Biophilia Live is a 2014 British concert film by Björk, directed and edited by Peter Strickland and Nick Fenton. The film features Björk performing tracks from her Biophilia Tour, which started in June 2011 and ended in September 2013. It was filmed at Alexandra Palace in London on 3 September 2013, and screened in hundreds of theaters across the world in 2014. 　　The film has been released on digital download, on DVD and Blu-ray on 25 November 2014, and subsequently on CD release with the live audio.

Biophilia Live is a 2014 British concert film by Björk, directed and edited by Peter Strickland and Nick Fenton. The film features Björk performing tracks from her Biophilia Tour, which started in June 2011 and ended in September 2013. It was filmed at Alexandra Palace in London on 3 September 2013, and screened in hundreds of theaters across the world in 2014. 　　The film has been released on digital download, on DVD and Blu-ray on 25 November 2014, and subsequently on CD release with the live audio.

暂无剧情简介

暂无剧情简介

1. Brianstorm 　　2. This House Is A Circus 　　3. Teddy Picker 　　4. I Bet You Look Good On The Dancefloor 　　5. Dancing Shoes 　　6. From The Ritz To The Rubble 　　7. Fake Tales Of San Francisco 　　8. When The Sun Goes Down 　　9. Nettles 　　10. D Is For Dangerous 　　11. Leave Before The Lights Come On 　　12. Fluorescent Adolescent 　　13. Still Take You Home 　　14. Da Frame 2R 　　15. Plastic Tramp 　　16. 505 　　17. Do Me A Favour 　　18. A Certain Romance 　　19. The View From The Afternoon 　　20. If You Were There, Beware

1. Brianstorm 　　2. This House Is A Circus 　　3. Teddy Picker 　　4. I Bet You Look Good On The Dancefloor 　　5. Dancing Shoes 　　6. From The Ritz To The Rubble 　　7. Fake Tales Of San Francisco 　　8. When The Sun Goes Down 　　9. Nettles 　　10. D Is For Dangerous 　　11. Leave Before The Lights Come On 　　12. Fluorescent Adolescent 　　13. Still Take You Home 　　14. Da Frame 2R 　　15. Plastic Tramp 　　16. 505 　　17. Do Me A Favour 　　18. A Certain Romance 　　19. The View From The Afternoon 　　20. If You Were There, Beware

Sent to music school at the age of 5, and at the age of 11 released her first album. But, she felt funny about it, 'cause it wasn't her work. Then she got involved in punk. Shows GREAT video of Einar Orn in Purrkur Pillnikk and Bjork in Tappi Tikkarass, and shows her book Um Urnat! And clips from the Kukl video "Anna"! Then the Sugarcubes, one of the first people they talk to is Beck, who discusses hearing Birthday for the first time.. the video for "Birthday" is shown. 　　Then Bjork moves on to her solo career, looking for new challenges. She collaborates with Graham Massey, on songs she had written since childhood. It shows an adorable clip of her singing "The Anchor Song" accompanying herself on an old pedal organ, in a little church. With gorgeous sights of Iceland. 　　She explains the mood of each album: Debut is like a polite new-comer, and Post is like a wide eyed girl consumed by the city and the city is consuming her. She talks about the story of Isobel, called Isobel, because of the ISO-lation. Elton John says: "A lot of people who aren't that musical, say "oh it's a lot of rubbish, it's noise", but it's not, it's extremely clever. And it's far more sophisticated then most things that are out there, by a hundred thousand times." (Agreed!) 　　According to Bjork, Homogenic is about a person put in an impossible situation, with a lot of pressure. She'd work 16 hours a day, rarely with a day off. Homogenic is like a warrior, not one with weapons, but one with love. Homogenic was like a "blue period" for her. She discusses Joga, like a national anthem with patriotic strings. She collected actual volcanic beats, for the song. 　　RZA dicusses Norse mythology with surprising insight. About how Iceland is filled with such fascinating mythology, about the different deities. And how Bjork is kind of a "warrior princess" :-) 　　Bjork discusses that she thought she was at first an atheist, but then she matured and realized she did have a religion, nature. She discusses her love hate relationship with classical music. 　　Then onto Dancer in The Dark. Just seeing and hearing the clips made me choke up. That movie is so sad. She's not a trained actor, she worked by instinct. And Sean Penn point's out "If someones preserves their instinct from a young age, training becomes an inhibitor" 　　And of course, it discusses the swan dress, and Elton John expresses his wrath about the critisism it got, AGREED! 　　Bjork: "The girl in Dancer in the Dark, was very introverted and kind of heard of all these noises in her head, like a locked universe". And Vespertine is about an internal world, what happens under her skin. Shows the videos for Pagan Poetry Cocoon..and Bjork discusses Icelandic passion. 　　Then the film tells about how she has now left Europe and settled in New York, and shows her working on a computer with her microbeats. And she discusses Matmos. And Matmos talk about their interesting collaboration with her, and shows them on the Vespertine tour. Lastly shows her singing Generous Palmstroke.

Sent to music school at the age of 5, and at the age of 11 released her first album. But, she felt funny about it, 'cause it wasn't her work. Then she got involved in punk. Shows GREAT video of Einar Orn in Purrkur Pillnikk and Bjork in Tappi Tikkarass, and shows her book Um Urnat! And clips from the Kukl video "Anna"! Then the Sugarcubes, one of the first people they talk to is Beck, who discusses hearing Birthday for the first time.. the video for "Birthday" is shown. 　　Then Bjork moves on to her solo career, looking for new challenges. She collaborates with Graham Massey, on songs she had written since childhood. It shows an adorable clip of her singing "The Anchor Song" accompanying herself on an old pedal organ, in a little church. With gorgeous sights of Iceland. 　　She explains the mood of each album: Debut is like a polite new-comer, and Post is like a wide eyed girl consumed by the city and the city is consuming her. She talks about the story of Isobel, called Isobel, because of the ISO-lation. Elton John says: "A lot of people who aren't that musical, say "oh it's a lot of rubbish, it's noise", but it's not, it's extremely clever. And it's far more sophisticated then most things that are out there, by a hundred thousand times." (Agreed!) 　　According to Bjork, Homogenic is about a person put in an impossible situation, with a lot of pressure. She'd work 16 hours a day, rarely with a day off. Homogenic is like a warrior, not one with weapons, but one with love. Homogenic was like a "blue period" for her. She discusses Joga, like a national anthem with patriotic strings. She collected actual volcanic beats, for the song. 　　RZA dicusses Norse mythology with surprising insight. About how Iceland is filled with such fascinating mythology, about the different deities. And how Bjork is kind of a "warrior princess" :-) 　　Bjork discusses that she thought she was at first an atheist, but then she matured and realized she did have a religion, nature. She discusses her love hate relationship with classical music. 　　Then onto Dancer in The Dark. Just seeing and hearing the clips made me choke up. That movie is so sad. She's not a trained actor, she worked by instinct. And Sean Penn point's out "If someones preserves their instinct from a young age, training becomes an inhibitor" 　　And of course, it discusses the swan dress, and Elton John expresses his wrath about the critisism it got, AGREED! 　　Bjork: "The girl in Dancer in the Dark, was very introverted and kind of heard of all these noises in her head, like a locked universe". And Vespertine is about an internal world, what happens under her skin. Shows the videos for Pagan Poetry Cocoon..and Bjork discusses Icelandic passion. 　　Then the film tells about how she has now left Europe and settled in New York, and shows her working on a computer with her microbeats. And she discusses Matmos. And Matmos talk about their interesting collaboration with her, and shows them on the Vespertine tour. Lastly shows her singing Generous Palmstroke.