作过一次临时演员后，小康（李康生）罹患歪脖子的怪病，父亲（苗天）带其四处求医。 父亲虽已有妻、子，却是贪恋年轻男孩身体的同性恋者，家庭对他早已名存实亡，已丧失承担责任的能力（或认为并没什么责任要承担），可是对于小康，他又不自觉扮演起传统意义上的“父亲”角色，却也只能是失职的。小康是年轻的同性恋者，可是却并不清楚自己期望从同性处获得怎样一种安慰，父母的貌合神离不但令他对男女关系失掉信心，对同性关系的理解也盲从地认为只是两具肉体的短暂吸引、结合。而作为被丈夫（同时代男人）与儿子（更年轻的男人）同时冷落的母亲（陆筱琳），则只能默默忍受肉体与精神的双重饥渴与孤独。

Judge Krishna (Rahul Roy) and Radha (Manisha Koirala) are in love. Due to class conflicts, they are unable to marry, but continue with a very intimate relationship, which results in Radha getting pregnant. Then Gopal (Salman Khan) enters Radha's life, and he falls in love with her. Radha, who is still in love with Krishna, is unable to express her feelings for Gopal. Circumstances become favorable for Gopal and he succeeds in marrying Radha, and subsequently, Radha gives birth to a baby girl, Shanti. Leaving the child with Gopal, Radha then leaves him, never to return. Krishna and Gopal meet and become close friends, little knowing of their mutual love. Why did Radha leave Gopal? What will be the outcome of Gopal and Krishna's friendship when they both come to know of their love for Radha?

« Entre Pyrénées et Atlantique coulent des rivières puissantes qu’on appelle les gaves. Les champs de maïs les assoiffent, les barrages bloquent la circulation du saumon. L’activité humaine bouleverse le cycle de l’eau et la biodiversité de la rivière.» « Pour voir la rivière aujourd’hui, il faut filmer plus large que la rivière, il faut filmer le bassin versant, le cycle de l’eau. Il faut la faire exister dans ses extensions souterraines et aériennes, les nappes et les nuages, mais aussi la chercher jusque dans le champ de maïs, la frayère à saumons, les retenues qui la bloquent. Il faut la filmer suspendue entre mémoire d’un passé fastueux et peur d’un avenir desséché. Filmer les gaves, c’est filmer notre monde dans son intrication de beauté et de désastre. » (Dominique Marchais)

Film takes place at the end of XIX century in a tiny colony in a Yakut taiga. A young healthy girl (a thief hunter) who occasionaly visits the village falls in love with one of the patients, a young one, and bears his child. But suddenly his wife appears, and in this strange love triangle the tragedy becomes ripe...

A young woman and man meet for lunch in restaurant nestled in the mountainous regions of Lebanon. Suddenly war seems to break out all around them. They are forced to retreat into nature.

The River, of which the central theme is desire, is the most erotic film of the silent cinema. Wreathed with the laurels of worldwide success and with an Oscar for 7th Heaven, American filmmaker of Italo-Swiss origin, Frank Borzage (1894-1962) conceived this work with complete artistic freedom. The immense natural sets were built in the open-air on a lot at Fox Film in Westwood, Los Angeles. The initial situation is of an Eden-like simplicity: the initiation into love of a male virgin, a man of the woods coming into contact with a mysterious female urbanite about whom we learn but little, other than that she "has lived life to the full" and that she is always monitored by the crow belonging to her lover who was imprisoned for murder. There follow the hazards of seduction and refusal, ruses and inhibitions, endless desires confessed, with many hitches, right up to metamorphosis into love. The whole narrative unfolds on the banks of a river which reveals the nudity of the bodies (sex), the mortal perils of the vortex (passion), the purification and promise of a harmonious fulfillment (the sea.) When it first came out the film was pursued by misfortune: not quite knowing how to promote it, Fox disguised the work with a musical prologue and a spoken word ending, filmed behind the back of the cineaste (the 'talkie' version was unseen outside of the United States). The strong sensuality of the images shocked puritan America: The River was forbidden a screening in many States and a tacit consensus limited its distribution. Many newspapers passed over the film in silence, boycotted the publicity, and even the « New York Times » only granted it a small, embarrassed paragraph. In Europe the reception was warmer and the French movie-goers, amongst them the young Marcel Carné, praised the film to the skies (7 weeks exclusive in Paris). The surrealist milieus around André Breton saw in this Woman With Raven, as which the film was distributed in France, more true audaciousness and insight than in the entire French avant-garde. For the duration of the season, the disturbing Mary Duncan (1895-1993) provoked flights of fantasy under the same heading as Louise Brooks. Then the film disappeared, became a legend. It is rumoured to have been lost, just like the other mythic title from Fox, Murnau's 4 Devils filmed at the same time.

歌手苏晚因声带受损住院，男友陆承宇找来替身林薇薇，偷走她创作的歌曲《不愿》并获奖。苏晚康复后发声明维权反被诬陷抄袭，她化名“逆光”参加音乐比赛，凭原创作品夺冠后摘下面具公开身份，揭露林薇薇和陆承宇的侵权行为。最终法院判决林薇薇抄袭成立，苏晚夺回版权，重新回归乐坛。

《K歌一下》是由黑龙江电视台推出的一档以个唱为主并融入个人秀的栏目。只要你想唱歌；只要你能唱歌；只要你会唱歌！便可以在这里登上舞台、放飞梦想，乘着歌声的翅膀，走进七彩荧屏！

《K歌一下》是一档以歌唱为主并融入了个人秀表演的栏目。栏目集娱乐性、新颖性、观赏性、参与性于一身，集歌曲、舞蹈、脱口秀、乐器演奏、个人绝活等各种综艺形式于一身，栏目的参与者不但可以一展自己的歌喉，而且可以把自己的创意、自己的绝活展现给广大的观众。节目的主旨是用歌声送给大家快乐，用各种表演形式来展现选手，展现自我。