An evil Oriental Dragon Lady injects three martial arts fighters with a serum that turns them into zombie-like assassins, and she sends them out against her enemies.

2003年的未来世界，由一个冷酷无情的首领利用先进武器所统治，他拥有一个庞大集团专门生产先进武器，而该集团的总裁尼高逊突然暴毙，死因不明，且死状恐怖，于是神秘女子卡莉接任总裁一职。卡莉上任不久，立即与首领对抗，面对着首领设计的杀人武器——杀神十号展开一场龙争虎斗。

設計典雅，功能明確，目的只有一個，就是致人於死。刑具取材於並啟發許多世界偉大發明，將折磨與恐怖機械化，一起來探究索命形具的工程學。 第一季： 1，古代刑具 2，中世紀發明 3，現代機關 第二季： 1，古羅馬酷刑 2，女巫與異端 3，宗教法庭

Shortfilm sequel to the movie Meatball Machine. There is no real action but we’ll see a bunch of aliens kill both each other and humans.

Netflix同时确定续订《爱，死亡和机器人》第三季，第三季预计于2022年播出！

《爱、死亡 & 机器人》是一部动画短片合集，涵盖科幻、奇幻、恐怖和喜剧等题材。每集都采用大胆的叙事手法，故事好看易懂，令人印象深刻。该剧集是第一…

To the south of the Indian metropolis of Surat in Gujarat province lies a vast industrial zone that has been growing ever since the 1960s. Director Rahul Jain filmed the grueling daily routine in just one of the many textile factories there. In the factory, man and machine seem to have fused into one being. It is dark and dank, and barely any daylight penetrates the space. The labor is heavy and mind-numbing, and the work days seem endless. We are drawn into a gloomy world where the cacophonous beat of machinery sets the rhythm of toil. Jain is as interested in the mysterious connection between worker and product (the fabrics are treated mechanically, but also with love) as he is in the degrading conditions. Each shift lasts 12 hours, for adults and children alike, and wages are extremely low. Short interviews are interspersed throughout the observational sequences, some of which are captivating in their beauty while others are painful to watch – such as when we see a boy nodding violently in his struggle to stay awake. (From IDFA official website)

To the south of the Indian metropolis of Surat in Gujarat province lies a vast industrial zone that has been growing ever since the 1960s. Director Rahul Jain filmed the grueling daily routine in just one of the many textile factories there. In the factory, man and machine seem to have fused into one being. It is dark and dank, and barely any daylight penetrates the space. The labor is heavy and mind-numbing, and the work days seem endless. We are drawn into a gloomy world where the cacophonous beat of machinery sets the rhythm of toil. Jain is as interested in the mysterious connection between worker and product (the fabrics are treated mechanically, but also with love) as he is in the degrading conditions. Each shift lasts 12 hours, for adults and children alike, and wages are extremely low. Short interviews are interspersed throughout the observational sequences, some of which are captivating in their beauty while others are painful to watch – such as when we see a boy nodding violently in his struggle to stay awake. (From IDFA official website)

在一个阴冷的小镇上，所有的人都能够分成两类：将要离开的和计划着离开的。年轻的卡琳娜梦想着能够成为一名演员并且看一看外面的世界。安东尼奥爱上了卡琳娜，并在一个电视节目上宣称他将做一件轰动的事，即到未来旅行，将自己的一切都给卡琳娜；如果失败的话，就将有一部死亡机器当这所有观众的面杀死他。整个小镇都在等着他实现诺言……

Michel Peneud va mourir. Comme vous, comme moi, et comme sa mère, sauf que sa mère, c'est son médecin qui le lui a dit. Alors elle a décidé de vivre. Et vivre pour la maman de Michel Peneud, ça veut dire nourrir ses chats, boire du mousseux comme si c'était du champagne, et aimer Michel. Mais cet amour, Michel le trouve parfois un peu encombrant. A tel point qu'il semble soudain développer des symptômes très proches de ceux de sa mère. Et si Michel avait lui aussi un cancer du sein?