艺术家双人组马茨·拜格特和拉尔斯·伯格斯特2018年的新片《气候实验》展现了人们逐步发觉自己影响气候变化的过程。影片标题“气候实验”既指那些反对将自然视作资源宝库的研究，也指两位艺术家自己所从事的数个旨在应对温室效应的地质工程项目。影片中，观众将跟随两位艺术家去年的脚步踏上科考之旅，举办重要展览，参加公共作品的揭幕仪式并与记者、环境历史学家和气候研究人员会面。艺术家能否成为心系社会的研究者？现代艺术能否用新的方式引起人们对一些问题的注意，从而影响公众舆论？这些都是这部影片尝试解答的问题。

纪录片导演塞拉聚焦化石燃料开采之殇，却遭AI系统不断阻挠——后者执意将影片篡改为俗套爱情故事。受德国卢策拉特青年抗议者牺牲精神感召，塞拉率团队在零预算下坚持创作，同时对抗AI的糖衣麻痹战术。当剧组全员被吸入AI打造的浪漫喜剧幻境，塞拉不惜代价夺回叙事主权。这部与加州洪堡大学Z世代影人合作的荒诞寓言，将自然资源开采、人类数据榨取、注意力经济掠夺三重剥削并置，折射气候危机下的代际裂痕。

气候变化是近年来人们广泛探讨的问题，高海拔的北方国家还在纸上辩论，靠近赤道的南方国家却已经感受到气候变化的影响。地势低洼的孟加拉国已经受到气候变化的冲击：旱季雨季分期不明、季节降水紊乱、农业生产遭受重创、干旱和洪水轮番蹂躏沿海地区的居民... 谁会想到，这个国家的人民竟然会因为缺水和洪水而背井离乡，来到陌生城市的贫民窟；一些人冒险偷渡进入他国，最后的终点仍是贫民窟... 等待他们的，将会是怎样的未来？

詹姆斯·伊沃里发现了他在1960年一次改变人生的阿富汗之旅中制作的胶片盒，这部电影从未完成，镜头在一个盒子里保存了60年，无人问津。而这些电影讲述了他作为旅行者、局外人和艺术家的生活。

The Marcenat couple seem to have everything they need to be happy. However, Odile's frivolity and Philippe's jealousy drive the couple apart. Philippe, manager of the family printing business, finds solace in Isabelle, a long-time employee at the paper mill. Isabelle's routine life, entirely devoted to her work, leads Philippe to strike up a romantic relationship with the playful young Misa. But, faced with Isabelle's grief, Philippe puts an end to the romance. When Odile, inconsolable since their break-up, finally commits suicide, Philippe realizes that she was his true love.

全球变暖，如何与之战斗，引起了激烈的争论，如何看待地球这种变化成了世界范围里的头条新闻，但科学家什么时候怎么发现全球变暖的，为什么这会导致激烈的争论，我们应该相信么？在BBC 2 三部系列片，地球-气候战争中，地质学家伊恩·斯图尔特对气候变化的历史有个权威的指导介绍

讲述了人类饮食习惯的改变过程，食物大批量生产所带来的一系列后果，以及肥胖与瘦弱的根源是什么，其中，一定有你想象不到的结论。

A masterwork of Sri Lankan cinema, this moving saga of family and class conflict was made by Lester James Peries, his country’s foremost filmmaker and a director much admired by India’s Satyajit Ray. Gamperaliya is regarded as a cornerstone of Sri Lankan cinema, launching upon its release in 1964 ‘a revolution, not only in the way films were made, but also in the content,’ according to producer Anton Wickramasinghe. Peries sought an alternative to the Bollywood-influenced melodramas that dominated Sri Lanka’s commercial cinema, writing stories that looked at the staple issues of melodrama in a more nuanced way. The film, adapted from a novel by Martin Wickramasinghe, focuses on Piyal, a teacher and member of the new rising middle class, who falls in love with the daughter of his village’s leading aristocratic clan; the girl’s parents insist upon a marriage to a stuffed shirt of her own class, one that shifting social forces are already rendering obsolete. Gamperaliya is filmed in an elegant and uncoercive narrative style that has been compared to Satyajit Ray’s Apu Trilogy; its aesthetic choices also have a moral dimension: at every level, this is a movie about the importance of setting aside illusion and exaggeration and seeing things as they are.