The film relates the cruel reality of a small mountain village. Inspired by the 100-year-old painting Il quarto stato (1901) by Giuseppe Pellizza da Volpedo, it takes the characters and situation of the painting as a starting point and creats an original fiction. Written by Anonymous

《士兵的歌谣》是导演赫尔佐格身临尼加拉瓜东北部米斯基托人领地所拍摄的纪录片。米斯基托人是中美洲的印第安人，其领地从洪都拉斯的卡梅伦角延伸至尼加拉瓜的格兰德河一带。由于历史原因（详见维基百科），米斯基托人从不认为受尼加拉瓜政府的管制，许多米斯基托人至今仍不认为自己是尼加拉瓜人。 1970年代和1980年代，桑地诺主义政府企图种族灭绝，包括强制迁移8500米斯基托人，毁坏100多个村落，这促使米斯基托人与苏木（Sumu）部落及拉玛（Rama）部落一起组成一支反政府游击队米苏拉斯塔（MISURASTA），并与（尼加拉瓜桑地诺政府的）反对派（Contras）结盟联合。

"Once upon a time, before people came along, all the creatures were free and able to be with one another", narrates the voiceover. "All the animals danced together and were immeasurably happy. There was only one who wasn't invited to the celebration - the frog. In his rage about the injustice, he committed suicide." Something Romani and frogs have in common is that they will never be unseen, or stay unnoticed. In her film, young director Leonor Teles weaves the life circumstance of Romani in Portugal today with the recollections of a yesterday. Anything but a passive observer, Teles consciously decides to participate and take up position. As a third pillar, she establishes an active applied performance art that becomes integrated in the cinematic narrative. Thereby transforming "once upon a time" into "there is". "Afterwards, nothing will be as it was and the melody of life will have changed", explains a voice off-camera.

暂无剧情简介

暂无剧情简介

这部作品源自托勒（Toller）的戏剧《机器破坏者》（*Die Maschinenstürmer*，1922 年），但将其主题迁移至 2011 年后的埃及和后工业化的波兰的棉花产业遗迹与废墟之中。这部电影通过对技术进行批判，从始终受技术进步历史影响的当代工人群体的视角，重新解读了卢德主义运动。

《神童歌谣》是一档在《人气歌谣》结束后播出的新形式脱口秀节目，节目中神童会和下班的KPOP Star一起聊天。神童将与爱豆歌手们探讨新专辑和《人气歌谣》舞台背后的故事，同时还会进行新曲宣传。

《歌谣舞台》是韩国KBS电视台自1985年11月4日起开始播出的超长寿音乐节目。