由二十五个成员国的导演各拍五分钟片段，表现个人观点中欧洲的现在与将来，突显它的自由文化及多元创意。老牌大师杜艾尔怀念恬适的农园生活，中生代如格连纳韦、郭利斯马基演绎历史记录遗民而不失个性。东欧新客心情特别复杂，经济悬殊与种族偏见，使他们怀疑、焦虑、绝望。

The 2-part feature-length documentary "25 ze šedesátých aneb Československá nová vlna" ("25 from the Sixties, or Czechoslovak New Wave") presents a complex view of the phenomenon of Czech and Slovak New Wave in the cultural and social context of the 60's. 25 fundamental films commented on by their makers and film historians offer the viewer a dramatic insight into the golden era of Czechoslovak cinema. The documentary is a follow-up on the biographical TV series "Zlatá šedesátá" (Czech Television, 2009), based on the filmmakers' personal remembrances. As opposed to the series, the documentary presents the Czech and Slovak cinema of the 60's in the national, international and also inter-generational context. It describes the ways the New Wave crossed the existing artistic boundaries, how it variegated the world cinema and where it left an ineffaceable impression. It analyses the work of filmmakers in a state-funded cinema, under the pressure of ideological demands on one hand and commerce on the other. It presents the dilemma of a man - an artist - on the edge between contradictory social systems and incongruous aesthetic requirements. The existential drama of a man acting freely and at the same time mercilessly crushed by the wheels of the system. The 60's are, from this point of view, mostly an era of fortunate historical constellation, not only in - at that time - Czechoslovakia, but on a world-wide scale. An era of expectations and upswing, but also an era of exemplary human decisions and artistic pursuit. Those are some of the things "25 ze šedesátých aneb Československá nová vlna" wants to commemorate. Part 1 comments on: ■"Slnko v sieti" ("The Sun in a Net," 1962) by Štefan Uher ■"Konkurs" ("Audition," 1963) by Miloš Forman ■"Křik" ("The Cry," 1963) by Jaromil Jireš ■"Postava k podpírání" ("Joseph Kilian," 1963) by Pavel Juráček & Jan Schmidt ■"Každý den odvahu" ("Courage for Every Day," 1964) by Evald Schorm ■"Démanty noci" ("Diamonds of the Night," 1964) by Jan Němec ■"Intimní osvětlení" ("Intimate Lighting," 1966) by Ivan Passer ■"Ať žije republika" ("Long Live the Republic," 1965) by Karel Kachyňa ■"Obchod na korze" ("The Shop on Main Street," 1965) by Ján Kadár & Elmar Klos ■"Romance pro křídlovku" ("Romance for Bugle," 1966) by Otakar Vávra ■"Sedmikrásky" ("Daisies," 1966) by Věra Chytilová ■"Ostře sledované vlaky" ("Closely Watched Trains," 1966) by Jiří Menzel Part 2 comments on: ■"Kristove roky" ("The Prime of Life," 1967) by Juraj Jakubisko ■"Stud" ("Shame," 1967) by Ladislav Helge ■"Svatba jako řemen" ("A Hard and Fast Marriage," 1967) by Jiří Krejčík ■"Drak sa vracia" ("Dragon's Return," 1967) by Eduard Grečner ■"Marketa Lazarová" ("Marketa Lazarová," 1967) by František Vláčil ■"Spřízněni volbou" ("Elective Affinities," 1968) by Karel Vachek ■"Spalovač mrtvol" ("The Cremator," 1968) by Juraj Herz ■"Zabitá neděle" ("Squandered Sunday," 1969) by Drahomíra Vihanová ■"Pasťák" ("The Decoy," 1968) by Hynek Bočan ■"Případ pro začínajícího kata" ("Case for a Rookie Hangman," 1969) by Pavel Juráček ■"322" ("322," 1969) by Dušan Hanák ■"Slávnosť v botanickej záhrade" ("Celebration in the Botanical Garden," 1969) by Elo Havetta ■"Všichni dobří rodáci" ("All My Good Countrymen," 1968) by Vojtěch Jasný

許久不見的克里斯提安(43歲)與吉奧(45歲)，終於在他們父親的葬禮上重逢。個性截然不同的兄弟難得聚在一起，在守靈夜酒酣耳熱之際，臨時起意決定去實現小時候的夢想-騎著電動自行車進行一趟從黑森林到波羅的海、橫越整片德國的冒險旅程。在這段時速最高僅25公里的漫活旅程中，兩人經歷了許多意想不到的遭遇，也重新認識了彼此，甚至改變了他們往後的人生。

南柱赫、金泰梨有望主演tvN新剧《二十五 二十一》(스물다섯 스물하나，暂译)。该剧由郑志贤(《国王：永远的君主》)执导，权度恩(《请输入搜索词：WWW》)…

《黑街二十五时》是由金晓天 执导，南宫远/南贞妊等主演的犯罪片，于1970年11月13日 (韩国)上映 。

为庆祝澳门回归祖国25周年，中央广播电视总台华语环球节目中心摄制五集献礼纪录片《二十五载莲花情》，通过“家国之情”、“多元之路”、“幸福之味”、“融合之城”、“未来之门”等五个维度，以生动的故事反映澳门回归祖国25年来、尤其是党的十八大以来，在以习近平同志为核心的党中央亲切关怀、战略指引下，“一国两制”在澳门的成功实践，细腻描绘澳门与祖国之间深厚的情感纽带，深刻揭示“一国两制”澳门成功实践背后的深层逻辑和情感基因，向世界讲述了具有澳门特色的“一国两制”成功实践的中国故事。

昔日校花安然为拉投资假扮“人生赢家”，却在人前惨遭揭穿……失意至极的安然喝得酩酊大醉，阴差阳错与比小六岁的讨债房东言樾，有了“一夜情缘”。不久后她发现言樾不仅是声优界的大明星黑沙，还是创业合伙人胡英俊找来的下个项目合作对象，而言樾却从不向外人透露他声优的身份。 在经历创业路上的一系列变故后，安然的游戏公司渐入佳境。曾经在感情中受挫的安然，也在与言樾嬉笑打闹的日常中被陪伴、被治愈，二人渐渐开始有时间和精力正视双方的情感。 突如其来的舆论危机，让两人陷入爱情与事业之间的两难。最终，安然持守着对游戏事业热忱的同时，言樾也走出害怕争吵的阴影，逐渐成熟，两人携手进退，一同让“喜欢的事业”走得更远。

是一部关于Jacques Demy 的《[http://www.imdb.com/title/tt0062873/ 洛城少女]》（Demoiselles de Rochefort，1966）的纪录片，片中混合了当初拍片的现场纪录和二十几年后Rochefort当地为影片庆生的实况。 In 1967, the phenomenally successful director of the films Lola and the groundbreaking musical Les Parapluies de Cherbourg, Jacques Demy, arrived in the little port town of Rochefort and, together with his art director, decorated the whole town in cheerful, almost surreal fashion for the filming of his next musical, Les Demoiselles de Rochefort. This enormously well-received film, packed with songs which became integral to French popular culture, put the little town of Rochefort "on the map." Twenty five years later, a lot of things have changed except for the fond memories of the people who worked on the film, and of the townspeople. In this celebratory documentary, Agnes Varda, the wife of Jacques Demy, brings some of the players and extras together back in Rochefort for some reminiscences. In keeping with the thoroughly romantic nature of the musical, she also tells the story of how Les Demoiselles de Rochefort's extras found romance and had their lives changed by participating in its making. The present-day story is highlighted by clips from the earlier film, and from a documentary of the period showing how it was made. ~ Clarke Fountain, All Movie Guide

温氏创始人温晚将独生女温知夏悉心培养，寄予厚望。然而温知夏却被赘婿江辰蒙蔽，在父亲寿宴上宣布让儿子改随父姓，并索要温氏股权。温晚识破江辰觊觎家产的企图，毅然收回财产，并找到了曾捐献骨髓挽救自己生命的恩人——贫困生陈妤。温晚认其为养女，改名温知妤，培养她成为温氏继承人。温知妤凭借出色的专业能力从基层做起，赢得认可。最终真相揭开：温知妤才是温晚的亲生女儿，当年因医院疏忽被抱错，温知妤正式接任温氏掌门人

温氏创始人温晚精心栽培独女温知夏，可女儿被赘婿江辰蛊惑，在寿宴上提出让孩子随父姓、索要股权。温晚看穿女婿图谋，转而找到当年救过自己的贫困生陈妤，收为养女改名温知妤悉心培养。后续身世揭晓，温知妤才是被抱错的亲生女，顺利执掌温氏，温知夏最终醒悟自立。