阿诺德是学校里的风云人物，前途似锦。帮助学生作弊的地下公司看中了阿诺德的才华，向他递出了沾满油水的橄榄枝。与此同时，学校和周围社会的接连变化，在阿诺德的世界里掀开阵阵涟漪，令人目不暇接。陈哲艺监制，泰国新锐导演索拉育·博拉帕斑用犀利和幽默的镜头语言，审视和切开了泰国新时代不容小觑的一角。

Karen marries Arnold at his funeral and continues to get his money as long as she stays by his coffin. Meanwhile, various oddball relatives after Arnold's wealth are being killed in a creative variety of ways.

When their trip to San Lorenzo takes a turn for the worst, Arnold and his classmate’s only hope of getting home is retracing the dangerous path that led to Arnold's parents' disappearance.

"The first socially provocative movie about the ten teenager sex trade in Korea" The high school girls, Eunbyeol and Honei, are schoolchildren who rank first and second in academic accomplishment. 'Honei' is the charger of class with good grades, a lot of money.

香港某小学有个特别顽皮的学生--阿超，同学们都因为不爱学习而与他格格不入，却被他作弄，连老师校长都拿他没有办法，但阿超特别喜欢武术，打遍全校无敌手。在一个偶然的情况下，阿超被一个来自内地的学生小琪感动后，决定痛改前非，争当“好少年”。由于社会风气不好，流氓青年阿成经常来到学校闹事，更甚至要抢夺学校刚收的的学费，阿超见义勇为，用自创的“无敌神拳”以寡敌众，打败了坏人而保卫了学校。学校特此为阿超颁发了“好少年”奖章。最后“好少年”能改变大家对他的看法吗……

在老家克里夫兰的演出中，大卫·A·阿诺德分享了不为人知的家庭趣事，笑谈婚姻中的小摩擦和娇生惯养的孩子们。

在老家克利夫兰（克里夫兰常见译法为克利夫兰）的演出中，大卫·A·阿诺德分享了鲜为人知的家庭趣事，调侃婚姻里的小矛盾以及被宠坏的孩子们。

“What makes Einleitung, in the words of its authors, a ‘film of agitation’, is perhaps the order in which it exposes things, the time it takes to restitute these images for what they are: images taken from the point of view of U.S. power, taken on the other side. This consists in cleansing the images of any sense of déjà vu, making them produce (sweat out, reveal, chase) the power which willed them into being and which wants us not even to find them surprising. From that moment, the horror is no longer the eternal return of the same in the guise of the same old thing (retro style) but the intolerable present (Holger Meins, 1975).” Serge Daney