陈小美偷走男朋友的钱从此失踪，有人在河边发现了箱子，里面装有尸体，怀疑死者是陈小美，后来陈小美的男朋友承认杀死了陈小美。可是本案疑点重重，重查解剖，发现死者无论身高，年龄还是指纹，都与陈小美完全不同，警方报纸新闻希望有人来认尸，后来洪太太和母亲一起去认尸，证明死者是自己的妹妹，而警方查证一切证据都指向洪太太的丈夫洪正雄，于是警方开始追捕洪正雄.........

在四个夜晚内有三名女性惨遭杀害，前海军情报局中校、私家侦探约翰·杜瓦尔发现自己成了警方追捕的首要嫌疑人。警方正在搜寻那个在朴茨茅斯寂静深夜里作案的性杀手。

玲瞒着丈夫跟午夜牛郎私通，一日不幸被牛郎与两个歹徒拍下裸照，进而恐吓、敲诈。曼玲不堪屈辱，与歹徒起争执，被杀害、毁尸灭迹。歹徒心狠，再联系曼玲丈夫震峰要求绑票赎款........

泰班迪就读大学期间，他潜藏的兽性已表露无遗。当时他对女友史芬妮有着出轨、变态的要求，更逼使她当地就范。泰得不到性满足。一次巧合下，他跟踪心仪对象，偷窥她春情亵衣。自此他胆子大起来，由偷窥至主动强奸，发展至虐杀才赢得快感。如是者，泰多年间奸杀过百少女。被捕的泰竟成功逃狱，再成为少女恶梦。究竟为何泰会踏上不归路？他的下场又如何？

RED RINGS OF FEAR (ENIGMA ROSSO), 1978, 85 min. Director Alberto Negrin wraps up the SOLANGE trilogy in this giallo where more sexually precocious schoolgirls bite the dust. Fabio Testi is the police inspector on the murderer’s trail, and Christine Kaufmann is his girlfriend. Chock-full of red herrings, perverse twists, sleazy situations, outrageous dialogue and an out-of-left-field climax, punctuated by Riz Ortolani’s groovy score.

轰动一时的宝马山双尸案发生在八五年四月二十日，本身是学校划艇队成员的简尼因左肩受伤，没有出席练习，与女同学尼歌拉相约到鱼涌郊野公园温习，结果两人一去不返。翌日一名张姓晨运客在宝马山配水库附近山坡，发现二人倒于草丛中，揭发此案。二人的遗体其后分别运返英国下葬。警方高度重视案件，派出六百多人搜山，又出动直升机高空搜索，为收集线索，警方设立热线，并封锁附近的中兴大厦，以问卷访问居民。警方在案发后六个多月仍茫无头绪，据悉当时简尼父亲任职公司的一名总裁曾匿名悬红五十万元，协助警方破案。最终警方接获线人报料，逾百名探员即时跟进调查，警方有组织及严重罪案调查科遂于当年的十一月二十八日先后在葵涌、深水及尖沙嘴拘捕十七人，包括五名被告，化验结果证实该对九号球鞋确属简尼所有。尹三龙被捕后供称，事发当日他与彭信义、谭士欢、张有及赵伟文五人途经宝马山，发现简尼及尼歌拉正在温习，彭随手拾起一根木棍，他们抢去简尼金表，彭要求与尼歌拉发生性行为遭拒，于是一面用棍殴打她，一面把她拉到山下强奸，又用烧烤叉指吓其余四人，要他们将二人杀死免留后患。结果五人把木棍架在简尼颈上，然后大力踩踏玩“摇摇板” ，又拆去简尼肩上的绷带及用尼歌拉的衣裙勒他的颈项，简尼痛苦挣扎，最后气绝身亡。他们又把木棍及汽水瓶放进尼歌拉的阴部，直至其几乎死去，再以木棍施刑，最后尼歌拉失救而死。警方在凶案发生后的7个月，一起拘捕5名凶徒，包括3名成年被告彭信义、谭士欢和赵伟文，以及未成年的尹三龙和张有恒，全部控以两项谋杀罪。当中只有尹三龙承认谋杀，且出庭顶证四名同党，结果陪审团于87年裁定各人罪成。 3名成年犯判处终身监禁，2名少年犯则判处“等候英女皇发落”的刑期。案中有两人是未成年人，鉴于青少年罪犯犯案时心智尚未成熟，加上法庭不把青少年罪犯和成年罪犯同样看待，本应从轻发落考虑。但是本案性质十分恶劣，所以只好由英女王出面特赦，目的是好让青少年怀着对女王的感恩之心，可以有个改过自身的机会。然而人生有时就是这么有戏剧性。就在这个时候，中英开启了对于香港归属问题的谈判，哪还顾得上他们。结果等候女王发落莫名的成了无期徒刑。直到97年以后董建华上台，对此案做了重新判决。2004年，当年的“宝马山案”的案犯之一尹三龙出狱，成为首名放监的宝马山双尸案犯人。

Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder. “Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much. The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.

A team of spelunkers, when investigating a system of caves beneath a small town, come across a hideous creature that can move through walls.

潘茜的人生如同困兽之斗，身心双重煎熬将她异化为戾气横生的刺猬——与家人争执不休、在牙医诊所爆发冲突、对主治医师怒吼、甚至与超市收银台的女孩剑拔弩张。丈夫科特利长久以来束手无策，儿子摩西终日缄默地游荡在街头，仿佛活在平行世界。唯有胞妹尚特尔以温柔织就的救赎之网，成为这个濒临崩解的家庭中最后的锚点。

剧情/科幻/惊悚/恐怖