This is an unusual film of exceptional values--75 minutes long in color, with hardly any spoken dialogs. I saw this Iranian film in Farsi without English subtitles at the Early Iranian cinema retrospective on-going International Film Festival of Kerala, India. That I was watching a print without subtitles did not make a difference as there were very few lines of spoken dialogs. This is a very accessible film for any audience to enjoy--its story and values are not merely Iranian, it's universal. The film is set in rural Iran that had not tasted petro-dollar prosperity. The setting is on fringes of desert land, where water is scarce, rainfall scanty and hardly any blade of grass is green. Add to it wind and dust that buffets and whips man and animal and you can imagine plight of the people who live on the fringes of society. The film is moving tale of a young teenager returning to his village with a goat--only to find his family and villagers have moved on to escape natures vagaries and that one old man remains. He gives the goat to him and goes in search of his family. Water is scarce and well water it treated with reverence and never wasted.

An optically-printed canvas which explores the interior feel of world moving with inherent fluidity through a medium of wind and water. It presents an impressionistic portrait of unnatural forces that collide.

风水大师、建筑学者、气象专家共聚一堂，介绍天气气候对我国民间建筑风格以及民俗民风的影响，共同营造高品质生活。

以《爱在这里错在那里》于康城大出风头的何子彦，用一个镜头拍出来的《土》，是充满符号、意象的历史述说。

《土》（1939年出品）是日本电影史上的不朽名作。内田吐梦为了拍摄农村由于四季变化而不同的劳动情景，在这部影片上花费了两年多的时间，在茨城县农村修建了一所真正的农舍，摄制组人员在这期间同农民一起生活，认真体验农民真正的生活感情。事实上，这部影片让观众看到了死守住的土地、咬紧牙关艰苦奋斗的贫农的精神。

“男人爱上的是女人的美貌，女人爱上的是男人的权力，这才叫自然规律…”《一半是土，一半是水》作为一部实验性的家庭影像，讲述了中产阶级家庭脱离大家族去异地发展之后，人在陌生环境微妙的异化，从更具现代性的角度诠释了何为乡土。

纪录片以观众视角跟随陈丹青及策展团队，穿梭于木心美术馆过去十年的历次特展——《列宾笔下的托尔斯泰》《鲁迅来到乌镇》《上海赋》《贝多芬：英雄与人》《普希金：朝霞的孩子》。记录了陈丹青在历次特展中处心积虑、具体而微的幕后工作，忠实捕捉了每项展览诞生的细节和趣事。透过展览，你会看到一位艺术家的承担和一段跨越生死的友谊。“风啊水啊一顶桥”是木心在谵妄中看到美术馆设计图时的呢喃，现在回头看这句话像是一个隐喻——艺术是风，时间是水，而这座桥连接的是此岸与彼岸、东方与西方、过去与未来。

《幻土》属惊悚题材，剧情讲述两位警察追踪一名在本地填海工地工作的外藉劳工时，忽然失联。宏荣扮演前CID探员，在查案及寻找失踪客工的过程中，由于太投…

该片由曾在圣丹斯电影节摘得评审团特别奖的导演Miles Joris-Peyrafitte执导。故事背景设定在20世纪30年代的美国，经济萧条和沙尘暴肆虐着美国的普通百姓，一个15岁的男孩为了高额的赏金开始漫漫追捕路，他的目标正是玛歌特·罗比饰演的女劫匪。

萨伊德在森林深处拥有一家锯木厂，为了给他 18 岁的女儿莎拉一个更好的未来，他决定卖掉这家锯木厂。但他却不知道，他的一名学徒被兄弟逼得走投无路，被迫在工厂里藏了大量的可卡因。 当毒品所属的帮派出现时，萨伊德很快意识到这些狠角色极为难缠。尽管寡不敌众，但他对自己工厂的了解无人能及。为了保护莎拉，萨伊德被迫反击，把锯木厂变成了一个严阵以待的营地。随着伤亡人数的增加，复仇之火也愈烧愈旺…