic aristocrat with a keen eye for talent who would embark upon a fierce campaign to propel the fledgling designer to the forefront of fashion and for his work to gain the recognition it deserved. To Isabella, McQueen was the genius 'who makes clothes fly'. The tempestuous connection between them was of two outsiders attracted by each other's exuberance and rebellious spirit. His striking collections and explosive shows quickly earned him a reputation for controversy and he shocked the fashion world. McQueen challenged every convention: with 'bumster' trousers and lunatic asylum shows, with car robots on the catwalk and Kate Moss as a hologram. Behind the creative drive of both McQueen and Isabella Blow was a darkness that couldn't be kept in check and that McQueen shielded from the public. In 2007, after repeated attempts, Isabella took her own life. One of McQueen's greatest shows was a memorial to her. Three years later and four months after his latest triumph in Paris - his best show yet according to critics - McQueen tragically echoed Isabella when he committed suicide in February 2010. The film-makers for McQueen and I interview friends, models and journalists, as well as his brother and his ex-boyfriend, to discover what McQueen was really like away from the limelight, the pressure that came with his success and how he changed through the rollercoaster years.
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    梦露与我 - 电影

    1991美国剧情·电视电影
    This engrossing telemovie tells the story of the on again off again romance between Marilyn Monroe and writer Robert Slatzer. Whether or not the couple actually married briefly in 1953, as Slatzer claims, is immaterial to your enjoyment of this well directed, written and acted film.
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