A group of artists are invited to be inspired by the work of the well-known, Belgian filmmaker Chantal Akerman, specifically her film News from Home (1976). The busy city of New York serves as the film’s main character. Meanwhile, we hear Akerman’s voice reading letters from her mother in Brussels. She recounts daily anecdotes from the home front and increasingly urgent requests for news from New York. A group of artists are asked to make one film together: each with their own voice, style, and starting point. During the working process, questions arose such as: how do you as an artist relate to another film practice, how do you create a collective work while maintaining your individuality? You’ll see no less than five different films within one kaleidoscopic film: Stone, Hat, Ribbon and Rose by Eva Giolo, Barefoot Birthdays on Unbreakable Glass by Rebecca Jane Arthur, When Things Fall Apart by Katja Mater, Un Âne by the artistic duo Sirah Foighel Brutmann and Eitan Efrat, and The possibility of being sea by Maaike Neuville. Details such as letters and metros, and themes such as dislocation, detached city life, alienation versus feeling at home, distance versus proximity, and the mother-daughter relationship echo Akerman’s films.

喜剧演员凯南·吉尔在少年时给未来的自己写了一封信，他重新审视在信中制定的人生目标，向大家汇报他是否达到了自己的期望。

An abandoned GDR factory. More than 400 dusty job application letters from the years 2004 to 2008 lie scattered in the cellar of the administrative building. Alongside the traditional phrases of a covering letter, the documents contain descriptions of personal circumstances and memories. The wishes of the applicants, as well as their fears and pain, are laid bare in their effort to find a place in the free market economy. A documentary contemplation of the individual behind the workforce.

Over the course of a day in a California hospice, three terminally ill patients are observed with their families reflecting on life and death.