1994年9月15日（21:02 - 22:54），该作品在东京电视台系列作为东京电视台开播30周年纪念电视剧播出。副标题为「出租车司机目睹！可怕的计划杀人陷阱」。收视率为17.3％（视频研究调查，关东地区）。

A live action version of the classic hentai, OGENKI CLINIC attempts to translate the absurdist sex comedy of the animated series into a live setting. A hospital for patients who have any kind of sexual dysfunction, the Ogenki Clinic is always filled with weirdos, nymphos, and lots of beautiful women. Whatever problem a patient may have with sex, the wacky Dr. Ogenki and his sexy nurse, Ruko, are here to help. This team is devoted to bringing pleasure to those in pain and joy to those who despair.

某大公司的人事课长桐野省三有三个适婚年龄的女儿。长女直子虽是上班族，却涉足股票并获利，是才女类型；次女麻纪是电视导演，全身心投入工作，是胜似男子的类型；三女桃子是女大学生，运动全能，是活泼好动的类型。这些女儿都是早年丧妻的省三独自抚养长大的。女儿们一致决定在父亲生日时安排他相亲。另一方面，省三被社长印藤叫去，被要求进行第298次裁员。省三临近退休，不想再进行裁员了。不久到了省三生日，麻纪的警察男友石毛带着一位叫君子的中年妇女来了。省三不知道这是相亲，和君子亲切地谈笑。与此同时，印藤家发生了一件麻烦事。独子良平提出要和脱衣舞女珍妮·原田结婚……

一部纪录片，捕捉了世界上发生的人类看似疯狂的行为，并着眼于我们这个时代的悲剧。 这部电影捕捉了逃离轰炸的儿童，76年10月在国立法政大学举行的反塔诺姆集会上政府军和学生之间的枪战，78年5月扎伊尔种族灭绝，当时反对莫布尔总统独裁统治的叛乱分子入侵科尔韦伊并屠杀了60名白人，以及78年在南美洲圭亚那人民圣殿教的900人集体自杀。 由莱昂内特·法布里制作、导演、编剧和摄影，亚历山德罗·亚历山德罗尼作曲，塞尔吉奥·萨维安监督。 日文版的旁白是芥川孝之和小林恭司。

Jayasinghe describes Dhara as a profound story of liberation that resonates on both personal and universal levels. “It’s about defining liberation through individual and collective actions,” he explains, rooted in his memories of the 1987-1989 insurgency in Sri Lanka, a time when conflict touched nearly every aspect of life. His own journey through periods of social unrest, marked by oppression and marginalization, deeply influences the story. The film unearths two distinct paths to freedom: the revolutionary and the spiritual. “Revolutionary liberation seeks to overthrow oppressive systems, challenging the status quo and envisioning a society free from corruption and injustice,” he explains. “Spiritual liberation aims for enlightenment, transcending suffering and cycles of rebirth.” This duality is the foundation of Dhara, blending these outer struggles for justice and societal reform with an inner search for personal peace and understanding. The two paths, though distinct, weave together in the narrative, illustrating how liberation can be both an act of defiance and a journey toward inner harmony. In Dhara, the characters must navigate between these worlds, each choice bringing them closer to their own understanding of freedom.

本片为中国传媒大学艺术学部动画与数字艺术学院13级学生毕业作品。

本片为中国传媒大学艺术学部动画与数字艺术学院13级学生毕业作品。