农村汉大山去田间务农，循着哭声发现了晕倒在地樱桃，大山赶紧把樱桃带回了家，细心照顾，樱桃醒来后，心系家里的大女儿招娣，于是在一个深夜直接给大山留下一封信，离开了大山家，直到二十年后，樱桃凭着记忆找到了大山家

向阳村的赵老乐为儿子虎子的婚事忙前忙后，新儿媳荷花好不容易娶进了门，赵老乐却突然从外面捡了两个孩子回来。老乐不仅要养活孩子，而且还要让孩子过上和常人一样的生活。老乐视孩子为亲孙子，导致儿子及儿媳对老乐的误解。虎子病了，老乐为救虎子不遗余力，当虎子获得第二次生命时，村书记道出了实情，老乐这一生从未结过婚，老乐不但收养了两个孩子，就连虎子也是老乐收养的儿子。

影片讲述了空巢老人刘忠实苦苦等待儿子回家的故事。儿子刘晓义长大成人并在城里有了自己的家，忙碌的他却不曾留意家乡的父亲已日渐苍老，如山背影不在，而老人最大的安慰不过是一顿简单的团圆饭。影片意在呼吁社会关注“空巢老人”现象，提醒为人子女上善父母，给予不如陪伴，陪伴是最长情的爱。

Last day of a divorcing couple where they start to share a feeling to make the last day to be a good one. but the more they get closer, the more they realize the relationship is already over.

沈薇薇本拥有幸福人生，却被拐入深山嫁给年近六旬的周祖茂，受尽八年凌辱并被迫产下一子。哥哥沈佳终于带人将其解救，罪魁祸首伏法，可噩梦并未结束。面对这个象征着痛苦、屈辱与罪恶的亲生骨肉，沈薇薇陷入极度的创伤应激。她决绝地拒绝带走孩子，甚至在孩子哀求时喊出“你走吧”，舅舅与哥哥在愧疚与纠结中徘徊。故事展现了受害者在重获新生时，如何面对无法抹去的阴影与那段不被接受的血亲纠葛。

《越过那座山》是由崔宗泰执导编剧，李庆勋、李杭娜等主演的韩国电影，于2020年4月30日在韩国上映。

一位原本拥有美满家庭的千金小姐，被拐入深山，遭受八年炼狱般的囚禁与折磨，被迫为买家生下孩子。漫长等待后，家人终于将她从魔窟中解救。然而，面对那段被毁八年的人生，以及那个象征着屈辱与痛苦的孩子，她内心剧烈挣扎。尽管孩子苦苦哀求，渴望母爱，她与家人却因无法接受这混蛋留下的孽种，决绝地选择将其抛弃。

上世纪七十年代末，拥有孩子身高及容貌的年近三十的杜娟收养了一个女孩，取名笑笑。为了笑笑的舞蹈梦，杜鹃开始在城里创业，做起小吃生意。经过几年的奋斗，杜鹃的生意走上正轨，她也将笑笑送入了专业的舞蹈学校。然而虚荣的笑笑却开始对杜鹃渐生嫌隙。为了不拖累笑笑，杜鹃踏上寻找笑笑亲生父母之路，一只多年前遗留的小舞鞋，让笑笑的身世之谜浮出水面。为了笑笑 前途，杜鹃选择将笑笑送回生母舞蹈老师周兰身边，并依旧默默守护着笑笑，笑笑在新家没有得到想要的生活，她受到周家人排挤，眼睛更是在一次意外中受伤，面临失明危险。笑笑开始怀念养母杜鹃，要回到杜鹃身边。杜鹃也通过努力为笑笑治好眼睛，最终和笑笑重拾母女亲情。

讲述了两个在飞机失事中幸存的男女，在科罗拉多州渺无人烟的荒山野岭等待救援的日日夜夜中相爱的故事。

A long-distance driver, a drifter, journeys from a tenuous reality into a vision of the afterlife, called forth by the spirit of the mountain. Storyline： I received a phone call from a friend I hadn't heard from in years. I answered, excited, but on the other end was only uncontrollable sobbing. "Daniel passed away," she said, through choppy breath and loud tears. A shrill, hot, ringing sound filled my ears. Our mutual friend had overdosed on heroin. I first met Daniel during one of those hazy, humid summers you only get in Georgia. He was a living enigma: overflowing with mystery, and a sarcastic humor about what it was to be human on this planet. Our time together was spent driving around the suburbs, skinny dipping in the creek, and spending sleepless nights making art together. I was lucky to become close friends with him, he was the kind of person you meet once and never forget. During this time I had decided to come out as gay, despite a lot of backlash from the very conservative community I was living in. Daniel was the antithesis of all of that. He wasn't spitting hate and shame, but instead loved me for who I was. He continued to treat me with respect like the friends we always were. Daniel was the first person that was very close and special to me, to pass away. It happened like a flash. This sent me reeling through the long night trying to make some kind of peace. Which is when I started to write.—Caleb Addison Lanier