影片《水母眼》是村上隆根据自己孩提时的一个梦境为原型创作的影片，村上导演希望观众可以通过观看这部影片回忆起自己的小时候的梦。故事围绕一名叫正志的小学生展开，小学生正志搬家的时候在一个盒子里发现了神秘的生物，他非常喜欢这个神秘生物并给它取名叫“水母宝宝”。正志搬家后转入了新的学校，一天，他带着“水母宝宝”一起去上学，没想到同班的同学们也带了大人们都看不见的神秘生物“朋友”来到了学校……。 另外，担任创作《水母眼》主题曲的创作者是曾经因为Google Chrome创作主题曲《Tell Your World》而声名鹊起的KZ。

一个月前失去了双胞胎弟弟的“我”，以弟弟的死为开端，因家人的话语而受伤，于是离家出走。“我”来到了目的地的海边小镇，却因为整晚淋着海边的雨而患上感冒，在意识朦胧中被名叫岚的男子带回了家。“我”撒谎说丧失了记忆，并在岚所经营的食堂中停留。几天后的夜里，“我”悄悄地走了出去，却被岚发现并被叫住，也因此知道了岚所拥有的“秘密”——by:m.yakubd.cc

堕胎时，女孩从体内排出一只水母。

2013年・第5回沖縄国際映画祭コンペティション「Peace部門」で上映。クラスで浮いていた孤独な女子高生・宮下夕紀が、水族館のクラゲの水槽の前で同じクラスの叶子と出会い、唇を重ねたことから互いにひかれあっていく姿を描く青春劇。新潮社の「女による女のためのR-18文学賞」受賞作を映画化していく「R-18文学賞」シリーズの第2弾。

歡迎來到果凍石小鎮，這個迷人的小鎮，有你最喜愛的漢納巴伯拉動畫角色，他們在這裡一起生活、工作和遊玩……與此同時，還忍不住為彼此製造麻煩。

Clémence has been severely injured in a car accident, leaving her unable to talk and walk normally. When her sister Romane's boyfriend takes an interest in her recovery, their relationship becomes unbearable for Romane.

http://www.screenonline.org.uk/film/id/711817/index.html This experimental animation from the Amber Film Collective stands apart from the documentaries and social realist films, mostly concerned with life and work in the North East, that would become the collective's usual stock in trade. It was the third release to appear under the Amber banner, and the second of only two animations (the other being 1969's A Film). Jellyfish employs a variety of experimental approaches, combining stop-motion and pixilation techniques, freely mixing black and white photography of beach landscapes, objects and people - along with some drawings - to build a poetic, very textured montage, eliding the real and the surreal, the beautiful and the eerie, the spirited and the deadly. Figures and objects are isolated, linked together only by their presence on a beach, all exposed to direct or indirect threats. The different jellyfish are as much at threat - washing up dead, stranded in the desolate landscape - as they are a threat - appearing suddenly and making people vanish. Jellyfish resonates with a sense of unseen menace prevalent in the 1970s, at the height of the Cold War. With its mushroom cloud shape (providing the film's most direct image), stinging tentacles and alien appearance, the jellyfish makes a potent symbol for the atomic bomb. The film makes at first implicit, and later explicit, references to nuclear threat: the emblematic jellyfish, a woman disappearing in a toxic cloud, anonymous suited politicians around a table, a recurring image of a man running (in terror?). The mood of urgency and anxiety is enhanced by the soundtrack and editing, which grow faster and more staccato as the film goes on. In 1973, at the time of the film's making, the Vietnam War was still in progress, while the full extent of the risk of a full-scale nuclear war following Russia's intervention in that year's Egypt-Israeli war only emerged later.

巨型水母的瘟疫蔓延了整个日本——数十亿这种相扑选手级别的凝胶状生物将疯狂破坏日本的沿海城市。巨型野生水母——宽两米多接近200公斤，是世界上最大的水母。全球变暖造成其数量的增长——今年日本会见证这种爆炸级的增长。

米莉·波比·布朗将主演Wanuri Kahiu([肯尼亚式友谊])执导新片[水母物语](The Thing About Jellyfish，暂译)。影片改编自阿里·本杰明撰写的同名小说，围绕即将升入七年级的女孩苏茜展开。当她最好的朋友在溺水事故中去世时，她并不相信她母亲说的有时“事情就是这样会发生的”。苏茜确信这场悲剧的真正原因是她的好友被一种罕见的水母蛰了。她开始进入一个充满想象力的沉默世界，并制定了一个全球性的计划来证明她的理论，在书中探讨生死观念、友谊的脆弱以及近在咫尺的希望。

在一个宁静的郊区社区，斯宾塞（Spencer）一家被邻居金凯德（Kinkade）搅得无法入眠。金凯德是个好心但行事古怪的邻居，他养了一只宠物水母，还在后院大声播放节日歌曲。从夜晚到黎明，金凯德的种种举动让斯宾塞从烦躁变得愤怒。随着金凯德怪异的行为对斯宾塞产生威胁，这个夜晚逐渐失控。