本片片名原名：贾斯廷，公映改为本名现在有BD《贾斯廷：美德之不幸》

Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder. “Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much. The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.

A team of spelunkers, when investigating a system of caves beneath a small town, come across a hideous creature that can move through walls.

快要结婚的一对男女参加派对的时候，意外发现这位男人过去的第三者，派对结束后男女分开过夜。在晚上的横滨展开现代青年轻佻浮薄的爱情故事，又像关于爱情的形而上学的考察。他们最后得到的结论是感动还是嘲笑？

克里斯蒂安（瑞秋·麦克亚当斯 Rachel McAdams 饰）与下属伊莎贝拉（劳米·拉佩斯 Noomi Rapace 饰）在工作之外还有不少私人接触，然而表面良好的关系之下，克里斯蒂安为获得事业发展不惜剽窃了伊莎贝拉的广告创意，将功劳揽在自己身上，心生罅隙的伊莎贝拉与克里斯蒂安的情人德克（保罗·安德森 Paul Anderson 饰）发生了关系，并试图挽回自己因克里斯蒂安遭受的职业挫折，结果遭到了克里斯蒂安更强烈的羞辱。伊莎贝拉发现克里斯蒂安掌握德克贪污的证据，并欲将之告发，伊莎贝拉随即将证据藏匿。不久，克里斯蒂安在自己家中被害，现场遗留的证据指向伊莎贝拉，然而她是真正的凶手么？

一部通过足球反映社会变迁的电影。 “Garpastum”这个生僻的单词其实是一种古代运动的名字，这种运动一度被认为是足球的前身，在影片中，它就代表了足球。通过踢足球的事反映社会的变迁。故事发生在第一次世界大战前夜的圣彼得堡，两个兄弟沉浸在对青春和足球的热爱中，然而，这个国家正在俄国共产党的带领下向新纪元迈进，一场球赛，贯穿了两个社会。

克里斯蒂安（瑞秋·麦克亚当斯 Rachel McAdams 饰）与下属伊莎贝拉（劳米·拉佩斯 Noomi Rapace 饰）在工作之外还有不少私人接触，然而表面良好的关系之下，克里斯蒂安为获得事业发展不惜剽窃了伊莎贝拉的广告创意，将功劳揽在自己身上，心生罅隙的伊莎贝拉与克里斯蒂安的情人德克（保罗·安德森 Paul Anderson 饰）发生了关系，并试图挽回自己因克里斯蒂安遭受的职业挫折，结果遭到了克里斯蒂安更强烈的羞辱。伊莎贝拉发现克里斯蒂安掌握德克贪污的证据，并欲将之告发，伊莎贝拉随即将证据藏匿。不久，克里斯蒂安在自己家中被害，现场遗留的证据指向伊莎贝拉，然而她是真正的凶手么？©豆瓣

During a Caribbean holiday, a British civil servant finds herself falling in love with a Russian agent.

In the world of power and money, the wealthy and powerful Crane family rule the town of Harmony from their mansion on Raven Hill. But behind the money are many lies and secrets. Most of what the Cranes do affects the other core families: the working class Bennets, the Russells, and the Lopez-Fitzgeralds. The wealthy Hotchkiss family cause's a lot of problems in Harmony. They are heavily involved with the much wealthier Crane family. And everyone must watch out for Tabitha Lenox, who is thought to be the crazy neighbor of the Bennets, but is actually a 300 year old with who plays god with everyones life.

《激情》改编自法国影片《罪爱》，原版由英伦顶级女星克里斯汀·斯科特·托马斯和法国女星露德温·塞尼耶主演，讲述了某跨国公司中两个女人之间诱惑与操控、吸引与对抗的微妙关系，而这种关系带来的是一场精心策划的谋杀。此番布莱恩·德·帕尔玛的翻拍版取名“激情”(Passion)，故事场景也从法国巴黎搬到了英国伦敦。