暂无剧情简介

A man becomes a suspect in a serial murder case after waking from a coma with no recollection of who he is

都柏林市好客的三姐妹，每年都在家举办新年宴会，亲朋好友籍此机相聚畅谈，均感快慰。宴会散席之后女主角在楼梯间听到男高音清唱的一首爱尔兰古老的情歌，忆及年轻时她的情人爱唱的同一首歌。在回到旅馆之后，坦然向丈夫道出情人为她殉情而死的往事，令丈夫惊觉到：原来他对太太的了解是那么少！而人的心灵又是如此幽黯深远！

An experimental short film of flashing images made by Stan Brakhage.

本片是巴西著名实力派女演员Fernanda Montenegro（《中央车站》）的银幕处女作，讲述一个遭受生活打击的女人一心求死的痛苦经历，也是她至今表演最成功的作品之一，首次获得了巴西电影节最佳女主角奖而成名。本片改编自Nelson Rodrigues的戏剧，由新浪潮导演Leon Hirszman执导。 Woman who is obsessed with death wants a first-class burial for herself, and even buys a luxury coffin beforehand. Zulmira (Fernanda Montenegro) is a woman who visits the doctor when she decides she is dying. The doctor pronounces that she is in good health, but Zulmira sets aside a sizeable sum of money for her elaborate funeral. She catches cold and asks her husband (Ivan Candido) on her deathbed to take the money for the services. The roguish husband passes himself off as a cousin and gives her the cheapest available funeral. He goes to a soccer game where he gambles away the rest of the money and falls apart emotionally in this grim and satirical comedy drama. Leon Hirszman's films pursue the subtle and the psychological searching for the contradictions of character. A FALECIDA (THE DECEASED WOMAN, 1965) wills her own death in anticipation of her opulent funeral. Her husband, following her instructions, discovers her rich and corrupt former lover and uncovers a passionate and abandoned side of the woman who, with him, had always been neurotic, repressed and obsessive. This film was based in a Nelson Rodrigues' story. It's about a married woman , who lives in a suburb in Rio de Janeiro . She's not happy and dreams of a sophisticated funeral for herself. Fernanda Montenegro is one of the best actresses of Brazil and Nelson Rodrigues one of the best dramatists. A great drama.

在等待舍友回来的时候，郑叶（郑业 饰）遇到一系列惊悚的事情，她的舍友（房洁 饰）突然以离奇的方式出现在自己面前，到底是往事的追忆还是一场悲伤的梦，只有郑叶自己来发现……

这是一部独特的比利时纪录片，致力于生命的终结，三位不同导演的作品，介于“世界电影”和最残酷的电影之间。Visioniamo不同的地方（美国，比利时，墨西哥，韩国，尼泊尔和泰国）与显示死亡，在来世的通道或一切的结束不同的文化。尸体解剖，腐烂的尸体，宗教仪式往往是暴力或离奇，最后意志和谁显示和绝症病人的话捕获，楚楚可怜的人性的脆弱的未经审查的时刻。

朝圣者在日食之时来到神秘的大教堂门外。 拄着手杖，他洞开可教堂的大门。教堂里充满诡异且压抑的气氛，两旁林立着枯槁的神像。神像的脸追随着朝圣者的步伐转动，朝圣者穿过神像，来到悬崖边上。 这时日食过去，阳光透过林立的枯槁神像射向朝圣者。那光芒明亮耀眼，直刺向朝圣者的胸膛。

在意大利恐怖电影中，可能再也找不到比米歇尔·索伊的作品影响更广、承继更多的了，他的作品能保证意大利恐怖电影在下个千年仍有一席之地。本片是对神怪电影颇有价值的补充，同样也是意大利电影哥特式风格的回归。影片开始是一个发生在过去的序幕，圣殿骑士长惩罚犯有巫术罪的村民，并在埋葬他们尸体的大坑上建造了一所教堂。之后故事跳到现今，一位历史学家发现了教堂的秘密，受害者的灵魂开始操控他，对抗教会和世人。